100 books like The Summer That Melted Everything

This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.

What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny. 

I love haunted house stories, and this one was genuinely creepy. It is a first-person account of the growing paranoia of a couple looking to escape their own demons, with both unable to communicate the weird things happening in their house.

I love how it subverted your usual ghost story elements. Instead of leaky pipes, weird spaces appear in the walls. Instead of creepy moans, bruises appear out of nowhere. Is it psychosis? Sickness? Or is something otherworldly in the house? I don’t know. The unsettling horror is ambiguity amplified by a failure of communication, and that’s why I find it so creepy.  

I found this a captivating read. It was morbid, dark, and grim, but it was also exciting. I was quickly drawn into the world of Immanuelle Moore, whose mother was called a witch and died giving birth to her. I loved the author’s attention to detail.

The villages of Bethel and the Darkwood are so vivid that I could believe the protagonists’ lives in the puritanical, secluded world full of zealots, idolatry, sexism, and racism. The book is also beautifully atmospheric—the village, the trees, and the large cathedrals are so well described.

One of the book's main themes was self-discovery, which is why I think it’s more aimed toward YA, but I recommend it to anyone interested in witches, small towns, religion, and feminist themes. 

A 90s, queer, coming-of-age story mixed with cosmic horror, I would have read this in a single sitting if I didn’t have to get off the bus. The protagonist, Heath, is an artistic teen who recreates horror movie posters during his habitual trips to the local video store and is slowly starting to realize he is gay, something discouraged by his fellow students at his Catholic school.

I loved the lack of explanation about the supernatural elements. Was the monster all in Heath’s head? I love the ambiguity, but I also love it as a metaphor. I really enjoyed the emotional journey, which felt very autobiographical. My favorite thing is the video store itself. I’m 33, so this brought back fond memories of visiting the video store with my parents.

One thing I know: I can always trust Amanda Flower to give me a great mystery with tons of laughs. This book does not stray from this pattern.

I love how the main character, Millie, interacts with the people around her, from the young people she’s trying to set up to her good friends and even a handsome love interest from the past. Her goats make for excellent laughs, and the story moves quickly.

All in all, it was a quick, fun read.

This book took my breath away. I thought I had it all figured out and how wrong I was. Gillian McAllister is the queen of the smart, well-threaded twist, and she layers her plot with moral dilemmas that make her lead characters so relatable.

The plot centres around a policewoman and a terrible choice she must make, but for almost half of the book, I had no idea how tricked I was, and I feel like that’s hard to pull off in the thriller genre.

A Japanese ghost story, set in an imaginary, contemporary, Japanese town by a Singaporean first novelist.

I picked this out at Brighton Library because I liked the cover, but Clarissa Goenawan's Rainbirds has survived the goodreads treatment, so hopefully she's a writer to watch (I mean, there will be more of these).

Readers have recalled Haruki Murakami, because it's allegedly Japanese, and a bit off-kilter, but to me this dreamlike narrative seemed fresh and floating: ungrounded, not alienated. I thought of another Japanese writer, Kazuo Ishiguro, & The Buried Giant: a misty, off-kilter take on Arthurian Britain, in which everyone seems either asleep, or else making the journey the dead make to wherever they go, while dreaming the novel's action...

No, I give up, I can't explain the charm, you'd have to try it and see, & yes, those are goldfish, not any kind of birds on the cover, and… show more.

I love complex, multi-threaded mysteries that keep me guessing, and this book is one of those that was hard to put down.

This mystery kept me enthralled from beginning to end. And I did not figure it out until Ms. Clark wanted me to. Ms. Clark paints fascinating characters caught up in difficult circumstances. There are several twists, the biggest being at the end, which I immensely appreciated.

I usually have things figured out halfway or three-quarters of the way through. Not this one. 

This book has one of my favorite paranormal tropes—a girl with an ability she doesn’t want but must use to find the bad guy. But the execution felt truly unique, and despite all my best efforts to figure out who the killer was, the twist at the end caught me completely off guard. Brava. 

I was already a fan of Clare Mackintosh’s standalone thrillers, but when I found out she was launching a police procedural series, I was so excited! Set in Wales, this compelling book stars the complex, courageous character of DC Ffion Morgan as she tries to get to the bottom of who killed Rhys Lloyd during his New Year’s Eve party and dumped his body in the freezing lake.

I won't reveal much about the plot itself because I want you to experience the twists and turns for yourself. I want your heart to pound like it wants to escape your chest. I want you to lose hours of sleep because 'one more chapter' turned into twenty. You'll order the next book faster than I can say 'no comment.'