Here are 100 books that The Woman Who Fell from the Sky fans have personally recommended if you like
The Woman Who Fell from the Sky.
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I am, first and foremost, an avid reader. And romance, especially romantic comedy, is my go-to choice. And if that romantic comedy has a fake-dating theme…YAY! It was only natural that I write that theme. I believe that life throws you love at the most unexpected times and unexpected places. I love writing character-driven stories, and what better way to have them show off their true selves than by pretending to be in a relationship with a stranger?
I loved that this book’s inciting incident is the toppling of a many-tiered wedding cake of a British royal couple. The cause? The immature tussling of a prince and the U.S. president’s son? (Adults, mind you. They’re adults)
And because of that, they have to pretend to be friends, pals, buddies.
And as with most fake-relationship-themed books, the fake friendship soon turns into real love. Even though both Alex and Henry are outrageously advantaged individuals, I saw them as people—people in love—and not as a representation of their class.
Perhaps the thing I love most about McQuiston’s writing is the idealism and hopefulness she brings to the story. The obstacles Alex and Henry must overcome are literally international and yet, she can boil their love down to the simplest of gestures—and make it seem realistic.
* Instant NEW YORK TIMES and USA TODAY bestseller * * GOODREADS CHOICE AWARD WINNER for BEST DEBUT and BEST ROMANCE of 2019 * * BEST BOOK OF THE YEAR* for VOGUE, NPR, VANITY FAIR, and more! *
What happens when America's First Son falls in love with the Prince of Wales?
When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius--his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when…
As a child, I loved singing and acting and fantasized about what it might be like to be a famous movie star. Though the practical side of my brain led me to become a lawyer instead, my fascination with Hollywood never waned. When I set out to write my first novel, I finally had the opportunity to explore celebrity culture. But I'm just a regular person, living a very normal life. The books I’m recommending lift the curtain on fame and explore the ultimate fantasy: what if a beloved, uber-famous actor or actress actually fell in love with you?
The very opposite of my last recommendation, this book was wildly spicy!
The main character is a mom who has a love affair with a famous and very young pop star, and rumor has it it’s based on the author’s crush on Harry Styles. It was really easy to lose myself in the fantasy; I, too, am a mom in her forties who finds pop stars attractive and certainly wouldn’t mind taking a little vacation from reality.
I got so sucked into this one that I stayed up for hours past my bedtime reading it multiple nights in a row!
When Solene Marchand, the thirty-nine-year-old owner of a prestigious art gallery in Los Angeles, takes her daughter, Isabelle, to meet her favourite boy band, she does so reluctantly and at her ex-husband's request. The last thing she expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship. It is a journey that spans continents as…
I have always gravitated towards women’s issues both in my writing and how I lead my life. I believe that women need to speak their truth to each other and gain the support of their friends who are likely going through the same thing. I have also spoken about and been on panels about women’s empowerment in midlife. I am a woman in the middle of her life, and I have lived through so many of the issues that I speak about.
I enjoy a story where a woman rethinks her life and tries to decide if the path she is on is the right path.
Diana O’Toole is a woman who thinks she knows what she wants, but as the book goes on, she begins to rethink everything. I had a career that I loved but left it when I had my children. After my kids became more independent, I had to figure out the second chapter of my life and where I wanted my career to go.
Having choices in life is very important and sometimes we put ourselves into a corner and don’t realize we can make different decisions.
#1 NEW YORK TIMES BESTSELLER • From the author of Small Great Things and The Book of Two Ways comes “a powerfully evocative story of resilience and the triumph of the human spirit” (Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six)
Rights sold to Netflix for adaptation as a feature film • Named one of the best books of the year by She Reads
Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all…
I’m the author of two novels, a memoir, and numerous essays and humor pieces. As a reader, I’ve always been drawn to strong, flawed, funny female characters and voices. The pull is even stronger now that I’m at midlife, a phase that’s equal parts misery, hilarity, and night sweats. I read a wide range of books, from literary fiction and classics to psychological thrillers to graphic novels that I steal from my teenagers when they’re not looking. But I have a special place in my heart for books that explore the many facets of what it means to be a woman “of a certain age” today, while making me laugh—and sometimes cringe—with recognition.
