Here are 92 books that There Are No Children Here fans have personally recommended if you like
There Are No Children Here.
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I have been a teacher, writer, scholar, and, above all, a critic of social injustice for my entire professional life. My experience living in the Israeli-occupied West Bank informed my critical voice around issues of language, knowledge, history, and policy in and about the Middle East, leading to the publication of my two scholarly monographs: Palestine in the American Mind: The Discourse on Palestine in the Contemporary United States and Palestine-Israel in the Print News Media: Contending Discourses. The titles I introduce here have been vital to my ongoing education on these issues and in my continuing advocacy for peace and justice in Palestine, the Middle East, and around the world.
I don’t believe anyone can consider themselves a serious student of American history or a true critic of American foreign policy without having read and absorbed Howard Zinn’s A People’s History of the United States. Zinn writes as a masterful historian and an unflinching critic of the inequity and brutality of the American system, both aspects of the country’s history he brought to light at a time when others neglected to do so.
He brought voice to the voiceless and paved the way for the dozens of equally valuable critical voices that came after him. Zinn was the original people’s historian; his book simply cannot be missed.
"A wonderful, splendid book—a book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future." –Howard Fast
Historian Howard Zinn’s A People’s History of the United States chronicles American history from the bottom up, throwing out the official narrative taught in schools—with its emphasis on great men in high places—to focus on the street, the home, and the workplace.
Known for its lively, clear prose as well as its scholarly research, itis the only volume to tell America's story from the…
I am a professor of history at College of DuPage, a community college outside of Chicago. Growing up in New York City and rural Vermont in the 1980s and 1990s around people who questioned everything made me think a lot about how and why the social world is organized in such an obviously unjust and irrational way. I have tried to understand the development of this organization ever since.
This might seem like a strange choice since this book is not directly about policing. But it shows in a powerful and direct way how inextricably bound policing is with the basic organization of this society.
Despite the controversies currently surrounding Hayley’s depiction of Malcolm X’s life, the book retains its power to express Malcolm X’s cutting critique of every one of this country’s justifications for its brutal criminal justice system. No one who engages with it can believe that police exist simply to deal with some criminal element in society.
But the book also shows how impossible it would be for this society to somehow “defund” the force used to keep under control the millions of people who, even with all their talents, this society can find no place for.
ONE OF TIME’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY
In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement…
Growing up in rural Southern Maryland, I first began to notice a difference between Blacks and whites because of the way I was treated when I hung out with my African American friends. South of the Mason Dixon line, racial differences are often clear. Throughout my childhood and young adult life some of the most influential people who invested in me were African American. As I began to learn about their stories, my heart grew with a love for racial justice and equality. My work and adult life has focused on righting wrongs, responding to global and domestic poverty, to writing and working against inequality and oppression.
Even if you are not a person of faith, evangelicalism in America has caused great division. Thus, understanding how conservative Christianity looks differently in white and Black communities is a good place to start being introduced to issues of race and justice. Many leaders in the church sayDivided by Faithis the next most influential book for them—next to the Bible!
In recent years, the leaders of the American evangelical movement have brought their characteristic passion to the problem of race, notably in the Promise Keepers movement and in reconciliation theology. But the authors of this provocative new study reveal that despite their good intentions, evangelicals may actually be preserving America's racial chasm. In Divided by Faith, Michael O. Emerson and Christian Smith probe the grassroots of white evangelical America, through a nationwide telephone survey of 2,000 people, along with 200 face-to-face interviews. The results of their research are surprising. Most white evangelicals, they learned, see no systematic discrimination against blacks;…
Growing up in rural Southern Maryland, I first began to notice a difference between Blacks and whites because of the way I was treated when I hung out with my African American friends. South of the Mason Dixon line, racial differences are often clear. Throughout my childhood and young adult life some of the most influential people who invested in me were African American. As I began to learn about their stories, my heart grew with a love for racial justice and equality. My work and adult life has focused on righting wrongs, responding to global and domestic poverty, to writing and working against inequality and oppression.
John Perkins has been a mentor and friend. Born in 1930, the life of this native Mississippi man remains compelling and an inspiration! As a civil rights activist who watched his brother die before his eyes, Perkins' storytelling motivates us to respond to injustice with love and vigorous opposition, but never with hate. I often hear Dr. Perkins’ voice saying, “that man loved the hatred right out of me,” about the white doctor who brought him back to life after he was brutally beaten for his civil rights activities. A book not to be missed!
His brother died in his arms, shot by a deputy marshal. He was beaten and tortured by the sheriff and state police. But through it all he returned good for evil, love for hate, progress for prejudice, and brought hope to black and white alike. The story of John Perkins is no ordinary story. Rather, it is a gripping portrayal of what happens when faith thrusts a person into the midst of a struggle against racism, oppression, and injustice. It is about the costs of discipleship--the jailings, the floggings, the despair, the sacrifice. And it is about the transforming work…
I write memoir. I didn’t set out to write memoir. But I’ve become convinced by the power of personal narrative, both on its own merits, and as a frame and lens through which to view the world—a way to take a reader by the hand before slipping into whatever other subject matter sings its siren call. And the memoirs I love best are always in conversation with something bigger, or beyond the self. As Annie Dillard wrote, “there’s nothing you can’t do with [literary nonfiction]. No subject matter is forbidden, no structure is proscribed. You get to make up your own form every time.” I like to see these works as doing just that.
Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book anda masterpiece of personal/cultural criticism, full of elegance and nuance.
