Here are 100 books that Unraveling Oliver fans have personally recommended if you like
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Mystery and crime novels have always been my favorite genre. I love the suspense and intrigue, the intricate storylines, and the clever plot twists. In middle school, while my friends were reading more age-appropriate books, I was reading The Godfather and The Spy Who Came In from the Cold. Is it any wonder then that Siena Ricci, the main character of my debut novel Gullible, is a shrewd and cunning female con artist? I had so much fun developing Siena’s story arc and creating the criminal world she inhabits that I decided to continue her narrative in a sequel, with plans for a third novel to round out the trilogy.
Not to brag, but I can usually spot whodunit early on in most murder mysteries. This novel, however, kept me in the dark as, one by one, each of the characters fell off Foley’s guest list and onto my suspect list.
The writing is suspenseful, the plot is fast-paced, and the story is cleverly told from numerous characters’ points of view. I truly did not see this ending coming! As a diehard murder mystery fan, Lucy Foley is my new Agatha Christie. I highly recommend this novel.
*The brand new thriller from Lucy Foley - THE PARIS APARTMENT - is available to pre-order now*
The No.1 Sunday Times bestseller
*Over 1 million copies sold worldwide*
*One of The Times and Sunday Times Crime Books of the Year*
*Goodreads Choice Awards winner for Crime & Mystery 2020*
A gripping, twisty murder mystery thriller from the No.1 bestselling author of The Hunting Party.
'Lucy Foley is really very clever' Anthony Horowitz 'Thrilling' The Times 'A classic whodunnit' Kate Mosse 'Sharp and atmospheric and addictive' Louise Candlish 'A furiously twisty thriller' Clare Mackintosh
My previous job was as a counsellor, so I’m fascinated with why people make the decisions that they do. When a writer can craft a great story, that also explores a character’s motivations, I’m always a fan. As someone who writes, and teaches creative writing to others, the ability to set up a great twist with realistic characters that both surprises me and also leaves me with the: “Of course! Why didn’t I see that coming?” impresses me.
Patricia Highsmith is the original queen of psychological thrillers. This book, later made into a film by Hitchcock, was the inspiration for my novel. I wanted to see how the story could play out in modern times with young women as the lead characters. While I used Strangers on a Train as the jumping-off point, my own story went in slightly different directions.
In Highsmith’s book, when the main character is pulled into what he believes is an idle question on how one could get away with the perfect murder, he has to determine how far he’ll go to escape being blamed for a very real crime. Highsmith excels at getting ordinary people into extraordinary circumstances and then pushing them to see how they will react.
The classic thriller behind the Hitchcock film, and Highsmith's first novel - soon to be remade by David Fincher, director of Gone Girl, with a screenplay by Gillian Flynn.
By the bestselling author of The Talented Mr Ripley and Carol
The psychologists would call it folie a deux . . .
'Bruno slammed his palms together. "Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?'''
From this moment, almost against his conscious will, Guy Haines is trapped in a…
Several years ago when I first started writing The Things We Lost, I spent a lot of time wondering about my own “what if”s. I’d just moved away from the city and back to my parents. I got out of a six-year relationship that had defined by early twenties, and felt incredibly lost. I started to wonder what would have happened if I’d not made the choices I’d made all those years ago. Would I still be here? Would I be in a different job, country, or life entirely? It was easy to escape my grief and imagine I would be. This started my deep dive into the world of time travel and what ifs.
This book fascinated me. I love a book told backwards, which is really how this book is told.
Jen’s 18-year-old son commits murder. She doesn’t know the man he’s killed and she doesn’t know why he did it. The only thing she does know is that her life, and the life of her son, is over. Until she wakes up the next day to find that it is the morning of the murder. Can she stop it from happening?
Each night following she wakes up earlier and earlier, travelling backwards through time in hopes to solve the mystery of who her son kills and why before it ever happens. The unique premise kept me riveted until the surprising conclusion.
