Here are 66 books that The Trouble with Being Born fans have personally recommended if you like
The Trouble with Being Born.
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I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I first read the English translation of this book during my undergraduate studies. The first time I read it, I couldn’t stop thinking about it for days. Something about it disturbed me, made me feel sick, and made me question what it means to be human.
I felt myself called to read it again years later and, just recently, I picked it up a third time. Mersault’s indifference in relation to his experiences and to society forced me to question my own views concerning the meaning of life.
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.
Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
This book lives in my Brain rent-free, ironic since my brain is also not a space in which anyone should take Up residence.
I love the layers of narraTors, Johnny, Zampanò, and Navidson, all of Them unreliable, telling lies from cOnscious design, from iNability to face the truth, from shifting realities. Maybe one day I'll find my way through to someone who loves my ironieS.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
I’ve always read speculative fiction for its new perspectives on reality. Now that I write it too, I appreciate the fabulous minds that create these unique views of our universe even more. Experience in higher education and instructional design led me to appreciate organization that flows at the speed and direction of thought. I adore a well-turned phrase and a well-built world, and I hope this list leads you to a new experience of that same joy.
If you, like me, have to consciously choose to read more poetry, this is a fascinating book to add to your collection. The poems’ subjects range from pop culture to body horror to the titular implications of algorithms and AI, and every one of them is a well-structured look at an apocalypse, large or small. Chances are excellent that you will encounter an English word you can’t readily define. Many of the poems are illustrated with haunting and/or humorous line art which even the ebook format renders well. Everything ends, but not every description of those endings are as beautiful as the ones in this book.
Dawn of the Algorithm, Yann Rousselot’s debut collection of poetry, is a bestiary of octosharks and dinosaurs, zombies and pathogens, mecha robots and common mortals.
These monsters were raised on a diet of TV tropes, movie clichés, book snippets, and video game storylines. Some have beating hearts, others interlocking mechanical parts. They are forces of human nature, genetically engineered with a single purpose: to herald the apocalypse.
Building on user-friendly motif and imagery, Rousselot draws acute, playful but painful conclusions about twenty-first century Earth. He paints a darkly comical portrait of humankind, a species plagued by heartbreak and alienation, yet…
I’m a philosopher, writer, and illustrator from Wales, UK. I grew up on ’70s sci-fi—Star Wars (the original trilogy!), Battlestar Galactica (the original series!), The Black Hole (Remember that?! No? Oh well…). Space travel, flying cars, sassy computers you could banter with, cute robots who would be your best friend—it was a time when the future seemed just around the corner. But now, as these things finally start to arrive, I feel I’ve been mis-sold. Data theft? Mass surveillance? Killer drones? Election manipulation? Social media bot farms? This isn’t the future I signed up for! Or maybe I should have read the terms and conditions…
Those who laid the foundations for the scientific revolution—Newton, Bacon, Descartes—were religious men. But, so the story goes, science has now left religion behind—except it hasn’t. In this extraordinary book, Meghan O’Gieblyn argues that, having turned its back on God, science and technology are now sleepwalking us into a new religion: transhumanism. Faced with the increasing and enormous complexity of artificial intelligence, like priests interpreting the oracle, the programmers and analysts of today must simply guess how an algorithm has arrived at a particular solution—and have faiththat it is correct. They lust for the Rapture-like Singularity, where machines will take over the future, gifting us all digital immortality. Hmm, is this starting to sound a bit familiar…?
A strikingly original exploration of what it might mean to be authentically human in the age of artificial intelligence, from the author of the critically-acclaimed Interior States.
"Meghan O’Gieblyn is a brilliant and humble philosopher, and her book is an explosively thought-provoking, candidly personal ride I wished never to end ... This book is such an original synthesis of ideas and disclosures. It introduces what will soon be called the O’Gieblyn genre of essay writing.” —Heidi Julavits, author of The Folded Clock
For most of human history the world was a magical and enchanted place ruled by forces beyond our…
All of the books I recommend offer both a very deep reading of our socio-economic situation in all its oppressiveness and alienation, and the possibility of an alternative. Only with such philosophical digging and reappropriation of dialectical thinkers of the past, beginning with Hegel and Marx, can we construct a humanist future. These books speak to my own life as a 1960s activist in the USA who has yearned ever since for a real, humanist social transformation in the face of so many setbacks for our cause, some of them self-inflicted.
