Here are 100 books that Walter Langley fans have personally recommended if you like
Walter Langley.
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As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
When I was a boy, like many others, I was infatuated with tales of adventure. Treasure Island, Last of the Mohicans to name but two. At that time the illustrations in these books just leapt off the paper and fired my imagination. It was later when I became a serious student of art that I discovered that many of these illustrations were made by N.C.Wyeth. An American artist (19th-20thc) whose later son, Andrew Wyeth, became world-famous.
In Treasure Island, there is a painting of Blind Pugh, a ferocious pirate. I lost track of the times I tried as a boy to copy this work, an incredible figure painting full of movement and atmosphere.
A collection of art by the Wyeth family accompanied by essays written by people closely associated with the Wyeth tradition. They give a balanced picture of this remarkable dynasty of artists, and of their work within the context of 20th century America.
As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.
Pirates, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle….It is improbable that anyone else will ever bring his combination of interest and talent to the depiction of these old-time Pirates, any more than there could be a second Remington to paint the now extinct Indians and gun-fighters of the Great West.
As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
Rowland Hilder was born in the USA but migrated to the UK as a young boy. He made his name as a brilliant watercolor artist. What set Hilder apart from other practitioners was his love of the English Landscape in winter. This treatment endeared him to the thousands of Hilder followers. This was a new genre at the time (mid 20th century). The book is semi-autobiographical in addition to the numerous full-colour palates. It tells of his early childhood and moving to the rural countryside of Kent in England. As a student, he went to Goldsmith’s College London, and later became an R.I. Wonderful book for Hilder fans.
A collection of the artist Rowland Hilder's work, this book also paints a picture of his life as a child in America, his experiences in Kent amongst the rural community and his student days at Goldsmith College.
As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
Walker Evans was a documentary photographer. He was one of the first to discover that the photos he took of the mundane or overlooked could contain as much or more merit and compassion than the grandest scene. His work has a social consciousness which was not always appreciated at the time (1930s) in an age of great depression in the USA. He was dispatched by the Farm Agency Commission to document rural oppression in the plains and deep south of America, and his photographs hold nothing back. They tell it like it was.
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
Marc Holmes is an extraordinary artist and urban sketcher who has been at the forefront of the global sketching movement over the past fifteen years. In this book, he presents very useful and applicable techniques for building observational drawings using graphite, pen and ink, and watercolor.
Marc’s approach to watercolor, in particular, is lively and expressive—I’ve personally learned much from his work in this popular medium.
Capture the bustle and beauty of life in your town.
Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll fi nd everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes.…
Books are my passion; architecture relates to my profession. The combination, for me, is pure joy. I get such pleasure building my personal library of architecture, design, art, and photography books. After having been a magazine editor and writer, I founded Taylor & Company in 1994, to promote the value of architecture and design. My respect for architects is deep—they create something that must function in all ways and are still able to express themselves creatively. The books I’ve selected are all written by architects, giving me an extra layer of admiration for their talents to express themselves in other media.
An award-winning architect and poet, Marx explores creative ideas through poetry and watercolors, giving a very different way to view the art and craft of architecture. The paintings have a mysterious calm to them—evoking the work of Giorgio de Chirico—and are poetic in themselves. And then, you get actual poetry alongside the paintings! Graphic artist Jeremy Mende’s layout of the poems adds yet another layer of artistry. The tactility of the book as an object is delightful. Printed on thick watercolor paper, the book appears as a precious portfolio of secret thoughts and dreams.
John Marx's watercolours, first published in the Architectural Review, are a captivating example of an architect's way of thinking. Subtle and quiet they are nonetheless compelling works in how they tackle a sense of place, of inhabiting space and time all the while resonating with the core of one's inner being. There is an existential quality to these watercolours that is rare to be found in this medium. Something akin to the psychologically piercing observational quality of artists like De Chirico or Hopper.