'Perfection, every word, every moment. One of the best books I've ever read' LISA JEWELL 'Ingenious. A book to blow your mind and break your heart' ERIN KELLY 'Extraordinary' HARRIET TYCE 'I am totally in awe. This is one story I will not forget' HEIDI PERKS 'Genre-bending and totally original. A tour de force!' CLAIRE DOUGLAS
PRE-ORDER THE BOOK EVERYONE HAS BEEN TALKING ABOUT _________
It's every parent's nightmare.
Your happy, funny, innocent son commits a terrible crime: murdering a complete stranger.
My previous job was as a counsellor, so I’m fascinated with why people make the decisions that they do. When a writer can craft a great story, that also explores a character’s motivations, I’m always a fan. As someone who writes, and teaches creative writing to others, the ability to set up a great twist with realistic characters that both surprises me and also leaves me with the: “Of course! Why didn’t I see that coming?” impresses me.
Robyn Harding’s secret skill is peeling back the layers of a family to expose both the love and the possible darkness hiding inside. When a “perfect” suburban family begins to be harassed by a mysterious stranger they first chalk it up to random vandals, until they begin to suspect that it’s being done for a very particular reason.
The trick that Harding does is to give each family member a reason to be the target. She unravels the myth of perfection and kept me turning pages to determine the motivation behind the crime. I am always much more interested in the why of a mystery novel than the who—and this book delivers exactly that.
The bestselling author of the The Swap explores what happens when a seemingly perfect family is pushed to the edge... and beyond in this "propulsive, constantly surprising" (Laurie Elizabeth Flynn, author of The Girls Are All So Nice Here) thriller.
Thomas and Viv Adler are the envy of their neighbors: attractive, successful, with well-mannered children and a beautifully restored home.
Until one morning, when they wake up to find their porch has been pelted with eggs. It's a prank, Thomas insists; the work of a few out-of-control kids. But when a smoke bomb is tossed on their front lawn, and…
I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books.
Meet the All-of-a-Kind Family -- Ella, Henny, Sarah, Charlotte, and Gertie -- who live with their parents in New York City at the turn of the century.
Together they share adventures that find them searching for hidden buttons while dusting Mama's front parlor and visiting with the peddlers in Papa's shop on rainy days. The girls enjoy doing everything together, especially when it involves holidays and surprises.
But no one could have prepared them for the biggest surprise of all!
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
A painful examination of all that’s at stake when kids make bad decisions, This Beautiful Life made me reflect on the pressure contemporary kids feel to be beyond reproach while growing up amid the instant connectivity and permanent consequences of the internet age. Like Testimony, Schulman’s novel begins with a video, this time one whose ramifications are amplified and complicated as it goes viral in a matter of hours.
A gripping early scene dramatizes the split second when fifteen-year-old Jake Bergamot makes the fateful choice to forward a video he’s received to a friend. The scandal that ensues threatens not only Jake, but his entire family’s “beautiful life.” Rather than a boarding school, this novel is set at an elite Manhattan private school where the social strata among parents are even more painfully felt. As the story unfolds, this book takes readers even deeper into the mom’s head—a delightful place…
"ThisBeautiful Life is a gripping, potent and blisteringly well-written story offamily, dilemma, and consequence. . . . I read this book with white-knuckledurgency, and I finished it in tears. Helen Schulman is an absolutely brilliantnovelist." —Elizabeth Gilbert, author of Eat, Pray, Love
Theevents of a single night shatter one family’s sense of security and identity inthis provocative and deeply affecting domestic drama from Helen Schulman, theacclaimed author of A Day at the Beach and Out of Time. In thetradition of Lionel Shriver, Sue Miller, and Laura Moriarty, Schulman crafts abrilliantly observed portrait of parenting and modern life, cunningly exploringour most…
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
For a global perspective on domestic violence, Parson provides a comprehensive look at issues around domestic violence in Chile. She specifically follows the stories of several women and how they navigate through services and systems, facing further violence through the relentless barriers they find themselves up against.
