Here are 100 books that The Warrior's Viking Bride fans have personally recommended if you like
The Warrior's Viking Bride.
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As a writer, I’m fascinated by relationships, what makes them work and what might make them fail. And I’ve always been gripped by the power of two people who try to love each other, no matter how different they may be or what obstacles they face. I honestly believe that two people in love are far more than the sum of their parts and can create something magical that wouldn’t have been there without them. So, yes, I’m a romantic at heart but, even in these cynical times, I don’t think that’s a bad thing. I hope you love the books on this list as much as I do.
I love this book so much because it’s about two people giving their relationship a second chance.
At first it made me feel sad because the heroine Anne Elliot could so easily have been happy with Captain Wentworth when he first proposed. It’s only when he returns to the area years later that she begins to listen to her heart rather than her head.
The years have changed them and they need to rediscover each other before they can be truly happy. It’s a quiet and deeply moving love story.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension,…
I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.
I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.
So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.
Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.
We need these stories of women on the edge who still, somehow, resist…
'An unforgettable, unmissable book for the new global feminist.' The Times
'All the men I did get to know filled me with but one desire: to lift my hand and bring it smashing down on his face.'
So begins Firdaus's remarkable story of rebellion against a society founded on lies, hypocrisy, brutality and oppression. Born to a peasant family in the Egyptian countryside, Firdaus struggles through childhood, seeking compassion and knowledge in a world which gives her little of either. As she grows up and escapes the fetters of her childhood, each new relationship teaches her a bitter but liberating…
I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
Anyone who has spent any time in the world of journalism can recognise the flawed but ultimately lovable character of Thorn Marsh, Marika Cobold’s main character, who like far too many reporters, myself included, is far too often concentrated on her work rather than on living in the real world of human relationships.
Journalistic ethics should define us and our work, but Thorn falls from grace (or rather crosses a line). When her paper is taken over, she is placed on a mid-week supplement and is pushed for heart-warming clickbait. She actually makes up a story about an angel appearing on the Heath, crossing many a journalistic line in doing so.
Cue a tale about love, honour, loyalty, and how to pick yourself up when you’ve done wrong – and had wrong done to you. I loved Thorn. Hopefully she will reappear in another novel by Marika Cobbold one day…
"A mystery and an elegy for the death of old-fashioned journalism, it's a book that will warm your heart" The Observer
"Splendid . . . Funny, poignant, perceptive and plenty of sharp elbows along the way" Val McDermid
Thorn Marsh was raised in a house of whispers, of meaningful glances and half- finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband.
When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their…
I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
There is a shelf in the hallway full of battered books by women I read when I was a student and shortly afterwards – the books that I read and gave me those shivers of recognition – of feeling that this writer is speaking directly to me.
At some point some other young feminist must have told me, read this. And I did, and I can still remember certain passages that I read and re-read and sometimes copied out in my spidery handwriting to act as my mantras, then and now.
It’s a call to arms, it’s a passionate beating of the female breast, it’s the making of the heroine that we all need as women – Britain’s first feminist who spoke for quirky females everywhere when she wrote in a letter to her sister Everina, “I am not born to tread in the beaten track.”
Writing just after the French and American revolutions, Mary Wollstonecraft firmly established the demand for women's emancipation in the context of the ever-widening urge for human rights and individual freedom that followed in the wake of these two great upheavals. She thereby opened the richest, most productive vein in feminist thought; and her success can be judged by the fact that her once radical polemic, through the efforts of the innumerable writers and activists she influenced, has become the accepted wisdom of the modern era. The present edition contains a substantial essay by a major scholar to celebrate the bicentenary…
I’m an author and elementary librarian living in Northern California. My mind is a busy neighborhood: there are all sorts of thoughts and feelings running around up there like hordes of naughty unsupervised children. I need books to ground me, to encourage me to slow down, to help me feel and release those emotions. As an elementary librarian, I’m a voracious reader, but I only choose to return to the most necessary, beautiful books. These authors comfort me through their words, pulling forth laughter, tears, and the knowledge that I’m not so crazy after all. Or, if I am, I’m not the only one.
Tara was the best friend I needed when I picked up this book.
I felt like I was sitting on the couch across from her while she gave me all sort of kind, direct, no-nonsense advice. She reminded me to be good to myself, and taught me that I’m worthy of my own care and attention. Just seeing the spine of this book on my shelf makes me feel less alone. I can hear her encouraging voice. (See? I am a little crazy!)
The author of the runaway hit Buy Yourself the F*cking Lilies shares honest and practical lessons for healing your past and owning your future so you can radiate strength, bravery, and joy when life gets dark.
“A revealing and powerful book that lit me up from the inside out.”—GLENNON DOYLE, #1 New York Times bestselling author of Untamed
Tara Schuster thought she was on stable ground. For years, she’d worked like hell to repair the emotional wounds inflicted during what she refers to as her “mess-wreck disaster” of a childhood. She’d brought radical healing rituals and self-love into her life.…
Historical romance author Emmanuelle lives on the bonny banks of Loch Fyne with her husband and beloved haggis pudding Archie McFloof—connoisseur of bacon treats and squeaky toys. She’ll never tire of dreaming up handsome and mysterious strangers she’d love to be snowed in with.
When our heroine discovers her fiancé cheating on her at a Yuletide country house party, she flees in distress, saddling up to return to London on horseback. Cue the intervention of a devilishly handsome rakehell offering his carriage. With all good sense thrown to the wind, lovely Lily is soon climbing aboard—in more ways than one.
When the pair encounter [gasp] a snowstorm and must take refuge on his estate, the passion-o-meter reaches new heights. This book comes with a fabulous (and well-earned) “sizzle alert”. Hoorah!
