Fans pick 39 books like The Suffragette Movement

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

Because even its subtitle is subversive. Written as a valentine to Woolf’s lesbian lover, the book is anything but a biography. It is a gender-bending, time-traveling work of fiction that stretches from Elizabethan England to modern times—with the central character never aging, but changing sex. The book explores the fluidity of gender while poking fun at the pageantry and conventions of aristocratic English life, as well as taking to task the English tradition of male primogeniture. Fans of the book must also watch director Sally Potter’s brilliant film adaptation, Orlando, that stars a young, transcendent Tilda Swinton. 

Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too. 

When researching the newspaper angle of my book, I was already aware of the exploits of Nellie Bly, the New York-based pioneer of investigative, undercover journalism. But I wanted to try and track down a journalist who had achieved similar feats in late Victorian and Edwardian London. Enter Elizabeth Banks, an American journalist who emigrated to London at the turn of the century, and plied her trade as a freelancer, selling exposes on the lives of parlour maids, laundry workers, and flower sellers to the likes of The Illustrated London News. Pluck doesn’t even come close to covering her bravery and bravado – some memorable details from her book include her smuggling a camping stove into a London hotel because she couldn’t afford the dining room food, and pestering editors up and down Fleet Street to publish her words. She was a true entrepreneurial London woman, at a… show more.

We found this to be the definitive book on Alice Paul. In our opinion, Alice Paul was the single most important person in getting women the right to vote.

This book is a brilliantly researched and written history of a true American hero that very few people have ever heard of. It is essential reading for understanding the suffrage fight. 

This amazing account of the Edwardian struggle for women's suffrage was published in 1911, in the thick of it. While doing research for Sally Heathcote Suffragette, I discovered a review of it in Votes for Women, the official paper of the Women's Social and Political Union (WSPU). It weaves the stories of three fictional women into what were then very recent events in suffrage history, bringing them to life. The Sally in the title, like my Sally, is a maid-of-all-work A coincidence? Yes, but not really surprising. Domestic service was the most likely form of employment for a woman of no means before the First World War; Sally (from Sarah) was a common name then and it alliterates well with ‘suffragette’.

Purple, white, and green are the colours of the WSPU regalia. Suffragette ephemera fascinates me, especially their merchandising (soap, chocolate, board games, chinaware - all sorts of things). I first heard of it at a presentation by Diane Atkinson. This book is the catalogue of an exhibition she put together when she was a curator at the Museum of London. An excellent resource, it's full of images with pointers for where to find more. Ephemera is great for giving a sense of period, so I asked the artists on the graphic novel to cram in all they could.

That suffragette who 'threw herself' under the King's horse. Supposedly. Emily Wilding Davison was trampled on the Derby Day racecourse at Epsom on June 4th, 1913. Two WSPU flags were found pinned inside her coat. She died on July 8th, without having regained consciousness. When she was carried off the racecourse, she also had her pockets full. She had the return part of a rail ticket, notepaper, envelopes, and stamps, a race card marked with her fancies up to the fateful 3 pm race, and her helper’s pass card for the WSPU Summer Festival in Kensington, valid for 2.30 to 10.30 pm that day.

It isn’t clear that she was planning suicide. Indeed, she’d placed bets on horses and arranged to be an official at the festival later on. If this kind of detail fascinates you too, this book is a must-read.

This book is very important to me. It gave me more understanding of the Suffragette movement in the UK and how women sacrificed their lives for equal rights and fairness. I really appreciate those women activists. Because of them, women now have better treatment and opportunities in society, although we still have a long way to go to have more women in politics and at the decision-making level. 

I love this book and so wish it had been available to me, park planners, and the public in 1982. But it was published in 2011. I received it as a gift and did not immediately realize it was intended for young adults. But how significant is it to reach girls and boys while still young and unbiased so they could better understand their lives as they unfolded?

I loved that it was accessible in its words, and very much in its design. Lots of space, largish print, clearly written, all make it also very appropriate for women, and men, of my age, which is 82. Weakened eyesight, shorter attention spans, no base of information to build on, this book is perfect also for seniors who probably had no formal education in women’s history and women’s rights.