Fans pick 100 books like Suffragettes in the Purple, White and Green

This amazing account of the Edwardian struggle for women's suffrage was published in 1911, in the thick of it. While doing research for Sally Heathcote Suffragette, I discovered a review of it in Votes for Women, the official paper of the Women's Social and Political Union (WSPU). It weaves the stories of three fictional women into what were then very recent events in suffrage history, bringing them to life. The Sally in the title, like my Sally, is a maid-of-all-work A coincidence? Yes, but not really surprising. Domestic service was the most likely form of employment for a woman of no means before the First World War; Sally (from Sarah) was a common name then and it alliterates well with ‘suffragette’.

January 1901: Queen Victoria is dead and her subjects nervously await a new king and a new century. Two families—the aristocratic Colemans and middle-class Waterhouses—meet at their adjoining plots in London’s elegant Highgate Cemetery. Their five-year-old daughters form an immediate bond. The lives of the two families entwine over the next decade as they struggle with social change, betrayal, and grief. Surprisingly, Highgate offers a release from the confining decorum of their everyday lives. The two girls play among the graves with a gravedigger’s son, while adult members of their households indulge in forbidden liaisons there. Chevalier’s crisp prose creates rich character portraits and vivid historical scenes with only a few strokes. This slim novel resonated in my mind long after I finished it. 

That suffragette who 'threw herself' under the King's horse. Supposedly. Emily Wilding Davison was trampled on the Derby Day racecourse at Epsom on June 4th, 1913. Two WSPU flags were found pinned inside her coat. She died on July 8th, without having regained consciousness. When she was carried off the racecourse, she also had her pockets full. She had the return part of a rail ticket, notepaper, envelopes, and stamps, a race card marked with her fancies up to the fateful 3 pm race, and her helper’s pass card for the WSPU Summer Festival in Kensington, valid for 2.30 to 10.30 pm that day.

It isn’t clear that she was planning suicide. Indeed, she’d placed bets on horses and arranged to be an official at the festival later on. If this kind of detail fascinates you too, this book is a must-read.

If you're looking for a meticulous account of the day-to-day life and work of a women's suffrage campaigner, this is the book to turn to. I was intrigued by the diarist's accounts of well-known historical events, such as the funeral procession for Emily Wilding Davison, which she participated in, even though she herself was a constitutional suffragist rather than a militant suffragette. The diaries are edited by a leading researcher and archivist in the field and full of explanatory notes that contextualise the daily entries.

Told from the perspective of a museum guard in London, Asunder is one of the most brilliant novels that engages with art.

The protagonist works in the National Gallery by day, and in the evening, she builds miniature dioramas. She also reflects on the destruction of a famous painting, goes on trips with friends, and eventually has a transformative encounter in a dilapidated castle. Asunder explores the meaning of art, decay, and preservation.

The three main Pankhurst players in the Suffragette movement – Emmeline and two of her children, Christabel and Sylvia – all wrote accounts of the era. But Sylvia’s is arguably the most comprehensive and objective. The book starts out as a memoir of the Pankhurst family’s early life – their humble beginnings, their journey to political activism – and Pankhurst does not shy away from the gory details of militant suffragette activity. But she is also not afraid to chronicle divisions in the movement, both among the different factions of the WSPU, and between the WSPU and the Labour party, who eventually chose to support working men’s rights above those of women. Sylvia Pankhurst has emerged from the period as the most egalitarian of its heroines, after leaving the main WSPU branch to focus on the cause of working-class women. It’s a tome, but a worthy read.  

This is the handbook that is literally by my hand as I sit at my desk. It’s not only authoritative but every page is bursting with fascinating passages of biography and quirky histories. It’s one of those reference books to be read, that I return to again and again.

This book is very important to me. It gave me more understanding of the Suffragette movement in the UK and how women sacrificed their lives for equal rights and fairness. I really appreciate those women activists. Because of them, women now have better treatment and opportunities in society, although we still have a long way to go to have more women in politics and at the decision-making level. 

I love this book and so wish it had been available to me, park planners, and the public in 1982. But it was published in 2011. I received it as a gift and did not immediately realize it was intended for young adults. But how significant is it to reach girls and boys while still young and unbiased so they could better understand their lives as they unfolded?

I loved that it was accessible in its words, and very much in its design. Lots of space, largish print, clearly written, all make it also very appropriate for women, and men, of my age, which is 82. Weakened eyesight, shorter attention spans, no base of information to build on, this book is perfect also for seniors who probably had no formal education in women’s history and women’s rights.

All authors regretfully leave some things out of their books. If I had written a seventh chapter to mine, it would have focused on Indian feminists like Sarojini Naidu and Herabai and Mithan Tata who conducted a full-throttled campaign for the British Parliament to endorse women’s political rights in the 1919 Government of India Act. Fortunately, Mukherjee’s book tells this story in compelling detail. Based on research into previously ignored sources, this book follows Indian feminists’ battles as they pressed for women’s suffrage, initially within the constraints of the British empire and later, as anticolonial battles intensified, side-by-side with Gandhi and other nationalists fighting for Indian self-determination.