Here are 60 books that Greek Fire, Poison Arrows, and Scorpion Bombs fans have personally recommended if you like
Greek Fire, Poison Arrows, and Scorpion Bombs.
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When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
Anna Feigenbaum’s book describes the origins of tear gas as a weapon of war and its transition to a crowd control tool. Tear Gas tells a story about the relationships between militaries, arms manufacturers, and police forces that has critical public policy and societal implications today. The continued use of tear gas to counter-protest movements and mass demonstrations around the globe remains a challenge for advocates of arms control, social justice, and human rights.
One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
War and Nature is an innovative and thought-provoking look at the relationship between chemical warfare and insecticides that intersects military history, environmental history, and cultural history. Edmund Russell weaves together many disparate threads of inquiry into a cohesive and compelling story about how military tools can transition into commercial uses.War and Nature convinced me to study chemical warfare in my academic career more than any other book.
War and Nature combines discussion of technology, nature, and warfare to explain the impact of war on nature and vice versa. While cultural and scholarly traditions have led us to think of war and control of nature as separate, this 2001 book uses the history of chemical warfare and pest control as a case study to show that war and control of nature coevolved. Ideologically, institutionally, and technologically, the paths of chemical warfare and pest control intersected repeatedly in the twentieth century. These intersections help us understand the development of total war and the rise of the modern environmental movement.
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
Hellfire Boys is the story of the U.S. Army Chemical Warfare Service during the First World War, written by a journalist who brings his skills as an investigator and a storyteller to this tale. Theo Emery became interested in chemical warfare in 2012 while covering the U.S. Army’s excavation of buried WWI chemical weapons beneath the Spring Valley neighborhood of Washington, DC. Well researched and readable, I literally could not putHellfire Boys down.
This explosive look into the dawn of chemical warfare during World War I is "a terrifying piece of history that almost no one knows" (Hampton Sides).
In 1915, when German forces executed the first successful gas attack of World War I, the world watched in horror as the boundaries of warfare were forever changed. Cries of barbarianism rang throughout Europe, yet Allied nations immediately jumped into the fray, kickstarting an arms race that would redefine a war already steeped in unimaginable horror.
Largely forgotten in the confines of history, the development of the U.S. Chemical Warfare Service in 1917 left…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
This book provides an answer to a question that historians of arms control have asked since WWII ended: Why had the use of chemical weapons on the battlefield not become widespread in WWII, in the same manner it had in WWI? Focusing on Britain, Canada, and the United States, Holding Their Breath explores Allied reluctance to use chemical weapons and their formulation of a joint policy on chemical warfare. M. Girard Dorsey shows that the potential for chemical warfare in WWII profoundly influenced the course of the war’s events.
Holding Their Breath uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained chemical weapon use during World War II. Unlike World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty.
The story of chemical weapons and World War II begins in the interwar period as governments and…
I’ve been reading and enjoying science fiction since, as a kid, I rode my bicycle to the local library to read everything they had. That’s given me a broad exposure to the field from the Golden Age classics to new stuff hot off the presses. I’ve had four science fiction novels published, and in all of them I’ve used personal experiences to create as realistic a world as possible. I’ve also focused on ordinary people who find themselves in extraordinary circumstances – that combination makes for better stories. I’ll leave the superheroes to the Marvel Cinematic Universe – they’ve got the budget to Blow Stuff Up Real Good!
I’m also a personal friend of Jim C. Hines, but we became friends because I was a fan of his work.
This book is the first of a trilogy (which is different than a never-ending series) and takes a new, different, and funny spin on the zombie apocalypse.
Earth was hit by a plague that zombie-fied those humans it didn’t kill. Then the aliens came and cured some humans, who had to join their space fleet. Mostly as janitors and other menial laborers. Marion “Mops” Adamopoulos goes from head janitor to captain of the Earth Mercenary Corps Ship Pufferfish. She can barely fly the ship, but now must fight it.
Definitely a case where an ordinary person gets put in an extraordinary situation.
The Krakau came to invite Earth into an alliance of sentient species, only to find that plague had turned humanity into shambling, near-unstoppable animals. A century later a bioweapon wipes out the Krakau command crew and reverts the rest of the humans to their feral state - only Marion 'Mops' Adamopoulos and her Shipboard Hygiene and Sanitation team on board the Earth Mercenary Corps Ship Pufferfish are left with their minds intact. They stumble onto a conspiracy born from the truth of what happened on Earth all those years ago.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.
There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.
