87 books like The Autobiography of a Newspaper Girl

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

Because even its subtitle is subversive. Written as a valentine to Woolf’s lesbian lover, the book is anything but a biography. It is a gender-bending, time-traveling work of fiction that stretches from Elizabethan England to modern times—with the central character never aging, but changing sex. The book explores the fluidity of gender while poking fun at the pageantry and conventions of aristocratic English life, as well as taking to task the English tradition of male primogeniture. Fans of the book must also watch director Sally Potter’s brilliant film adaptation, Orlando, that stars a young, transcendent Tilda Swinton. 

Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too. 

The three main Pankhurst players in the Suffragette movement – Emmeline and two of her children, Christabel and Sylvia – all wrote accounts of the era. But Sylvia’s is arguably the most comprehensive and objective. The book starts out as a memoir of the Pankhurst family’s early life – their humble beginnings, their journey to political activism – and Pankhurst does not shy away from the gory details of militant suffragette activity. But she is also not afraid to chronicle divisions in the movement, both among the different factions of the WSPU, and between the WSPU and the Labour party, who eventually chose to support working men’s rights above those of women. Sylvia Pankhurst has emerged from the period as the most egalitarian of its heroines, after leaving the main WSPU branch to focus on the cause of working-class women. It’s a tome, but a worthy read.  

Gissing is forgotten now because he was a realist working in romantic times. Fiction writers were the rock stars of Victorian England. New Grub Street explores the other side of the coin: the vast number of struggling writers who hankered after the fame and fortune that was never to be theirs. At the heart of the story are two friends, the pragmatic materialist Jasper Milvain and the talented but idealistic Edward Reardon. The modest success of one novel prompts Readon to marry, saddling him with an overwhelming financial burden that crushes his talent. Milvain values money over everything else in life at a time when everything else in life depends on money. I found Gissing’s hard-boiled novel touching because, without flinching, he shows the inner conflicts of people trapped by circumstance.

In late 1950s London, Jean Swinney is a journalist on a local paper, resigned to being given the soft 'women's interest' stories at work, and going home each evening to her crochety, demanding mother.

I worked as a journalist in the 1980s, and even then, the women on the team were often patronised and the men kept the good stories for themselves, so I could absolutely empathise with Jean.

She's far from your classic heroine yet Clare Chambers writes her so beautifully: thoroughly fed up with her lot, yet managing to keep a wry sense of humour and find small moments of pleasure in life.

As a peculiar work assignment led her to a chance at happiness, I was on the edge of my seat, hoping for a happy ending.

Of course I was always going to pick one of my daughter’s novels! Two women of very different ages come together to save their local Lido. This is a book about community and the power of friendship. And if you like swimming it is definitely the book for you!

I had a ‘property tycoons’ itch that I needed to scratch, and this book by Rosa Lucas was exactly what I needed.

I adored this enemies to lovers high stakes romance, and the witty heroine was someone I was rooting for from the very instant I met her. With a dash of CEO/employee and a whole host of fire, this book needs to be on your ereader.

In the depths of the Cotswolds, Andy Caplet is a small-town journalist with a disastrous career (and life). Until, that is, the mysterious Inspector Hobbes offers him a spare room and the chance to follow along on some investigations. The only problem being, none of the cases are exactly the usual sort of crime, and Inspector Hobbes is not a usual inspector. Or a usual human. These stories are just fun, goofy escapism, caught somewhere between cosy mystery and urban fantasy, and they’re pure entertainment. Andy can be a bit annoying, but Inspector Hobbes is delightful.

Set in the aftermath of the English Civil War; this is the fourth in Andrew Taylor’s bestselling series involving a government agent named James Marwood and his friend, Cat Lovett, who happens to be Oliver Cromwell’s daughter. In The Last Protector 1668 and Marwood and Lovett are on the trail of a mystery that goes back to the days of the republic, one quite literally hidden away in the bowels of the past, but also one which involves a very credible danger to both them individually and society at large. It’s gripping and immersive, and offers delicious personal and political jeopardy right up to the end.