Reading Samantha Irby’s raw, hilarious, and totally uninhibited essays, you feel like you just found the funniest person at the party, and all you want to do is settle in with your drink and listen. Irby’s third essay collection finds her at forty, writing about everything from aging to friendship to bodily functions (lots of bodily functions!) with her signature self-deprecating humor, hyperbole, and cut-through-the-B.S wisdom.
Winner of 2021 Lambda Literary Award for Bisexual Nonfiction • #1 NEW YORK TIMES BESTSELLER • From Samantha Irby, beloved author of We Are Never Meeting in Real Life, a rip-roaring, edgy and unabashedly raunchy new collection of hilarious essays.
“Stay-up-all-night, miss-your-subway-stop, spit-out-your-beverage funny.... irresistible as a snack tray, as intimately pleasurable as an Irish goodbye.” —Jia Tolentino
Irby is forty, and increasingly uncomfortable in her own skin despite what Inspirational Instagram Infographics have promised her. She has left her job as a receptionist at a veterinary clinic, has published successful books and has been friendzoned by Hollywood, left Chicago,…
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In 1945 Alireza married a member of a prominent Saudi family and went to live with him in his extended family. She recounts her experience living mainly in the company of the women of the family. Over 12 years and the birth of four children, she grows close to her Arabian family and learns to live according to their customs. The reader becomes immersed in Saudi culture in a way not easily available to an outsider and feels the same sadness as Marianne when ultimately her husband divorces her and she has to leave the family she has grown to love.
Autobiography: A harem is a female group composed of a married woman's mother-in-law, sisters-in-law, children, and servants. Californian Alireza arrived in Arabia in 1945 with her husband Ali. Shew grew to lover her expanded family and the harem. After 8 years, she was summarily divorced by Ali and escaped with the children to Switzerland, then home to America.
Teresa Fava Thomas, Ph.D. is a professor of history at Fitchburg State University and author of American Arabists in theCold War Middle East, 1946-75: From Orientalism to Professionalismfor Anthem Press. I became interested in people who became area experts for the US State Department and how their study of hard languages like Arabic shaped their interactions with people in the region.
Fernea describes a lost culture in a small Iraqi village, El Nahra, in 1956, where her husband Robert was conducting ethnographic research. She met with women in the village, learned the language and culture then wrote her own study of 1950s women. The book presents insights into the life of rural Iraqi women at a time of poverty and hardship.
A delightful account of one woman's two-year stay in a tiny rural village in Iraq, where she assumed the dress and sheltered life of a harem woman.
"A most enjoyable book abouut [Muslim women]—simple, dignified, human, colorful, sad and humble as the life they lead." —Muhsin Mahdi, Jewett Professor of Arabic Literature, Harvard Unversity.
A wonderful, well-written, and vastly informative ethnographic study that offers a unique insight into a part of the Midddle Eastern life seldom seen by the West.
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In the 1860s, the ailing Lady Duff Gordon is advised by doctors to seek warmer climes if she is to recover from an advanced case of tuberculous. She travels to Egypt and embarks from Cairo by sailing a boat up the Nile and deep into Nubia. Along the way she comments on encounters with people of all classes and occupations that she meets. The book stands in stark contrast to the largely unsympathetic picture of the Egyptian peasantry by other British writers of the time. Her sympathetic portrayal includes seeing the importance of Islam and deploring foreign efforts to convert the population to Christianity. Her depictions show that even during this early period certain basic values existed that in a general way still guide behavior today in Egypt.
