Here are 95 books that Growing Up Female fans have personally recommended if you like
Growing Up Female.
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I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
I have loved this book of black & white photographs for nearly 5 decades and still look at it often. It’s like a book of poetry, meant to be lived with rather than simply looked at one or twice. What I like is how quiet these images are while at the same time being incredibly compelling. I see something new in these images almost every time I look at them. What could be better in a book of photographs? What I’ve learned is that photographs embrace poetry more naturally than narrative storytelling. Yes—it's a picture of a parsnip—but is that an eye in the middle of it looking back at me?
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
I own five signed copies of this book which I loan out to young photographers. The lesson in this book of documentary photographs is the irrelevance of information and the importance of emotion. In this way, Jeff’s work redefines photography by expanding the very notion of what a documentary photograph is….and can be. In 2004 Jeff was diagnosed with lymphoma. Soon afterwards Kodak discontinued the production of Kodachrome, the film his entire visual vocabulary was based on and now was gone forever. What do you do when confronted with physical and creative mortality? The Last Roll, by Jeff Jacobson, is an amazing response to this question.
"A few days before Christmas, 2004, I was diagnosed with lymphoma," writes Jeff Jacobson in his preface to The Last Roll. The NY Times LENS Blog described Jacobson as "pushing the visual boundaries of photojournalism" in this work providing a first-person depiction of a cancer patient's changing perspectives on life, death, art, and the world at-large.
A former Magnum photographer known for his quirky style, Jeff Jacobson was one of the first art photographers to use color film exclusively. For his 1991 book My Fellow Americans he traveled the country, capturing the look and mood of a decade. Over time,…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
There’s an image of a large white horse standing above a man who’s kneeling in front of him, gesturing toward the horse’s face with one hand. He is having a conversation with this horse, trying to convince him of something. It’s one of the most beautiful photographs ever! On another page is a fully feathered chicken being dried out, hanging upside down from a clothesline in what appears to be a field of wheat. It’s astonishing how beautiful this image is. Josef Koudelka is one of the great masters of photography who has taught us all how to see the mystery and awe in places we walk by every day. Through his work, Koudelka has shown me the breadth and depth that photography embraces.
About Exiles, Cornell Capa once wrote, Koudelka's unsentimental, stark, brooding, intensely human imagery reflect his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. In this newly revised and expanded edition of the 1988 classic, which includes ten new images, Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs mostly taken during Koudelkas many years of wandering through Europe since leaving his native Czechoslovakia in 1968 speaks of passion and reserve, of…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
This book cemented my commitment to being a photographer. The images are stunning jewels frozen in silver from ancient places in countries like India, Ireland, Egypt, & Tibet. Printed beautifully in warm black and white tones along with inspiring quotes, every image speaks to me: slow down, pay attention to what you see and feel. And focus on the light and the shadow.
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
This has been an incredibly important book for my thinking about photography. I always knew how instrumental Kodak advertising had been to popular ideas about amateur photography, but I learnt from this book how Kodak’s advertising changed over time.
In its early years, it emphasised the sheer pleasure of taking pictures, while only later did it start to promote photography as a tool of memory. It was those early years that interested me most because they pointed to another history of photography as playful and fun.
The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the centre of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-19th century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or…
As a pastor, I thought I had to be a put-together person. Sure, I was allowed to have problems, but I wasn’t really allowed to struggle. Then I was diagnosed with clinical depression. I thought I was alone. I thought I’d have to leave the ministry. I was wrong. I needed to find other people who struggled, though. Through other books, I was able to find them. These books have helped me in my journey so, so much, and if you struggle with depression, I hope it helps with your journey, too!
We’re all broken in so many ways. This book presents a number of letters to different kinds of broken people. Have you been rejected? Are you scared? Are you alone? There are letters here that will touch your heart. They touched mine! I found someone who could speak poetry into my darkness and make me know that I was not alone. Reynolds also points to real hope, so that even in darkness, I could see a shining light.
“The world is broken. I am broken. And my need is dire.”
This stark revelation is the path to divine surrender. Our courage has a chance to flourish when we reach a point where we have no control and nothing to lose.
In a series of letters, Rebecca Reynolds uses imagery to breathe truth to the lonely, the weary, the restless, and afraid. If you feel the ache of brokenness, you will be refreshed by the source of all courage illuminated in these pages. God is available and wants to join you, in the midst of any mess. You can…
I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.