The daughter of a successful paediatrician and a fashionable socialite, Margo Jefferson spent her childhood among Chicago's black elite. She calls this society 'Negroland': 'a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty'. With privilege came expectation. Reckoning with the strictures and demands of Negroland at crucial historical moments - the civil rights movement, the dawn of feminism, the fallacy of post-racial America - Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.
I grew up in San Francisco and worked in New York City in the 1970s as a taxi driver and printing apprentice, and, after getting a doctorate at UC Berkeley, taught at Harvard, Yale, and the University of Illinois. Most of my publications and teaching have been about Russian history—I've written books on labor relations, working-class writers, the Russian Revolution, St. Petersburg, and utopias. I've been teaching comparative urban history for several years and am writing a new book on urban storytelling about street life, nightlife, and morality in Soviet Odessa, colonial Bombay, and New York City in the 1920s and 1930s. I recently retired and live in New York City and Turin, Italy.
This is an extraordinary book: stories, in the voices of those who experienced it, about living in public housing projects in Chicago before these homes were demolished starting in the 1990s. Of course, there are memories of crime, gangs, drugs, violence, police brutality, sickness, and death: sometimes understood as the product of urban life, capitalism, and racism, but also as the product of individual mistakes and failures. But mostly these witnesses tell of community, of self-respect and determination, of learning to survive and even resist.
Students in my urban history class in a prison education program in Illinois reminded me that “urban” in their world—which was often precisely the world of High-Rise Stories—meant not the city as a whole, but the inner city, the world of the street, of the marginalized, of people of color. This is a compelling window into that story, told by people who lived it:…
In the gripping first-person accounts of High Rise Stories, former residents of Chicago's iconic public housing projects describe life in the now-demolished high-rises. These stories of community, displacement, and poverty in the wake of gentrification give voice to those who have long been ignored, but whose hopes and struggles exist firmly at the heart of our national identity.
Jocelyn Green is the bestselling and award-winning author of eighteen books as of 2021. Her historical fiction has been acclaimed by Publishers Weekly, Booklist, Library Journal, and the Historical Novel Society.
This gorgeous coffee table book jam-packed with full-size photographs from every angle of the Fair. There is enough text to explain what the reader is looking at, but the glory of this volume is the photography. The map at the front is one of the best I’ve found, as well.
Over 27 million people visited the World's Columbian Exposition of 1893 in Chicago. Countless more experienced the fair through the wondrous images of C. D. Arnold, the era's foremost architectural photographer. Through his luminous pictures, Arnold became the event's leading historian, publicist, and visual philosopher. This gallery of Arnold's photographs, painstakingly retouched to achieve a new radiance, presents a magnificent tribute to the "White City" of shining Beaux-Arts buildings. In addition to its visual tour of the Exposition's extensive buildings and grounds, this lavish book also celebrates a city that treasures its architecture. The classical Greek and Roman design expressed…
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
If screwball detective fiction intrigues you, you must read Craig Rice. Why not start withEight Faces of Three, the mystery introducing the wacky, rye-soaked team of Jake Justus, Helene Brand, and John Joseph Malone?
Justus is a good-looking press agent and the book’s moral center; Brand is a gorgeous heiress and non-stop partier; and Malone is a stumpy lawyer-slash-PI with good instincts and better luck. Imagine Philip Marlowe meets the Marx Brothers.
In Eight Faces of Three, a young woman awakes to find her aunt murdered, all the house’s clocks set to 3 am, and herself the prime suspect.
Craig Rice was the first mystery writer to grace the cover of Timemagazine. Her private life was strewn with ex-husbands and empty booze bottles, and she died way too young at 49.
However, her literary legacy—one critic dubbed her the “Dorothy Parker of detective fiction”—will keep her…
Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone
John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine paper cutter. No one who knew the old battle-ax liked her, but Holly’s prints were found on the murder weapon. Plus, she had a motive: She was about to be disinherited for marrying a common bandleader.
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
In an age of global warming, Klinenberg’s study of how Chicago did (and did not) cope with a horrible heat wave that hit the city in 1995, killing 739 residents, is more relevant than ever.
He shows how death rates varied hugely across neighborhoods, not so much based on socioeconomic status but on the cohesiveness of the community. In places where neighbors looked in on each other the death rate was lower.
Strong neighborhoods do not just enhance our lives, they can save lives.
On Thursday, July 13, 1995, Chicagoans awoke to a blistering day on which the temperature would eventually climb to 106 degrees. It was the start of an unprecedented heat wave that would last a full week - and leave more than seven hundred people dead. Rather than view these deaths as the inevitable consequence of natural disaster, sociologist Eric Klinenberg decided to figure out why so many people - and, specifically, so many elderly, poor, and isolated people - died, and to identify the social and political failures that together made the heat wave so deadly. Published to coincide with…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Vera Abramowitz, ‘Dollface,’ was a flapper who got caught up with the mob.
Her two mobster lovers cause her life to take a downward spiral. Read how she puts the broken pieces of her life back together. Realistic and gritty, we see the flip side of the frivolous life of flappers seen in the movies.
America in the 1920s was a country alive with the wild fun of jazz, speakeasies, and a new kind of woman—the flapper.
Vera Abramowitz is determined to leave her gritty childhood behind and live a more exciting life, one that her mother never dreamed of. Bobbing her hair and showing her knees, the lipsticked beauty dazzles, doing the Charleston in nightclubs and earning the nickname “Dollface.”
As the ultimate flapper, Vera captures the attention of two high rollers, a handsome nightclub owner and a sexy gambler. On their arms, she gains entrée into a world filled with bootleg bourbon, wailing…
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