Here are 100 books that War and Nature fans have personally recommended if you like
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When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
Anna Feigenbaum’s book describes the origins of tear gas as a weapon of war and its transition to a crowd control tool. Tear Gas tells a story about the relationships between militaries, arms manufacturers, and police forces that has critical public policy and societal implications today. The continued use of tear gas to counter-protest movements and mass demonstrations around the globe remains a challenge for advocates of arms control, social justice, and human rights.
One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
This book is a history of chemical and biological warfare in antiquity that is full of fascinating revelations. Adrienne Mayor investigates ancient texts and legends to explore early methods of warfare that continue to have relevance today. This book illustrates that ethical debates over the use of chemical weapons are as old as humanity itself.
A gripping and groundbreaking history of how ancient cultures developed and used biological, chemical, and other unconventional weapons of war
Flamethrowers, poison gases, incendiary bombs, the large-scale spreading of disease: are these terrifying agents of warfare modern inventions? Not by a long shot. In this riveting history of the origins of unconventional war, Adrienne Mayor shows that cultures around the world have used biological and chemical weapons for thousands of years-and debated the morality of doing so. Drawing extraordinary connections between the mythical worlds of Hercules and the Trojan War, the accounts of Herodotus and Thucydides, and modern methods of…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
Hellfire Boys is the story of the U.S. Army Chemical Warfare Service during the First World War, written by a journalist who brings his skills as an investigator and a storyteller to this tale. Theo Emery became interested in chemical warfare in 2012 while covering the U.S. Army’s excavation of buried WWI chemical weapons beneath the Spring Valley neighborhood of Washington, DC. Well researched and readable, I literally could not putHellfire Boys down.
This explosive look into the dawn of chemical warfare during World War I is "a terrifying piece of history that almost no one knows" (Hampton Sides).
In 1915, when German forces executed the first successful gas attack of World War I, the world watched in horror as the boundaries of warfare were forever changed. Cries of barbarianism rang throughout Europe, yet Allied nations immediately jumped into the fray, kickstarting an arms race that would redefine a war already steeped in unimaginable horror.
Largely forgotten in the confines of history, the development of the U.S. Chemical Warfare Service in 1917 left…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
This book provides an answer to a question that historians of arms control have asked since WWII ended: Why had the use of chemical weapons on the battlefield not become widespread in WWII, in the same manner it had in WWI? Focusing on Britain, Canada, and the United States, Holding Their Breath explores Allied reluctance to use chemical weapons and their formulation of a joint policy on chemical warfare. M. Girard Dorsey shows that the potential for chemical warfare in WWII profoundly influenced the course of the war’s events.
Holding Their Breath uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained chemical weapon use during World War II. Unlike World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty.
The story of chemical weapons and World War II begins in the interwar period as governments and…
I chose this focus because it fulfills one of my main goals of writing—to empower young readers by showing how what they do matters. Even the simplest actions can have huge consequences, no matter what someone’s age is. Whether someone saves another person’s life, like Allen Jay did, or stand up to a bully, doing what’s right makes a difference. Also, I like to right children into history so they understand that they’ve always played a key role in bettering this world.
During times of war, children often wonder what they can do to help. When Polly’s father joined fighting in World War I, she planted food, stopped eating meat on Mondays, and wrote to her father overseas. But she wanted to make more of a difference. After her teacher asked kids to save their peach pits for soldiers to use as filters in their masks, Polly suggested her town hold a peach pit parade to gather more peach pits. She made signs, wrote to newspapers to announce the parade, and sent notices to other classrooms, schools, and Girl Scout troops. In the end the parade gleaned enough peach pits to filter hundreds of gas masks—all from one girl’s idea. I try to emphasize that each child can make a huge difference with seemingly small and everyday actions.
When Polly's father goes overseas to fight in World War I, her whole world changes. Though the war is in Europe, its effects are felt on American soil. There are food, fuel, and other supply shortages everywhere. Even something as simple and enjoyable as a family Sunday car ride isn't possible anymore. Everyone must do their part to help the war effort. Victory gardens are planted and scrap metal is collected. "It's the biggest event in our history. And it involves every single adult, every single boy, and every single girl," says Polly's teacher. As Polly struggles to make sense…
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Bob Gross, knowing that we shared an interest in New England towns in the early Republic, generously shared drafts of each chapter of this magisterial work. I was astonished. The depth and range of his research are unparalleled. In a life-work 45 years in the making, Bob has culled evidence on Concord from every conceivable source, showing the rest of us how it’s done. He has reconstructed families and linked neighbors through church, farm, business, political, and religious activities, using this to reconstruct the life of the town. Bob knows his people so well that I am convinced he has accurately captured their personalities, dynamics, and conflicts. It is rare that we can have such confidence in “knowing” the past. In engaging prose, he presents individuals actively shaping – or resisting – change in their town, and ultimately, their world.