In 1862, Lucie Duff Gordon left her husband and three children in England and settled in Egypt, where she remained for the rest of her short life. Seeking respite from her tuberculosis in the dry air, she moved into a ramshackle house above a temple in Luxor, and soon became an indispensable member of the community. Setting up a hospital in her home, she welcomed all - from slaves to local leaders. Her humane, open-minded voice shines across the centuries through these letters - witty, life-affirming, joyous, self-deprecating and utterly enchanted by her Arab neighbours.
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In the 2000s, Tahir Shah travels around Morocco collecting traditional wisdom stories and relying on the hospitality of local people for shelter and food. Shah is an outsider in a different way from the rest of the outsider authors here. Although growing up in the West, he nonetheless absorbs the Afghan culture of his family. From his Afghan father especially he learns the importance of storytelling as a way of passing on cultural values. The Moroccans know he is a foreigner but see him as an Anglo-Afghan more sympathetic than the normal Westerner. As a result, they reveal facets of their lives not normally shared with outsiders. The book shows how those seeking to understand culture must be open to finding it in all sorts of places.
Shortly after the 2005 London bombings, Tahir Shah was thrown into a Pakistani prison on suspicion of spying for Al-Qaeda. What sustained him during his terrifying, weeks-long ordeal were the stories his father told him as a child in Morocco. Inspired by this, on his return to his adopted homeland he embarked on an adventure worthy of the mythical Arabian Nights, going in search of the stories and storytellers that have nourished this most alluring of countries for centuries. Wandering through the medinas of Fez and Marrakech, criss-crossing the Saharan sands and tasting the hospitality of ordinary Moroccans, he collected…
From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.
In 1979 Caton traveled to a remote area of Yemen to do fieldwork on the oral poetry of local tribes. He describes how tribesmen used poetry in multiple facets of their lives, to praise friends and scorn enemies, at important events and in mediating local conflicts. Although he works to develop trust with his neighbors, he is never quite sure of the cultural rules, and soon finds himself involved in a local controversy that leads to his betrayal and ultimately abduction and imprisonment. Many of the traditions Caton describes are lost or abbreviated now, but knowing about them helps us understand the subtleties that drive Yemen’s modern conflicts.
A report like no other from the heart of the Arab Middle East
In 1979, Steven C. Caton went to a remote area of Yemen to do fieldwork on the famous oral poetry of its tribes. The recent hostage crisis in Iran made life perilous for a young American in the Middle East; worse, he was soon embroiled in a dangerous local conflict. Yemen Chronicle is Caton's touchingly candid acount of the extraordinary events that ensued.
One day a neighboring sheikh came angrily to the sanctuary village where Caton lived, claiming that a man there had abducted his daughter and…
I have always been interested in the politics of democracy and dictatorship. Governing is a funny business: the masses must entrust a very few to lead them, and often with vast power. Where does that trust come from? And why do some rulers act so viciously while others serve with grace? Understanding these very human concerns is a worthy pursuit of knowledge.
The 2011-12 Arab Spring was a momentous opportunity for a young generation of activists to upend their dictators and secure radical freedoms. The scoresheet more than a decade later is mixed, as this book shows. Some countries remain mired in conflict, like Libya and Yemen; others have tentatively embraced political reform, like Morocco and Jordan; and in still others, like Algeria and Sudan, popular movements and stubborn autocrats are locked in tense confrontation. Few other volumes provide as vivid of a snapshot of regional politics as this one.
Why were some, but not all the Arab mass social protests of 2011 accompanied by relatively quick and nonviolent outcomes in the direction of regime change, democracy, and social transformation? Why was a democratic transition limited to Tunisia, and why did region-wide democratization not occur? After the Arab Uprisings offers an explanatory framework to answer these central questions, based on four key themes: state and regime type, civil society, gender relations and women's mobilizations, and external influence. Applying these to seven cases: Tunisia, Egypt, Morocco, Bahrain, Libya, Syria, and Yemen, Valentine M. Moghadam and Shamiran Mako highlight the salience of…
