Here are 58 books that Dorothea Lange fans have personally recommended if you like
Dorothea Lange.
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I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
My first choice is a book about the origins of the welfare state. If many see the Great Depression as the catalyst of the welfare state, Donna Guy traces it back to the social policies and institutions of the nineteenth century. Looking at the case of Argentina, she tells the story of how philanthropic, immigrant, and women groups assisted the needy, especially children and mothers.
In this pathbreaking history, Donna J. Guy shows how feminists, social workers, and female philanthropists contributed to the emergence of the Argentine welfare state through their advocacy of child welfare and family-law reform. From the creation of the government-subsidized Society of Beneficence in 1823, women were at the forefront of the child-focused philanthropic and municipal groups that proliferated first to address the impact of urbanization, European immigration, and high infant mortality rates, and later to meet the needs of wayward, abandoned, and delinquent children. Women staffed child-centered organizations that received subsidies from all levels of government. Their interest in children…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
This is a fantastic book to understand how welfare institutions work. Lynne Haney, a sociologist, looks at the state from the bottom up and analyzes the relationship between welfare recipients and caseworkers in Hungary. It is a book rich in stories that place people, especially women, at the center of debates about welfare and social rights.
Inventing the Needy offers a powerful, innovative analysis of welfare policies and practices in Hungary from 1948 to the last decade of the twentieth century. Using a compelling mix of archival, interview, and ethnographic data, Lynne Haney shows that three distinct welfare regimes succeeded one another during that period and that they were based on divergent conceptions of need. The welfare society of 1948-1968 targeted social institutions, the maternalist welfare state of 1968-1985 targeted social groups, and the liberal welfare state of 1985-1996 targeted impoverished individuals. Because they reflected contrasting conceptions of gender and of state-recognized identities, these three regimes…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
It is difficult to find an accessible and comprehensible history of the welfare state in the United States. But this book does exactly that. Premilla Nadasen writes an engaging overview of the welfare rights movement and the role played by radical Black feminist organizations. By analyzing the primary campaigns of the movement for welfare reform throughout the 1960s and 1970s, the reader gets a complete picture of the main actors involved and their political demands.
The welfare rights movement was an interracial protest movement of poor women on AFDC who demanded reform of welfare policy, greater respect and dignity, and financial support to properly raise and care for their children. In short, they pushed for a right to welfare. Lasting from the early 1960s to the mid 1970s, the welfare rights movement crossed political boundaries, fighting simultaneously for women's rights, economic justice, and black women's empowerment through welfare assistance. Its members challenged stereotypes, engaged in Congressional debates, and developed a sophisticated political analysis that combined race, class, gender, and culture, and crafted a distinctive, feminist,…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
What does remain of the old welfare institutions of the mid-twentieth century? How has neoliberalism cut social infrastructure? Javier Auyero looks at welfare and public services in present-day Argentina, a system that, despite the crisis, continues to offer some form of protection to impoverished working families. The book is fascinating and demonstrates how “waiting” has come to define how poor people relate to the state and access rights and benefits.
Patients of the State is a sociological account of the extended waiting that poor people seeking state social and administrative services must endure. It is based on ethnographic research in the waiting area of the main welfare office in Buenos Aires, in the line leading into the Argentine registration office where legal aliens apply for identification cards, and among people who live in a polluted shantytown on the capital's outskirts, while waiting to be allocated better housing. Scrutinizing the mundane interactions between the poor and the state, as well as underprivileged people's confusion and uncertainty about the administrative processes that…
I’m an award-winning children’s author who lives in Australia. I love reading and writing picture books, and although I mostly write fiction, I also love writing biographies. I am drawn to stories about women who have achieved something inspirational and unexpected and who may have not received wide recognition at the time or that any recognition has faded from public knowledge. I find it exciting to work with a team, that is the illustrator and the publisher, to create books that will find their way to children and allow them to imagine and feel another person’s life, and to see that everyday people do amazing things.
The cover shows a woman peering into her camera. She holds the camera carefully, gently and with purpose. Inside, the attractive illustrations show Dorothea Lange who, as a child, was sick leaving her feeling invisible. But the world wasn’t invisible to her. She surprised everyone when she announced one day that she was going to be a photographer. Was it unladylike? What did that even mean? It didn’t matter to Dorothea, who refused to look away from the suffering of people. She used her photos to show that each person is special. Without Dorothea, the images she captured would remain invisible, when they all deserved to be visible. Actual photographs and timeline at the end of this book make it even more fascinating.
"An excellent beginner's resource for biography, U.S. history, and women's studies." -Kirkus Reviews
Here is the powerful and inspiring biography of Dorothea Lange, activist, social reformer, and one of the founders of documentary photography.
After a childhood bout of polio left her with a limp, all Dorothea Lange wanted to do was disappear.
But her desire not to be seen helped her learn how to blend into the background and observe. With a passion for the artistic life, and in spite of her family's disapproval, Lange pursued her dream to become a photographer and focused her lens on the previously…
I have been involved in the arts all my life, working as a writer, in film, and as a musician. I have degrees in music and creative writing and have studied visual arts and art history extensively as well. Besides being an author, I teach writing and humanities at the college level. I hope you enjoy these books as much as I do!