One of The Wall Street Journal's 10 best books of 2021 One of Air Mail's 10 best books of 2021 Winner of the Peter J. Gomes Memorial Book Prize
In the year of the nation’s bicentennial, Robert A. Gross published The Minutemen and Their World, a paradigm-shaping study of Concord, Massachusetts, during the American Revolution. It won the prestigious Bancroft Prize and became a perennial bestseller. Forty years later, in this highly anticipated work, Gross returns to Concord and explores the meaning of an equally crucial moment in the American story: the rise of Transcendentalism.
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
Although this picture book is a bit dark and bleak for very young readers, Stepping Stones is a uniquely beautiful depiction of the refugee’s journey. The illustrations were inspired by the stone artwork of Syrian artist Nizar Ali Badr. Stones, like trees, appear to have an ancient power to tell difficult stories like no other. I love that this book focuses not only on the hardships and horrors, but also on the beauties and rituals of the life and culture left behind. So many children will have known only conflict in their short lives, and it is important that they – and the rest of us, too – learn that there was so much more, before. The story is poetically told in both English and Arabic.
Rama and her family, are forced to flee their once-peaceful village to escape the ravages of the civil war raging ever closer to their home
With only what they can carry on their backs, Rama and her mother, father, grandfather and brother, Sami, set out to walk to freedom in Europe. This unique picture book was inspired by the stone artwork of Syrian artist Nizar Ali Badr, discovered by chance by Canadian children’s writer Margriet Ruurs. The author was immediately impressed by the strong narrative quality of Mr. Badr’s work, and, using many of Mr. Badr’s already-created pieces, she set…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
There are so few books available about trail building. Riprap might be the oldest and one of the most beautiful. Riprap poetically describes Snyder’s summer trail-building job in 1955 in Yosemite National Park. These poems not only sing about the beauty and physicality of trail building but also echo back on the ancient Chinese poets who Snyder was studying during that time. In the end, Riprap shows us trail building but also illuminates how wildness can infuse the human spirit.
By any measure, Gary Snyder is one of the greatest poets in America in the last century. From his first book of poems to his latest collection of essays, his work and his example, standing between Tu Fu and Thoreau, have been influential all over the world. Riprap, his first book of poems, was published in Japan in 1959 by Origin Press, and it is the fiftieth anniversary of that groundbreaking book we celebrate with this edition. A small press reprint of that book included Snyder's translations of Han Shan's Cold Mountain Poems, perhaps the finest translations of that remarkable…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
A thoroughly researched visual study of two brothers, close and highly imaginative playmates as children, but then gradually divergent adults as they came to terms with their war experiences. John had a tougher war, yet seems to have been able to leave the horror behind as he embarked on a brighter, more decorative illustrative style. Paul would be haunted his entire life by shadows of death and depression, but would become one of this country's most important and powerful artists.
When brothers John and Paul Nash held their first exhibition in 1913 at the Dorien Leigh Gallery in South Kensington, London they were regarded as equally talented and equally ambitious, even though it had been Paul who had studied at the Slade School of Art amongst an extraordinary cohort of young British artists, and John was regarded as an untutored youngster with a flair for capturing the essence of the English landscape. As war broke their fortunes diverted: Paul achieved instant recognition as an Official War Artist, while John withstood the terrors of the trenches as an infantryman. In 1918…
The list reflects my interest in history and my own recollections of the days before the current era of mass tourism and online globalisation. I confess to a feeling of painful nostalgia for a time when we all had a very different worldview, and these books are all of that period. They feature temporal grief for an age that has passed. They are all highly readable books by writers at the top of their game.
The best novel ever about WWI. I was there with them in the trenches and finally understood how the generals came to have the mentality that allowed the slaughter to continue.
Forester is a superb writer and grossly underrated. He is a model for any aspiring writer. I must have read it four times at least, and each time found some new aspect to enjoy.
The book John Kelly reads every time he gets a promotion to remind him of 'the perils of hubris, the pitfalls of patriotism and duty unaccompanied by critical thinking'
The most vivid, moving - and devastating - word-portrait of a World War One British commander ever written, here re-introduced by Max Hastings.
C.S. Forester's 1936 masterpiece follows Lt General Herbert Curzon, who fumbled a fortuitous early step on the path to glory in the Boer War. 1914 finds him an honourable, decent, brave and wholly unimaginative colonel. Survival through the early slaughters in which so many fellow-officers perished then brings…
