Here are 100 books that War of a Thousand Deserts fans have personally recommended if you like
War of a Thousand Deserts.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I really enjoyed this terrific book about how the US political conflicts led to a foreign war against Mexico and how that war became increasingly unpopular.
Greenberg shows how characters like the charismatic Henry Clay, the young, almost unknown congressman Abraham Lincoln, and the dark horse president James Polk jousted on the national stage. This is a great read, especially for anyone with an interest in the intersection of biography and history.
Our 1846 war with Mexico was a blatant land grab provoked by President James Polk. And while it secured the entire Southwest and California for America, it also exacerbated regional tensions over slavery, created the first significant antiwar movement in America, and helped lead the nation into civil war. A Wicked War is the definitive history of this conflict that turned America into a continental power. Amy Greenberg describes the battles between American and Mexican armies, but also delineates the political battles between Democrats and Whigs—the former led by the ruthless Polk, the latter by the charismatic Henry Clay, and…
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I grew up in upstate New York near the Canadian border, and one of the crucial battles of this war was fought there. When I was growing up, we were told this war was a successful one for the United States, and Taylor shows how this was true in some ways but not very true at all in others.
This is a sprawling tale with a huge cast of characters, and it includes the perspectives of ordinary people from various groups.
In the early nineteenth century, Britons and Americans renewed their struggle over the legacy of the American Revolution, leading to a second confrontation that redefined North America. Pulitzer Prize-winning historian Alan Taylor’s vivid narrative tells the riveting story of the soldiers, immigrants, settlers, and Indians who fought to determine the fate of a continent. Would revolutionary republicanism sweep the British from Canada? Or would the British contain, divide, and ruin the shaky republic?
In a world of double identities, slippery allegiances, and porous boundaries, the leaders of the republic and of the empire struggled to control their own diverse peoples.…
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I have long been fascinated by the epic failure of France’s effort to be a power player in the New World, and I have never been terribly satisfied by books that leave out the Mexican side of that story.
I love that Jonas did great research in Europe and Mexico. He also knows how to tell a great story as a story. This book is full of tragedy, but many of the shady characters involved in this doomed effort give it a significant comic touch.
The story of how nineteenth-century European rulers conspired with Mexican conservatives in an outlandish plan to contain the rising US colossus by establishing Old World empire on its doorstep.
The outbreak of the US Civil War provided an unexpected opportunity for political conservatives across continents. On one side were European monarchs. Mere decades after its founding, the United States had become a threat to European hegemony; instability in the United States could be exploited to lay a rival low. Meanwhile, Mexican antidemocrats needed a powerful backer to fend off the republicanism of Benito Juarez. When these two groups found each…
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I hate books that make history bloodless and gloss over the often-ugly events that made the world what it is today. This is a short book with a lot of emotional energy, mostly in the form of burning outrage and irony.
I also really enjoyed how he made the voices of the American soldiers the central part of this book.
The dark side of Manifest Destiny; The Mexican-American War (1846-48) found Americans on new terrain. A republic founded on the principle of armed defense of freedom was now going to war on behalf of Manifest Destiny, seeking to conquer an unfamiliar nation and people. Through an examination of rank-and-file soldiers, Paul Foos sheds new light on the war and its effect on attitudes toward other races and nationalities that stood in the way of American expansionism. Drawing on wartime diaries and letters not previously examined by scholars, Foos shows that the experience of soldiers in the war differed radically from…
As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good.
I often ask what the nature of laws and authority is. In the "Old West," when there was no overarching central authority, the survival of the fittest was the law. I’m curious how the clash of the old world with the new becomes a never-ending cycle and where it may lead.
I loved how none of the characters were all good or all bad, they were just survivors. This book is not meant to be liked or disliked. It’s meant to be experienced and "danced with."
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I am a Professor of Management at the University of York, England. My interest in ambulances and paramedic work is derived from research I have conducted into England’s National Health Service. This is a ‘free at the point of use’ service which, at its best, provides world-class care to citizens without charge. But the system is terribly underfunded. I am always struck by paramedics’ growing clinical ability, compassion, and devotion to their patients. But equally, I’m alarmed by the extent to which ambulance organizations are desperately overstretched, to the point where the system–and its workers face extreme everyday challenges.