Dorothea Lange struggled with disease and disability and eventually found her path, becoming one of America’s greatest photographers through her ability to capture the human experience notably through photographs of people in the Great Depression. This book not only helps readers learn about Lange, but it aids them in understanding this difficult time in United States’ history. The illustrations are colorful and engaging, portraying a wide range of emotions that express the essence of Lange and her work.
STARRED REVIEW! "Weatherford never talks down to her audience…using figurative language and rich vocabulary to tell her story…Green's debut as a picture-book illustrator is brilliant…A fine introduction to an important American artist."―Kirkus Reviews starred review
Dorothea Lange saw what others missed.
Before she raised her lens to take her most iconic photo, Dorothea Lange took photos of the downtrodden, from bankers in once-fine suits waiting in breadlines, to former slaves, to the homeless sleeping on sidewalks. A case of polio had left her with a limp and sympathetic to those less fortunate. Traveling across the United States, documenting with her…
As a multicultural author, born in Honolulu of Hawaiian, Chinese, Norwegian descent, I am drawn to mainstream thrillers that feature diverse characters and explore non-mainstream cultures. Since I also hold a fifth-degree black belt in To-Shin Do ninja martial arts and have traveled the United States teaching martial arts and empowerment, authentic fight scenes in fiction are a must! Nothing turns me off quicker than a shallow representation of culturally diverse characters or mundane and improbable action. I strive for authenticity, emotion, and page-turning action in my Lily Wong ninja thrillers, so it’s probably no surprise that I value these elements in the novels I read.
As with my own Lily Wong novels, Lies We Bury is an exciting blend of thriller, mystery, and cultural family dynamics. Elle Marr hooked me from the start and kept me binge-reading through twists and heart-wrenching emotions to a finish that took away my breath. Although no fighting, per se, the action and suspense kept me on edge. It’s always refreshing to read a novel with an empowered, fully-dimensional female Asian protagonist.
A novel about secrets and revenge by the number one Amazon Charts bestselling author of The Missing Sister. It's only by confronting who she was then that she can understand who she is now.
I was born in captivity...
Two decades ago Marissa Mo escaped a basement prison-the only home she'd ever known. At twenty-seven, Marissa's moved beyond the trauma and is working under a new name as a freelance photographer. But when she accepts a job covering a string of macabre murders in Portland, it's impossible for Marissa not to remember.
Everything is eerily familiar. The same underground lairs.…
As an artist, photographer, author, and workshop leader, my goal is to help others become more skilled with photographic techniques and more creative with their photographic and artistic practice. I like to tell workshop participants that to take better photographs, one should stand in front of more interesting things. But to become a really better photographer one needs to become a more interesting person. The books in the list have helped me grow as a person and photographer, and I hope they also enhance your technique and your passion as a photographer.
I started writing my photography blog almost twenty years ago. Looking back at the vast number of stories I have written in my blog, I see that many of them are my contemporaneous thoughts about images I am in the process of creating.
This book serves a similar role in the pre-Internet, pre-blogging world: the reader gets a birds-eye view of Weston’s life and creative challenges as he makes some of his most famous images. Why not go to the source? If you want to learn more about creativity and image-making, I completely recommend this glorious day-by-day diary.
For more than 15 years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society and his art. His journal has become a classic of photographic literature. Weston was a towering figure in twentieth-century photography, whose restless quest for beauty and the mystical presence behind it resulted in a body of work unrivaled in the medium. John Szarkowski observes that “It was as though the things of everyday experience had been transformed... into organic sculptures, the forms of which were both the expression and the justification of the life within... He had freed his…
I’ve been fascinated by science and space since I was a child and naturally gravitated toward science fiction. In many respects, it was a form of escapism, as I didn’t enjoy school. I always preferred escaping into another world or being taken on a journey to another world. It wasn’t until I got older that I realized that most great science fiction is a commentary on our own world and the issues we face daily. Science fiction, more than any other genre, does a better job of exploring and dissecting aspects of our world, which in turn helps us better understand our world and our relationship with it.
Darwinia was the first novel I read by Robert Charles Wilson, who I believe is the best modern-day science fiction writer. Darwinia was a novel I had to read twice to really grasp how brilliantly Wilson had woven everything together. This is one of those novels where the ending can sneak up on you and blow you away and you weren’t even remotely prepared, which is preferred over any ending that I can predict.
In an alternative history of the twentieth century, Europe is replaced by a land of nightmarish jungle and monsters that contains the secret of human destiny.
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
When I set out to write my first biography I was terrified, with the writers’ equivalent of stage fright. I needed something to jump start me, and the late Patricia Bosworth’s wonderful biography of Diane Arbus did the trick. It steadied my nerves and gave me a practical place to start. I forced myself to write the first paragraph of the book after reading the first few pages of Bosworth’s classic biography of the photographer, who was as original as she was tragic.
Diane Arbus's unsettling photographs of dwarves and twins, transvestites and giants, both polarized and inspired, and her work had already become legendary when she committed suicide in 1971. This groundbreaking biography examines the private life behind Arbus's controversial art. The book deals with Arbus's pampered Manhattan childhood, her passionate marriage to Allan Arbus, their work together as fashion photographers, the emotional upheaval surrounding the end of their marriage, and the radical, liberating, and ultimately tragic turn Arbus's art took during the 1960s when she was so richly productive. This edition includes a new afterword by Patricia Bosworth that covers the…
