Here are 28 books that The Guns Above fans have personally recommended if you like
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From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.
Sabriel by Australian author Garth Nix is a YA dark fantasy that captivated me with its visceral descriptions of Charter magic and the brutal realism of life in the Old Kingdom—where the dead do walk.
The protagonist, Sabriel, is raised in a mundane, magic-less world beyond the Wall but is thrust into a realm teeming with dark magic as she searches for her missing father. This journey forces her to grapple with her identity as she navigates the expectations of others who see her only as her father's successor while she remains steadfast in her determination to find and rescue him.
This struggle for self-definition amidst external pressures is a theme that resonates deeply, making Sabriel a must-read for those who appreciate immersive worlds.
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
I was pleasantly surprised by just how weird this book is.
It is, as it was often marketed to me, “gay necromancers in space,” but it’s so much more than that. Disorientation, cerebral puzzles, and intricate worldbuilding permeate this whole book from chapter one. Tamsyn Muir is unapologetic about writing exactly what she wants, even if it’s outside a lot of readers’ comfort zones.
I found the strangeness of the societies, the challenges, and the mysteries woven into this book intriguing. It’s a murder mystery! In a high-stakes competition! With queer female main characters who have a lot of friction but are nonetheless deeply devoted to each other!
I loved how new and fresh it felt and that I couldn’t predict what would happen next.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I grew up in Texas during a time when girls still had to wear poofy dresses and pantyhose, and boys got to have all the fun. The whole idea of traditional womanhood never fit me. It took a long time, but I finally reconciled with the fact that being able to run in heels and pop a grackle off the birdfeeder from thirty yards out are not mutually exclusive: a skill is a skill, and the injection of some femininity into a traditionally masculine feat can be wildly refreshing. We’ve only just begun to explore the genre of the fierce warrior woman—mine is merely one of infinite definitions.
There are actually two undeniably kickass women in this book: one is the perfect hybrid of humanity and technology created to pilot gargantuan killing machines, while the other is a foul-mouthed outlaw who routinely climbs inside these machines and blows them the heck up. You can imagine the chaos that ensues when these women finally join forces and set their sights on destroying the oppressive supercity of Godolia—along with its vast army of terrifying mecha gods. I was delighted by this book for a number of reasons, not the least of which being its many bloody battle scenes and its cast of endearing characters. The tenuous relationship between Sona the Pilot and Eris the Gearbreaker kept me on edge until the very end. This is an impressive debut novel from a talented young writer, and I am looking forward to the next installment.
Two girls on opposite sides of a war discover they're fighting for a common purpose—and falling for each other—in Zoe Hana Mikuta's high-octane debut Gearbreakers, perfect for fans of Pacific Rim, Pierce Brown's Red Rising Saga, and Marie Lu's Legend series.
We went past praying to deities and started to build them instead...
The shadow of Godolia's tyrannical rule is spreading, aided by their giant mechanized weapons known as Windups. War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords.
I grew up in Texas during a time when girls still had to wear poofy dresses and pantyhose, and boys got to have all the fun. The whole idea of traditional womanhood never fit me. It took a long time, but I finally reconciled with the fact that being able to run in heels and pop a grackle off the birdfeeder from thirty yards out are not mutually exclusive: a skill is a skill, and the injection of some femininity into a traditionally masculine feat can be wildly refreshing. We’ve only just begun to explore the genre of the fierce warrior woman—mine is merely one of infinite definitions.
Another 90’s throwback, The Witches of Eileanan is the first in a six-book series featuring a slew of warrior women. Our heroine, Isabeau, is a young witch who has spent most of her life in seclusion—honing her skills while trying to remain hidden in a world where witchcraft is outlawed. Shortly after her sixteenth birthday, Isabeau is forced to abandon the safety of her home and embark on a quest to save her kingdom from dark forces. She meets many fellow warrior women along the way, all of whom are rendered in glorious, unabashed badassness that was truly revolutionary in its day. While this series is undeniably a trailblazer in the realm of heroine-centric fantasy, and certainly an excellent read for anyone on the hunt for fierce warrior women, I do want to warn potential readers that there are a few instances where female characters suffer sexual abuse. The casualness…
'Twas a time when dragons left their lair and evil shadowed the land....
