100 books like The Younger Wife

One of the most compelling aspects of the psychological or domestic thriller genre is the exploration of the horrors that go on inside the lives of ordinary people and this thriller is no exception.

It’s even called Behind Closed Doors! It’s a great title and perfectly captures the theme of the book – how a seemingly ordinary couple are caught up in a horrifyingly abusive relationship. It’s unsettling from the first chapter and only gets worse.

But like driving past a motorway pile-up, you can’t stop looking, desperately hoping there’s a happy ending in sight.

Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.” 

In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.

Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome. 

I am a huge fan of Hitchcock’s Strangers on a Train, and this book is an homage to that film—but in the form of a domestic thriller.

A mysterious stranger on the train, a wife troubled by her husband’s infidelity, a missing nanny: each has her own story to tell that eventually intersects with the others and kept me guessing until the end.

The Wife Upstairs by Rachel Hawkins centers around Jane who, penniless, arrives in Alabama and begins to walk dogs in an upscale, gated community. Jane hates her job, is no dog lover, and has resorted to sliding client’s valuables into her pockets. Life is a bit grim for Jane who wanted so much more for herself. Things begin to appear more hopeful when Jane meets Eddie Rochester and she begins to fall for the wealthy widower whose wife died in a boating accident. Jane even begins to develop a fondness for her dog clientele – especially Adele, a sweet Irish setter puppy, Eddie buys expressly for Jane to walk.

I thoroughly enjoyed meeting Jane’s canine clientele: Bear, a collie; Mary-Beth, a dalmatian; Major and Colonel, shih-tzus; Harper, a lab; and of course, Adele. Dog heaven, right? But as with all great thrillers, nothing is as it seems. Can Jane trust… show more.

While this may not be classed as a suspense novel, it is just that for me. It is a brutal, honest, and heartbreaking story that lived on long after I finished reading it. Touching on dementia and Down Syndrome, the author weaves a magic web of true understanding and heartfelt emotions. 

Irene's strength, sense of responsibility, family, and love for her husband, Sam, make this a beautiful read. For Irene, it isn’t only about coming to terms with the loss of her sister, Rose, but finding out what happened the night that Rose died… and the truth is very different from what Irene thinks she saw.

To be honest, I might have overlooked this book had I not had the good fortune to meet Mark, one of its editors, at various very enjoyable academic events in Europe – made exciting by Mark’s incisive contributions. The book exemplifies the movement I have previously gestured at. The broadening effect here is achieved by situating dementia as a cultural phenomenon. How is dementia represented in popular culture: in fiction, in art, film, the media, and so forth? More importantly, how are we to understand and what sort of critiques can be applied to the narratives that emerge from these cultural representations and expressions? There is much to be gained from approaching dementia from an aesthetic viewpoint. The variety of topics in this book and their treatment is refreshing and incredibly stimulating.

The title poem in this collection, (made from lines spoken by the poet’s mother,) manages to embody both caregiver and loved one as Constantine gives gentle structure to a string of seemingly disconnected utterances. Each poem in the book explores themes of loss, memory, and family through a different lens, creating an almost kaleidoscopic vision of the world. The collection is a rumination, a celebration, and a beautiful example of how poetry can expand our perspectives and teach us to speak and hear new rhythms.  

There cannot be a more brilliant or more shattering evocation of what it feels like to gradually realise you are forgetting yourself and vanishing from your own life: the mind observes the mind’s deterioration. Bernleff’s pioneering novel, published in 1984, follows the journey of its narrator Maarten from the first days of confusion into a darkness of self-loss. A beautiful, poignant masterpiece about memory and forgetting. 

As a kid, I loved this funny and frightening book about the terrible things that happen to bratty children (the same could be inferred for bratty octogenarians).

I’m sure my parents hoped these tales would encourage more reasonable behavior. Instead, these tales set me on a path to writing dark stories. In this case, the contrast of humor and the horrifying is addictive, and characters in any kind of book that combine these traits are always compelling.

The illustrations in the version published by John C. Winston Company are particularly quirky, increasing the impact of each story. This book probably had more influence on my book than I realized during the writing.

I can’t even imagine having both parents diagnosed with Alzheimer’s on the same day. But Jean Lee handles this situation with grace and devotion. Through her parents’ letters, she shares their love story. Ed and Ibby have a beautiful bond as do their daughters, yet the girls face a challenging road of caregiving that is sad, humorous, and touching, but always a model for how to love well. In Jean’s book, she casts a spell of nostalgia, faith, and whimsy, pulling the reader into a circle of intimacy.