Parson and I both graduated from the Rutgers Anthropology doctoral program and worked under the same advisors—albeit many years apart—and I am grateful to have had her excellent scholarship as a reference for my own.
The end of the Pinochet regime in Chile saw the emergence of an organised feminist movement that influenced legal and social responses to gender-based violence, and with it new laws and avenues for reporting violence that never before existed. What emerged were grassroots women's rights organisations, challenging and engaging the government and NGOs to confront long-ignored problems in responding to marginalised victims.
In Traumatic States, anthropologist Nia Parson explores the development of methods of care and recovery from domestic violence. She interviews and contextualises the lives of numerous individuals who have confronted these acts, as victims, authorities, and activists. Ultimately,…
I'm an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and literary quizzes. My fiction has received over 50 awards. I’ve been a first reader for Narrative Magazine and Zoetrope. I’ve written and presented an online video course, Creating Literary Story with Thinkific, and given readings and lectures in the US, South America, and Canada.
William Kennedy won the Pulitzer Prize in 1984 for this novel. An interesting study in the use of internal reflection, as well as explored levels of consciousness and complex timeline. The protagonist is Francis Phelan, a former professional baseball player who left Albany in shame after dropping his infant son Gerald to his death. It is the third book in Kennedy's Albany Cycle. The film was nominated for Academy Awards for Best Actor in a Leading Role (for Jack Nicholson) and Best Actress in a Leading Role (for Meryl Streep). The novel is rich with dramatic tension.
Winner of The Pulitzer Prize and the National Book Critics Circle Award for Fiction
In this Pulitzer Prize-winning novel, the third in Kennedy's Albany cycle, Francis Phelan, ex-ballplayer, part-time gravedigger, and full-time bum with the gift of gab, has hit bottom. Years earlier he'd left Albany after he dropped his infant son accidentally, and the boy died. Now, in 1938, Francis is back in town, roaming the old familiar streets with his hobo pal, Helen, trying to make peace with the ghosts of the past and present.
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
As a teenager, Sophie leaves behind all that she knows in Haiti to be reunited with her mother. In New York, she falls for a man closer in age to her mother than herself. Her mother rages against him, or any man deemed unsuitable. Desire to guard Sophie's purity drives a wedge between them. The patriarchy of Haiti has lingering effects, resulting in maternal protection that resembles cruelty. Sophie tries to make a marriage work out in different ways and for different reasons than the women (mother, aunt, grandmother) who raised her and formed her ideas of womanhood. Stories of family often center on the differing priorities and expectations of different generations. This aspect of the gracefully written Breath, Eyes, Memory is what drew me in and kept me hooked.
At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.
I have always felt like a bit of a misfit. I was taller, bigger, and clumsier than the other kids. I listened to the wrong music, wore the wrong clothes, and read the wrong books. I wasn’t cool. And when I became a high school teacher, I saw many kids, especially young women, who I could see felt the same. When Young Adult literature came into its own, I really loved all the wonderful ways YA stories were telling the stories of the kids who didn’t fit in, and it made me want to read them, and eventually write one of my own.
This book was one of the first I read that featured a main character who looked like me. I love the humor, honesty, and insight of Virginia, which is perfectly captured in the diary format of the writing. And the book takes a hard but hopeful look at the ideas of perfection and expectations and all the ways we are flawed, but also worthy of love.
Fifteen-year-old Virginia feels like a fat, awkward outsider in her perfect family, especially next to her golden-boy big brother Byron. She's got a lot to deal with - her weight, her best friend moving away, the mean girls at school - not to mention a boy who seems to like her! To survive, she decides to follow the 'Fat Girl Code of Conduct' to make herself acceptable, unnoticed ... invisible.
It seems to be working until something unthinkable happens and, before her eyes, Virginia's flawless family begins to fall apart. As her world spins out of orbit, Virginia realises that…
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