On the Day of Reckoning, the witches of Eileanan were outlawed--and violations of the new order were punishable by death. Eileanan's Great Towers, once meccas of magic and learning, were left in ruins. And now, the entire land trembles in fear....
Yet deep in the mountains, in the shadow of Dragonclaw, a young girl is being tutored in the old ways. Ignorant of her past, uncertain of her future, the foundling Isabeau will soon be forced down a dangerous path of…
A long time ago, I was an early-aviation historian, but eventually realized that I knew only half the story—the part about airplanes. But what about airships? Initially, I assumed, like so many others, that they were a flash-in-the-pan, a ridiculous dead-end technology, but then I realized these wondrous giants had roamed and awed the world for nearly four decades. There was a bigger story here of an old rivalry between airplanes and airships, one that had since been forgotten, and Empires of the Sky was the result.
Robinson was among the finest of airship historians and his work is based on a firm research footing and deep personal knowledge (he also helped edit Harold Dick’s book and traveled round Germany in the 30s). This volume includes chapters on American and British airships, but the real meat is the material on their German counterparts. Sometimes, I’ll be honest, Robinson’s fondness for detail can be a little overwhelming, but there’s no doubt that he knows his stuff, especially on wartime Zeppelins and the bombing campaign. Warning: Giants in the Sky is long out-of-print, unfortunately, but copies are available (for a price).
I grew up on the coast of South Carolina, where many of the Golden Age pirates were welcomed as business associates and charming guests by some of the most influential people of the day. They are, to this day, considered local heroes. I read everything I could lay hands on about them, fiction and histories, and I knew my first book would have to be about the pirate I always pretended I could be, if I’d only been born two hundred years ago.
This one’s a little different – pirates sail the clouds instead of the ocean. In a world where Haiti won its freedom at a devastating cost, a young Black woman wants to earn a place on an airship, but can’t seem to find any way to prove her worth to the sky pirates she longs to join. Until she learns about a weapon called the Black God’s Drums, that someone plans to use to wipe New Orleans off the map. Add in the whispers of an orisha with its own agenda and a possible romantic attraction to the peg-legged Captain Ann-Marie, and you’ve got everything a pirate might want.
In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air - in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie's trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God's Drums.
But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.
A long time ago, I was an early-aviation historian, but eventually realized that I knew only half the story—the part about airplanes. But what about airships? Initially, I assumed, like so many others, that they were a flash-in-the-pan, a ridiculous dead-end technology, but then I realized these wondrous giants had roamed and awed the world for nearly four decades. There was a bigger story here of an old rivalry between airplanes and airships, one that had since been forgotten, and Empires of the Sky was the result.
This is an academic book, one that’s engaging, fluidly written, and immensely interesting for anyone intrigued by the longtime German fascination with airships. Rather than the technical details, Syon’s broader focus is on what the wondrous technology meant to Germans and how it shaped their culture and history over the decades. His approach, in other words, puts Zeppelins into context. Put it this way, in 1938 a large-scale survey discovered that Count von Zeppelin, the inventor of the airship and dead for twenty years, ranked among the best recognized of German luminaries. His score was higher than even that of the immortal Beethoven at a time when the Luftwaffe-obsessed Nazis were trying to scrub any memory of their airships. Such a finding is impossible to explain unless you understand the cultural importance of the Zeppelin, making this book critically important.
"Whenever the airship flew over a village, or whenever she flew over a lonely field on which some peasants were working, a tremendous shout of joy rose up in the air towards Count Zeppelin's miracle ship which, in the imagination of all who saw her, suggested some supernatural creature." As this paean to the Zeppelin from an early-20th-century issue of the German newspaper Thuringer Zeitung makes clear, the airship inspired a unique sense of awe. These phenomenal rigid, lighter-than-air craft-the invention of Ferdinand Graf von Zeppelin (1838-1917)-approached the size of a small village. Although they moved slowly, there was no…
Here's my confession—I am a closet sadist. IRL, I carefully catch beetles and spiders in a jar to take them outside when I find them in the house. But at the keyboard? Mr. Hyde. I torture my major characters. A half dozen in Saturn Run look death in the face. Some die. In my second novel, Ripple Effect, it's way over a dozen and the carnage starts in the very first chapter. What can I say? I am a very nice and kind person, just not a nice and kind author!