Attempting to mend a broken heart by indulging in an affair with a rakehell would not be the wisest course of action for a young lady of the ton. But when Miss Lily Godwin has a chance encounter with the mischievous Lord Nash at a Yuletide house party, she is sorely tempted to throw all dictates of decorum out the window. After all, it’s Christmas.
Author’s Note to Readers: An Improper Christmas is Book 3 in the loosely linked, Improper Liaisons Novella series. It can also be read as a stand-alone. Also please note, this is a NEW COVER edition.…
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Madievsky’s brilliant, weird, evocative debut begins with the kind of first line that lets you know you’re in good hands: “Spending time with my sister, Debbie, was like buying acid off a guy you met on the bus.”
Debbie’s disappearance early in the novel forces the narrator to reckon with who she is outside of the sisters’ codependent relationship, and it raises questions about what we owe our more complicated family members.
Rachel Kushner meets David Lynch in this fever dream of an LA novel about a young woman who commits a drunken act of violence just before her sister vanishes without a trace
On the night of her high school graduation, a young woman follows her older sister Debbie to Salvation, a Los Angeles bar patronized by energy healers, aspiring actors, and all-around misfits. After the two share a bag of unidentified pills, the evening turns into a haze of sensual and risky interactions—nothing unusual for two sisters bound in an incredibly toxic relationship. Our unnamed narrator has…
When I was eight years old, I walked into a movie theater to see Spider-Man and walked out forever obsessed with superheroes. Specifically, I saw him kiss Mary-Jane with his mask on while hanging upside down and my tastes never changed in 20 years. Now, when not writing, I cosplay from my favorite comics, video games, and anime with my husband, who I met at a comic-con while dressed as Gwenpool (he was Symbiote Spider-Man—see, I told you my tastes never changed).
This book came out on my birthday a few years ago and felt like a present specifically for me, and other superhero fans will feel the same.
This YA sci-fi trilogy features a world divided between those who either love or hate the Renegades, a group of superpowered humans.
If you enjoy the themes of “heroes aren’t always what they seem” present in superhero works like The Boys, then Renegades is a milder version of that, making it a great entry point for superhero fans and an action-packed, thought-provoking read about what is right or wrong.
Secret identities. Extraordinary powers. She wants vengeance. He wants justice.
The Renegades are a syndicate of prodigies-humans with extraordinary abilities-who emerged from the ruins of a crumbled society and established peace and order where chaos reigned. As champions of justice, they remain a symbol of hope and courage to everyone . . . except the villains they once overthrew.
Nova has a reason to hate the Renegades, and she is on a mission for vengeance. As she gets closer to her target, she meets Adrian, a Renegade boy who believes in justice-and in Nova. But Nova's allegiance is to a…
Julian. D. Richards is a Professor of Archaeology at York. He has directed excavations at the Viking settlement at Cottam, and the only Viking cremation cemetery in the British Isles at Heath Wood. He is the author of Viking Age England, and The Vikings: A Short Introduction. His co-author is Dawn M. Hadley. Dawn is a Professor of Medieval Archaeology at the University of York. She and Julian Richards are Co-Directors of the Torksey project - which has been investigating the winter camp of the Viking Great Army of AD 872-3. She is the author of The Vikings in England and The Northern Danelaw.
Judith Jesch is Professor of Viking Studies at the University of Nottingham and whilst she is primarily a specialist in early medieval literature she has a rare inter-disciplinary command of historical and archaeological sources. In this sweeping review of the Viking World she provides an authoritative overview of the Scandinavians at home and their migrations overseas, with a particular focus on gender and the family, and cults, beliefs and myths. By using the concept of diaspora, she focuses on the ways in which migrants maintained their sense of cultural identity with the Scandinavian homelands and other areas of Scandinavian migration. The interconnectedness of the Viking world is at the heart of this book, and language is seen as key to the maintenance of the Viking diaspora, reinforced by texts and material culture.
The Viking Diaspora presents the early medieval migrations of people, language and culture from mainland Scandinavia to new homes in the British Isles, the North Atlantic, the Baltic and the East as a form of 'diaspora'. It discusses the ways in which migrants from Russia in the east to Greenland in the west were conscious of being connected not only to the people and traditions of their homelands, but also to other migrants of Scandinavian origin in many other locations.
Rather than the movements of armies, this book concentrates on the movements of people and the shared heritage and culture…
Julian. D. Richards is a Professor of Archaeology at York. He has directed excavations at the Viking settlement at Cottam, and the only Viking cremation cemetery in the British Isles at Heath Wood. He is the author of Viking Age England, and The Vikings: A Short Introduction. His co-author is Dawn M. Hadley. Dawn is a Professor of Medieval Archaeology at the University of York. She and Julian Richards are Co-Directors of the Torksey project - which has been investigating the winter camp of the Viking Great Army of AD 872-3. She is the author of The Vikings in England and The Northern Danelaw.
Thomas Williams was project curator for the major international exhibition Vikings: Life and Legend, held at the British Museum in 2014. In this tremendously readable account of Viking Britain from the late eighth to the end of the tenth century he interweaves first-person narrative, evocative prose, and more conventional historical and archaeological discussion to provide a new form of Viking history. Williams demonstrates how the Vikings have shaped British society, and how our perception has been shaped by authors such as J.R.R. Tolkien and William Morris.
A new narrative history of the Viking Age, interwoven with exploration of the physical remains and landscapes that the Vikings fashioned and walked: their rune-stones and ship burials, settlements and battlefields.
To many, the word 'Viking' brings to mind red scenes of rape and pillage, of marauders from beyond the sea rampaging around the British coastline in the last gloomy centuries before the Norman Conquest. It is true that Britain in the Viking Age was a turbulent, violent place. The kings and warlords who have impressed their memories on the period revel in names that fire the blood and stir…
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