As architects strive to communicate their ideas, it is interesting to explore the world of Marx's watercolours…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
The watercolor illustrations in this book are absolutely gorgeous, and the story itself mixes magical realism with an insightful truth. In providing us with opportunities, our parents have to sacrifice a little bit of themselves. Throughout the book, this abstract sacrifice is portrayed by the parent’s shrinking scale. The parents offer a few inches of their height in exchange to give their child a birthday cake, education, and books. Throughout time, the reader sees the parents shrink smaller and smaller as they give more and more of themselves to the young boy. This is a book that made us want to tear up, and a book that we wish we could have written.
From the author of the award-winning picture book This Small Blue Dot comes a new tale of a family that doesn’t look like all the others, carrying an enduring message of the transformative power of love, and the shape a life can take.
It goes without saying that all children believe their parents to be strange. Mine were unusual for a different reason . . .
One boy’s parents travel from far-off lands to improve their son’s life. But what happens next is unexpected. What does it mean when your parents are different? What shape does love take? And what…
I have been drawing fantasy creatures and characters for over thirty years now, and have collected hundreds of fantasy, art, and art instruction books over the decades. Both drawing and reading are a passion of mine, so I am happy to share some of my favorite fantasy art books that I have in my own personal library.
Pui-Mun Law has been one of my favorite artists since I discovered her website over twenty years ago. She is an accomplished artist, and her books are not only filled with beautiful artwork that will inspire any fantasy artist, but also contain very detailed tutorials and sketches. Although the tutorials focus on finishing pieces using watercolor, this book is also filled with beautiful pencil sketches and guides on drawing different poses, body parts, and scenery to suit your fantasy character. Her watercolor style is uniquely detailed and precise, which makes the book a great reference for artists using drawing mediums as well.
Angels, faeries and mermaids have engaged the imaginations and enchanted the brushes of artists for centuries. Now you can evoke the spirit of these mystical creatures and create fantastic works of ethereal art in watercolor. Twenty step-by-step projects show how to create fantastic scenes that are elegantly styled, brilliantly colored, and alive with a sense of wonder.
I'm an artist, writer, teacher, and longtime yoga practitioner. I started practicing yoga in my early twenties during a difficult time in my life and the peace, grounding, and community that I discovered in yoga have stayed with me over the years, growing and evolving over time. One of my favorite experiences was the opportunity to teach children and teens who had never even heard of yoga before. Now I'm a professor at San Diego State University and also started and run a statewide program called Prison Arts Collective, bringing art programs to people who are incarcerated. We often include mindfulness and breathing exercises along with art.
This isn’t technically a yoga book but is a beautiful and relatable book for adult friends of children to connect to their intuition, decompress, and express themselves (so, in essence, it is a yoga book, just not in name!). Adults including parents and teachers can find a space to connect to their inner sense of truth and play, soothing and recharging the spirit. The book has lovely loose watercolor paintings and brief but meaningful prompts throughout, inviting readers to add their own thoughts, ideas, experiences, and responses right on the pages.
When the way forward seems uncertain, where can we turn for guidance we can trust? For yoga luminary, meditation teacher, and artist Elena Brower, the answer has always been close at hand.
"Whenever I've needed direction, strength, or centering, I've so often turned to my own journals. Why? Because many of the answers we seek are found within ourselves."
Now, for those compelled to the pen and page, Elena invites us to gather our own wisdom through writing, self-inquiry, and reflection. Practice You is a portable sacred sanctuary to record our flashes of insight, find our ground, create and clarify…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
This heartwarming watercolored picture book follows a crocodile as he sets off into the great metropolis for his morning commute. With no words at all, this book expertly shows the bustling, dynamic city life with both human and animal inhabitants. Each page is compositionally unique, and it is a masterclass in pacing and paneling. Despite the urban landscapes, the illustrations are rendered in a way that feels like a breath of fresh air. And best of all, the last page will make you want to revisit the entire book from beginning to end.
Mr. Crocodile loves his job. Every morning he gets up with an alarm. He brushes his teeth. He chooses the right tie to match his outfit, eats a quick slice of toast, and heads off to work on a crowded train. But what is his job? The answer may surprise you. Readers will want to pore over this witty, wordless book again and again, finding new details and new stories with every reading.