This is not your parents’ steampunk! It’s an oh-so-different take on the genre with an edgy, improbable, and yet somehow entirely believable motley band of revolutionaries. Delightfully, it was born in a wisecrack! Maurice complained online about the lily-whiteness typical of steampunk mythology (tru dat!) and quipped that he might well have to write “Pimp my Airship” in retaliation. More than one editor told him that if he wrote it, they’d buy it. Well, what’s an author to do? So, he did.
And yes, there ARE airships, and yes, they ARE tricked out.
All the poet called Sleepy wants to do is spit his verses, smoke chiba, and stay off the COP’s radar—all of which becomes impossible once he encounters a professional protestor known as (120 Degrees of) Knowledge Allah. They soon find themselves on the wrong side of local authorities and have to elude the powers that be.
When young heiress Sophine Jefferson’s father is murdered, the careful life she’d been constructing for herself tumbles around her. She’s quickly drawn into a web of intrigue, politics and airships, joining with Sleepy and Knowledge Allah in a fight…
A long time ago, I was an early-aviation historian, but eventually realized that I knew only half the story—the part about airplanes. But what about airships? Initially, I assumed, like so many others, that they were a flash-in-the-pan, a ridiculous dead-end technology, but then I realized these wondrous giants had roamed and awed the world for nearly four decades. There was a bigger story here of an old rivalry between airplanes and airships, one that had since been forgotten, and Empires of the Sky was the result.
This is a collection of ten essays about airship history, mostly concentrating on the business, political, and diplomatic angles. Zeppelins didn’t simply “exist” as objective bits of hardware, but were inextricably enmeshed in the controversies of their era, as Meyer ably and amply demonstrates. If you’re interested in the story-behind-the-story of Zeppelins, this is the book for you, though I’d perhaps wait to dive in until you’ve gotten your feet wet with some basic background reading. Particularly fascinating are Meyer’s investigations into the Zeppeliners’ visits to Detroit to see Henry Ford in the early 1920s, his comparative assessment of French and British airship engineering, and the sad fate of the very last German airship—no, the Hindenburg was not it—before they vanished forever in the age of the airplane.
Dust jacket notes: "Rigid airships, the first aircraft capable of crossing the oceans with significant numbers of passengers and cargo, captured the public's imagination and the attention of many who saw in the dirigible a chance to expand their own ambitions, whether personal, political, military, or commercial. Drawing on governmental, company, and private archives from Germany, England, and the United States, Henry Cord Meyer shows how politicians and airship company executives with ulterior motives exploited public enthusiasm as well of feelings of nationalism. Count Ferdinand von Zeppelin used his invention to enhance German military power and assure his nation's preeminence…
From an early age, it became obvious there were two types of people in the world. There were those who played it safe, who sold life insurance or worked for the government, who took their kids to soccer games and dutifully hosted Thanksgiving dinner. Then there were those who were haunted and driven by inner forces they couldn’t begin to understand. After realizing that I fell into the second category, I discovered many kindred spirits who had written books. While some of them sugar-coated their stories into “page-turners” or “beach reads,” the core of human obsession was unmistakable. I resolved to explore the outer edge of that obsession.
When most people think of dirigibles, they’re reminded of either the Goodyear Blimp or (if they’re old enough) the crash of the Hindenburg. However, there’s a small band of fanatics who are dedicated to the quest for lighter-than-air flying. For these folks, the subject is more compelling than the Holy Grail, and they devote decades of their lives and the bulk of their resources to prove to the public that dirigibles should come back and replace jet aviation. A true story, and a fascinating read.
This is the fascinating story of the dream of a completely new aircraft, a hybrid of the plane and the rigid airship - huge, wingless, moving slowly through the lower sky. John McPhee chronicles the perhaps unfathomable perseverance of the aircraft's sucessive progenitors.