Incorporating research found in ancient literary, iconographic, epigraphic, and archaeological sources, this book explores the experiences of the soldiers who conducted battle on the small plains of ancient Greece. The volume, which draws on the accumulated expertise of nine American and British scholars, emphasizes the actual techniques of fighting and practical concerns as the use of commands, music in warfare, the use of "dog-tags", and ritual on the battlefield.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.
This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.
From the soldier's-eye view of combat to the broad social and economic structures which shaped campaigns and wars, ancient Greek warfare in all its aspects has been studied more intensively in the last few decades than ever before. This book ranges from the concrete details of conducting raids, battles and sieges to more theoretical questions about the causes, costs, and consequences of warfare in archaic and classical Greece. It argues that the Greek sources present a highly selective and idealised picture, too easily accepted by most modern scholars, and that a more critical study of the evidence leads to radically…
I am an economist who came to realize that the marketplace of ideas was a political doctrine, and not an empirical description of how we came to know what we think we know. Science has never functioned in the same manner across centuries; it was only during my lifetime that it became recast as a subset of market reality. I have spent a fair amount of effort exploring how economics sought to attain the status of a science; but now the tables have turned. It is now scientists who are trained to become first and foremost market actors, finally elevating the political dominance of the economists.
Edwards revealed how the very architecture of early computers owed a debt to the political structures of the Cold War. The innovation of a command/control/information infrastructure set the template for military regimentation, and subsequently for the surveillance society we currently inhabit. The story of how cybernetics—a field that never quite made the grade as pure science—nevertheless conquered the culture, is fascinating.
The Closed World offers a radically new alternative to the canonical histories of computers and cognitive science. Arguing that we can make sense of computers as tools only when we simultaneously grasp their roles as metaphors and political icons, Paul Edwards shows how Cold War social and cultural contexts shaped emerging computer technology―and were transformed, in turn, by information machines.
The Closed World explores three apparently disparate histories―the history of American global power, the history of computing machines, and the history of subjectivity in science and culture―through the lens of the American political imagination. In the process, it reveals intimate…
Trained as a physicist and employed for twenty years as an engineer, my great interest in the application of science then led me to write. I authored technical papers on the physics underpinning venerable machines such as pendulum clocks and waterwheels; these were read by the chief editor at Johns Hopkins University Press, who invited me to turn them into a popular science book–the first of fourteen. Often, technological advances were made empirically–the development of sailing ships, bridges, or pocket watches–by working people with no formal knowledge of science, yet their designs survive as triumphs of human thought, as well as useful machines.
This book is unique, to my mind, in topic and style. How is it possible to write engagingly about such a niche subject? Gunpowder was invented in China, but it was in Renaissance Europe that it became adapted to warfare (to say the very least).
This book covers a neglected aspect of technological history in an age otherwise much written about and covers it readably.
Weapons and Warfare in Renaissance Europe explores the history of gunpowder in Europe from the thirteenth century, when it was first imported from China, to the sixteenth century, as firearms became central to the conduct of war. Bridging the fields of military history and the history of technology -- and challenging past assumptions about Europe's "gunpowder revolution" -- Hall discovers a complex and fascinating story. Military inventors faced a host of challenges, he finds, from Europe's lack of naturally occurring saltpeter -- one of gunpowder's major components -- to the limitations of smooth-bore firearms. Manufacturing cheap, reliable gunpowder proved a…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Both the monk and the martial artist in me have long found Sun Tzu’s treatise on how to conduct military campaigns to be fully as seminal as Carl von Clausewitz’s “On War.” Both books are studied at the United States Military Academy at West Point. I find Sun Tzu’s wisdom to be applicable to both combat and life’s more pleasant endeavors, such as relationships and work. Sun Tzu’s is purported to be the student of the great Daoist Sage Lao Tzu, author of the Tao Te Ching, a seminal work that many folks find impenetrable. Perhaps that’s why Sun Tzu can be a bit oblique sometimes, too. This interpretation of his lessons, replete with wonderful illustrations, lends insight into the text and makes it easier to understand.
An entertaining graphic adaptation of the oldest military treatise in the world.
Hailed as the oldest philosophical discussion on military strategy, Sun Tzu’s The Art of War has been adapted as a graphic novel by award-winning illustrator Pete Katz. In this collectible thread-bound edition, the narrative focuses on a teacher instructing a pupil on the main points of Sun Tzu’s treatise, with vibrant battle scenes interspersed throughout. Issues such as planning, tactics, maneuvering, and spying are illustrated with full-color scenes, so that readers may gain a greater understanding of principles from the fifth century BC.
