Fans pick 94 books like The Witches of Eileanan

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).

By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.

There are actually two undeniably kickass women in this book: one is the perfect hybrid of humanity and technology created to pilot gargantuan killing machines, while the other is a foul-mouthed outlaw who routinely climbs inside these machines and blows them the heck up. You can imagine the chaos that ensues when these women finally join forces and set their sights on destroying the oppressive supercity of Godolia—along with its vast army of terrifying mecha gods. I was delighted by this book for a number of reasons, not the least of which being its many bloody battle scenes and its cast of endearing characters. The tenuous relationship between Sona the Pilot and Eris the Gearbreaker kept me on edge until the very end. This is an impressive debut novel from a talented young writer, and I am looking forward to the next installment.  

This novel begins in the fiery aftermath of a gruesome airship battle—and it only gets better from there. Our heroine, Josette, is a scrappy, hardworking airship captain who must contend with the undermining efforts of the fleet’s dubious general and his spies, all while fighting *actual* battles against an enemy that wants to blow her crew out of the sky. What really captured my attention about this book was the incredible descriptive voice displayed by the author: from the gory battle scenes to the complex inner workings of an airship, this is a truly immersive adventure. Josette is a smart, relatable heroine who pulls no punches and doesn’t let herself get sucked into the political minutiae, which keeps the story moving at a good clip. 

I love the cunning, wit, and charm of the one-and-only Vlad Taltos. Though he’s an assassin, he’s never cruel or wicked; he merely does what he needs to appease the “mafia-feeling” organization he works for. He’s almost more a swashbuckling rogue than a killer.

In his interactions with his familiar, Loiosh, you see his more nuanced side, the morality beneath the magic and swordplay. And few fantasy worlds I’ve ever visited have been as rich and colorful as those created in the Vlad Taltos series. 

I love stories that are based on legends, myths, and folklore. This one is the latter.

Took is the first book that opened my mind to folklore of witches and witchcraft. If finding a cabin in the woods with bones and artifacts inside didn’t bring chills down my spine, then the mysterious storyline that followed definitely did. The suspense of the book kept my mind captive till the very end!

I didn’t know I wanted a story about a girl and her talking animal friends, but when it turns out that all of them have been enslaved by an evil witch and are shackled by her torturous magic, I couldn’t put it down. 

Seemingly insignificant creatures decide to try and take their fate back, all while their frailty remains. I found myself invested in the whimsy of the fairy tale juxtaposed with the horrors of enslavement. Watching the girl called “Thing” navigate the human condition was beautiful and painful, and several times, I held my breath, unsure what the outcome would be.

This story is an unusual tale of hopelessness transformed into determination and a beautiful bond formed through shared trauma and circumstance.

She’s a witch! Let’s stake her out for the dragon to eat. This happens to Alys. But she’s not a witch. Her village just didn’t like her. She wants revenge and when the dragon arrives, he becomes her ally. Here’s another twisted plot where the female is undervalued but the story helps Alys find what she thinks she wants. Part of what she finds along the way is a strength and loyalty she didn’t know she had. But she also discovers what she thought she wanted, isn’t really worth it in the end. 

I was captivated by these stories from the moment I read the title of the first chapter: “In which Cimorine refuses to be proper and has a conversation with a frog.”

Cimorene is a young woman with no intention of being rescued by a knight in armour. She prefers the company of the dragon for whom she is princess in residence.  

These books re-imagine traditional princess stories through a woman’s eyes. Cimorene and her adventures are light-hearted, but as children (and parents who read to them) encounter wicked wizards, wonderful witches, magical carpets, swords, and castles they will celebrate this princess as the tough-minded lady Patricia Wrede has made her.

This book is just fun. The concept of a bored lawyer responding to an ad in the paper, offering an entire magical kingdom for only a million dollars, is pure entertainment. You can’t even buy a good house for that these days.

It’s one of the best fish-out-of-water tales I’ve read and filled with just ridiculous and hilarious fantasy tropes. Terry Brooks isn’t afraid to make fun of his own genre and does it masterfully with the world of Landover.