Paul Mason’s Clear Bright Future (the title is drawn from a declaration by Leon Trotsky), stands out as a manifesto of socialist humanism that takes on neoliberal ideology and the cyberworld of contemporary capitalism. The book also delivers a withering critique not only of their basic anti-humanism but also the anti-humanism of the academic left, still too much in the shadow of postmodernism, which Mason charges with helping to open the road toward the present state of affairs.
'Thrilling, brilliant, radical ... an admirable defence of humans against machines' Guardian
A passionate defence of humanity and a work of radical optimism from the international bestselling author of Postcapitalism
How do we preserve what makes us human in an age of uncertainty? Are we now just consumers shaped by market forces? A sequence of DNA? A collection of base instincts? Or will we soon be supplanted by algorithms and A.I. anyway?
In Clear Bright Future, Paul Mason calls for a radical, impassioned defence of the human being, our universal rights and freedoms and our power to change the world…
I have an international reputation as an expert on dehumanization. I have researched this subject for the past fifteen years, and have written three books and many articles, and given many talks on it, including a presentation at the 2012 G20 economic summit. I believe that dehumanization is an extremely important phenomenon to understand, because it fuels the worst atrocities that human beings inflict upon one another. If phrases like "never again" have any real meaning, we need to seriously investigate the processes, including dehumanization, that make such horrific actions possible.
There is surprisingly little research literature dealing specifically with dehumanization outside of academic papers by social psychologists. But this state of affairs is changing, as more and more scholars recognize that understanding this harrowing phenomenon is crucial for the future of humanity. This unique volume, with contributions from thirty scholars from a whole range of academic disciplines, provides an excellent snapshot of the vibrant state of dehumanization studies today.
A striking feature of atrocities, as seen in genocides, civil wars, or violence against certain racial and ethnic groups, is the attempt to dehumanize - to deny and strip human beings of their humanity. Yet the very nature of dehumanization remains relatively poorly understood.
The Routledge Handbook of Dehumanization is the first comprehensive and multidisciplinary reference source on the subject and an outstanding survey of the key concepts, issues, and debates within dehumanization studies. Organized into four parts, the Handbook covers the following topics:
The history of dehumanization from Greek Antiquity to the 20th century, contextualizing the oscillating boundaries, dimensions,…
Being a musician does funny things to you. It leads you to look for patterns in the beautiful – and not-so-beautiful. To my mind, music is art and logic perfectly combined. I believe this unique combination offers musicians extra insights into the world around us. My desire to discover patterns in the world around me, fused with an underlying sense of injustice, has helped shape the opinions and ideas for a better social model that I write about today. I've founded several online initiatives, written extensively, and given talks around the concept of a post-money, open access economy. I believe this will ultimately prove to be the only viable path for humanity over the next century.
If you haven’t yet read Eisenstein, then I promise you you are intellectually and emotionally impoverished by that lack. Charles Eisenstein has such an extraordinary deep insight into the human condition and interconnectedness, coupled with an astounding level of humility in the wonder of what he doesn’t yet know, that he will leave you feeling at once masterful in your own destiny and humbled by the world and the great possibilities that lie tantalisingly close if we are just a shade braver and reach for it.
A beacon of hope in the face of our current world crises, this uplifting book demonstrates how embracing our interconnectedness is key to world transformation
In a time of social and ecological crisis, what can we as individuals do to make the world a better place? This inspirational and thought-provoking book serves as an empowering antidote to the cynicism, frustration, paralysis, and overwhelm so many of us are feeling, replacing it with a grounding reminder of what’s true: we are all connected, and our small, personal choices bear unsuspected transformational power. By fully…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
The year is 2095, and human beings must take performance enhancement pills to compete with automated systems. The future in Machinehood could be ours tomorrow.
Welga and Nithya, the novel’s protagonists, are constantly on the verge of burnout while pushing themselves to perform. A mysterious terrorist organization called the Machinehood turns up to demand equal rights for AI, and that humans put an end to pill manufacturing, triggering events around the world. Parts of the novel are set in Chennai, India, and despite all its futuristic advances, the city retains its present day identity. Machinehood also portrays women in technologically-driven spaces, which is something I'm always rooting for.
From the Hugo Award nominee S.B. Divya, Zero Dark Thirty meets The Social Network in this science fiction thriller about artificial intelligence, sentience, and labor rights in a near future dominated by the gig economy.
Welga Ramirez, executive bodyguard and ex-special forces, is about to retire early when her client is killed in front of her. It's 2095 and people don't usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances…
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