Fans pick 73 books like Walker Evans First and Last

Walter Langley was a 19th C English artist who specialized in watercolor paintings. His journey began in the Industrial city of Birmingham UK where he developed great skill and mastery of watercolor. His career took off when he moved to the Cornwall fishing village of Newlyn. There he found the subjects and characters that would feature in his work and with which he would make his name. He was elected to the prestigious RI in London. 

This book is a biographical in-depth study of his life and work featuring numerous full-color plates. The incredible skill sets in the paintings he made show that watercolor as a medium, used with passion and care, deserves total respect. In the hands of a true master any subject can be rendered in a convincing and moving manner.

When I was a boy, like many others, I was infatuated with tales of adventure. Treasure Island, Last of the Mohicans to name but two. At that time the illustrations in these books just leapt off the paper and fired my imagination. It was later when I became a serious student of art that I discovered that many of these illustrations were made by N.C.Wyeth. An American artist (19th-20thc) whose later son, Andrew Wyeth, became world-famous. 

In Treasure Island, there is a painting of Blind Pugh, a ferocious pirate. I lost track of the times I tried as a boy to copy this work, an incredible figure painting full of movement and atmosphere.

On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.

Rowland Hilder was born in the USA but migrated to the UK as a young boy. He made his name as a brilliant watercolor artist. What set Hilder apart from other practitioners was his love of the English Landscape in winter. This treatment endeared him to the thousands of Hilder followers. This was a new genre at the time (mid 20th century). The book is semi-autobiographical in addition to the numerous full-colour palates. It tells of his early childhood and moving to the rural countryside of Kent in England. As a student, he went to Goldsmith’s College London, and later became an R.I. Wonderful book for Hilder fans.

Larry Clark is most well known for his controversial 1995 motion picture Kids, but decades before refashioning himself into a filmmaker, Clark got his start as a shutterbug. His first and most critically acclaimed photo essay, Tulsa, was on the heroin habits of friends from the fringes of his Oklahoman hometown throughout the 1960s. His follow-up book, 1983’s Teenage Lust, is a much more accomplished and focused collection; Clark dials up to 11 his intrigue for rebellious children, paralleling the graphic imagery with anecdotes of his own wayward youth. Out of print for decades, good luck finding an affordable copy.

Veteran photographer Larry Fink once called my own book of photography “boring”, which I wear as a badge of honor, as I would have to be on the street-beat for as long as he has – 50 years! – before I could ever measure up to his skill and accomplishments. Fink specializes in juxtapositions, and in this touching series from the early-‘80s, he spends time among the working class of rural Pennsylvania as well as nouveau-riche socialites of New York, then couples the imagery into a telling tale of two cities. He has an uncanny ability to get right up in his subject’s business at their most vulnerable moments, and in that regard, among Fink’s large body of work, Social Graces is his most poignant.

In the 1930s, Dorothea Lang photographed poor and migrant families across the United States. She documented the devastating impact of the Great Depression, contributing to raising national awareness about the consequences of poverty. In this outstanding and engaging biography, Linda Gordon tells the story of her life and work and how her photographs were part of a larger political movement to transform and expand social protection to US citizens.

Manhattanite David Godlis took up street photography in the 1970s, spending after dark at the now-notorious Bowery punk-rock bar, CBGB. However, few others could have predicted that the bands he was capturing in their infancy would go on to become some of the most iconic musicians of the era: Blondie, the Ramones, the Talking Heads, the Cramps... Godlis’ lens is grainy and gauzy, using only the scant natural light available to document these dark personalities on and off stage. History Is Made At Night is equal parts talent and perfect timing, as only a true historian would have had the foresight to hang out with who other photographers then considered just a bunch of unwashed miscreants.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

When my wife and I met in 1975, one of the things we had in common was that we both owned a copy of Growing Up Female. And the bindings on both copies were pretty worn out. This is a deeply personal journal of compelling photographs and eloquent text about women—from a feminist’s point of view.  What I love about this book is how deeply moving it is and how well it demonstrates a narrative approach to taking, editing, and sequencing first-person photographs. Not to mention that this book sold 25,000 copies (unheard of for books of photography) and had a significant impact on the view of a woman’s place in our culture.