Anne is one of the most lovable female characters in the whole literature. When I read about her I feel like I’m her good friend and I’m excited about her along with the story. Anne is now 16 years old and she begins her job as the new schoolteacher in this book. It was a great continuation of her story and I love seeing Anne starts to become an adult while still keeping her positive personality. And I really appreciate the very special romantic storyline too. Anne always stays Anne, a great girl.
I wondered, seven novels in, why I’d never written in the voice of a child, and it so happened that Our Picnics in the Sun, the eighth novel, required me to do just that. In doing my research I discovered an oddity. Writers of fiction assume the right to enter the head or consciousness or identity of their characters. The oddity is that you might expect a writer to write, without too much difficulty, from the point of view of a child: after all, the writer has been a child. But it turns out that childhood experience is often elusive, evades interpretation, and is the hardest to capture on the page.
A wonderful and slightly maddening memoir, this (it’s nonfiction, Jim, but not as we know it). Bayley survived her childhood by absorbing books. She evokes the worlds of David Copperfield, Jane Eyre, and everything Agatha Christie ever wrote, by ventriloquising and interweaving the voices of those stories with the story of her own parental neglect, thereby insisting, if dreamily, that the boundaries between her reliable book-land and her unstable real-life-land will remain blurred. It’s only slightly maddening (I did much the same as a child; part of me will always be Katie tumbling out of the swing). The book’s deliberate ambiguities suggest that Bayley is claiming sanctuary, reserving the right not to divulge what is still too unbearable to relate, and why shouldn’t she? It’s an amazingly honest, touching book.
'The word "mesmerising" is frequently applied to memoirs, but seldom as deservedly as in the case of Girl With Dove' Financial Times
'Reading is a form of escape and an avid reader is an escape artist...'
Brilliantly original, funny and clever Honor Clark, Spectator, Book of the Year
Growing up in a dilapidated house by the sea where men were forbidden, Sally's childhood world was filled with mystery and intrigue. Hippies trailed through the kitchen looking for God - their leader was Aunt Di, who ruled the house with charismatic force. When Sally's baby brother vanishes from his pram, she…
I’ve been fascinated by bad-boy heroes since I started reading romance books in my teenage years. Throw me a story about a rebel, player, a guy who likes living on the edge with a wild streak, and you’ve got me sold. There are a few rules when it comes to what I don’t want in a bad boy – abuse, pedophiles, violent men, and lack of consent. I love happy endings and believe that every bad boy and his lover (or lovers if it’s a consensual polyamorous relationship) deserve their happily ever after endings. I’m an ex-journalist who has published romance stories from erotic to sweet.
Perilous Love by Jan Selbourne is an unforgettable World War I romance novel that pulled my heartstrings and brought me to tears. Adrian Bryce has a hot and steamy affair with his mistress—instead of being with his estranged wife, Gabrielle, and their children. However, circumstances bring Adrian and Gabrielle together, and he must keep his wife safe in the midst of the dangers of war. I was intrigued by the themes of trust and forgiveness, and how Adrian chooses to let go of the past and fall in love again with the person he married. I was glad I gave this bad boy a chance, and I felt emotionally attached to Adrian and Gabrielle’s ‘second chance’ romance story.
Adrian Bryce has led something of a playboy lifestyle, playing fast and hard with a beautiful seductress until the British government sends him on a spying assignment. The deadly mission sees Adrian and his family running for their lives through a war-torn Europe. On the perilous road to home, a web of spies and assassins surround them on all sides. As the danger grows, Adrian finds himself more drawn to the lovely Gabrielle. A nightmare of betrayal and brutality follow them as Adrian risks everything to get his family back home.
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
Charles Bean’s epic volumes were pioneering, illuminating, thorough, deeply researched and far superior to equivalent official histories produced by other nations involved in the conflict.
Although Bean’s books were written long ago — between 1921 and 1942 — they are still the starting point for any credible project concerning itself with what the AIF did in battle. And he edited various volumes in the Official History series compiled by other writers as well, including a book about the home front during the war.
Bean was remarkable. His Official History, and the records and research materials underpinning it, have been crucial in so much of my work—not only my lost generation multi-biographies, and also my books on Pompey Elliott and Will Dyson, but many other research projects as well.