This book is engrossing. Because of its fascinating setting, it is unique among the new wave of sociological or anthropological books on paramedic work. Jusionyte has written a remarkable ethnography about paramedics and EMTs working in the US-Mexico borderlands.
While much of the details of ambulance work are familiar, this setting is novel, alien, and disturbing. The book is a powerful critique of the militarization of borders and why this is detrimental, divisive, and degrading. Jusionyte writes with great style and panache; it’s a gripping story crafted in a polemical but persuasive fashion.
I learned a great deal about how the distinctiveness of geographical and political settings can massively influence and shape occupational culture and worker behavior. This is a creative and original work.
"Jusionyte explores the sister towns bisected by the border from many angles in this illuminating and poignant exploration of a place and situation that are little discussed yet have significant implications for larger political discourse."-Publishers Weekly, STARRED Review
Emergency responders on the US-Mexico border operate at the edges of two states. They rush patients to hospitals across country lines, tend to the broken bones of migrants who jump over the wall, and put out fires that know no national boundaries. Paramedics and firefighters on both sides of the border are tasked with saving lives and preventing disasters in the harsh…
My own experiences have made me a strong believer in the potential of journeys, big and small, to change our lives and the way we navigate the world. I made a journey in highly unusual circumstances, a journey that became a pilgrimage, and I think I know now that devotion is the key to transformation on the road. It may be the key to everything, in fact. That’s what I want to read about. Devotion is what every one of these books has in abundance, as well as care for the task, total honesty, and no fear of feeling.
A major part of why I read is to feel. Few books have moved me as strongly as this one. I deeply loved John Grady, and reading this book as he fought for love, his life, and the lives of his friends was a terribly painful experience.
Of course, it was worth it for the redemption, the passion and fidelity, the horses, the rivers, and the open plains. The emotions of McCarthy’s characters blaze through their sparse and natural dialogue.
When I emerged, heart wrung out and now strangely energised and peaceful, I felt differently about the world and for a while found it easier to belong to. My sense that beauty could emerge from adversity had been bolstered.
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American…
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
This novel explores one of the many subplots and dynamics occurring around popular culture and cartel expansion in Mexico.
Following the life of a composer and performer of narco-corridos—a musical genre that sings praises to drug lords and kingpins—, this novel delves into the peripheries of violence and the adulation of drug cartel personalities in mainstream culture while at the same time offering a glimpse at the dangers posed to artists delving into such themes.
Having a composer and musician as the central figure of the narrative makes this novel one of the most lyrical texts exploring subjects of violence.
In the court of the King, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core. Part surreal fable and part noir romance, this prize-winning novel from Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage and power.
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
In a corrupt border town, a principled Mexican narcotics officer clashes with a jaded American cop, unraveling a web of deceit and murder that tests their loyalties and sense of justice in a gripping noir thriller.
Directed by Orson Welles, the 1958 film adaptation Touch of Evil is famous for its opening tracking shot, often cited as one of the greatest long takes in film history. Despite initial studio interference, the film has been reevaluated over the years and is now considered a classic of film noir and is often listed among the best films of all time.
A revisit of the 1950s classic that inspired Orson Welles's film Touch of Evil
Assistant District Attorney Mitch Holt suspects the wrong people have been arrested in the murder of Rudy Linneker. But if it wasn't Linneker's daughter and her fiance, who was it? And why do two of the city's most decorated and beloved cops look like they're not shooting straight? If they've planted evidence in this case, what else are they guilty of in the past?
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
My experience of reading this book is wooly, smokey, visceral, and consuming. His poetry takes a microscope to the guts, the excrement, the feel underfoot of the natural world. Just as he takes me into the detailed realm of the beech tree or lizard, he swoops me into the emotional feel-scape of loss, grief, belonging, and isolation.
Gander’s use of language is relatable and also stark, new, and encyclopedic. This book is perhaps his most famous work, having earned him a Pulitzer. It is condensed and distilled as rare bitters; open the bottle and let its pungent spirit subsume you.
Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section-a moving transcription of Gander's efforts to address his mother dying of Alzheimer's-rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy…
