100 books like The Stroke of Winter

I loved that the protagonist of Superior Justice is an unorthodox Lutheran pastor who loves fly fishing and a great cup of coffee maybe a bit more than the job he’s paid to do. While he’s not slack in performing his preaching and counseling, he does tend to have heavier things on his mind. Like the fact that one of his parishioners is in jail for a murder he didn’t commit. Finding a way to prove that to the police and courts may be the death of him. 

Unlike his namesake, Jonah doesn’t run away when the going gets tough. While this story deals with murder and other crimes, the writer’s use of light humor and romance woven throughout is a gentle respite from the otherwise dark, suspenseful thread.

The Lake Superior backdrop and surrounding area are so familiar from personal visits that it seemed like I was walking around in the book. I enjoyed the sense of place as much as the mystery. 

A young journalist struggling with the age-old problem of leaving his job at the office when he’s home with his family finds that the news stops for no man. He’s soon caught up in the mystery of why a native American woman came to town just to throw herself off a cliff over Lake Superior. Town politics, an elite family with enough power to squelch any gossip, and his own mother try to divert his attention from the story, but a newsman needs to know.

This is the first book I’ve read by William Kent Krueger, but it made me want to read the whole series. Set during a miserably cold winter in the northeast corner of Minnesota, a stone’s throw from Lake Superior, this mystery about a brutal murder and a missing native American boy will make you fear frostbite just from turning pages. 

Cork O’Connor is a complicated character in a seemingly downward spiral. Once the sheriff of this small town, he’s since lost his wife, his job, and is worried about losing his children. His mixed heritage of Irish and Ojibwe makes him see things a little differently than the new sheriff, but not having a badge won’t stop him from taking action when people he cares about are in danger.

From the first sentence, “There’s a bullet in my chest…,” you know this story is going to be exciting. Set in the U.P. on the banks of Lake Superior, Paradise is a town with plenty of work for a newly-licensed private investigator. Hamilton’s protagonist is an ex-cop who barely escaped death, is dealing with PTSD, and just wants to live a quiet life chopping wood, having a beer at the pub, and on occasion getting a non-violent case to work. 

This author knows how to ramp up the action and keep the reader turning pages. He makes a well-worn mystery twist (a convicted murderer serving a life sentence appears to be killing people on the outside), seem brand-new and completely original.

My grandmother had an enormous vegetable garden. She spent so much time working in it and filling her pantry with jars of jams, jellies, and preserves, I used to wonder what she would do if she ever had to leave it.  

That is exactly what happens to Poppa, who has to move out of his old house with its yard full of trees and flowers, into a small apartment with only a windy balcony. At first Poppa sinks into grief. But a suggestion from his granddaughter Theo gives him an idea for how they can still share the joy of creating a garden together. 

This is a lovely story about how art enriches our lives, and how resilience and imagination can help people of any age cope with unwelcome change.

Jean’s book has a novel format for teaching that I love.

She does begin with an introduction to acrylics but then she breaks down various components with examples and then a featured artist to explore that technique. She shows how collage, texture, drawing, and different styles can turn out so different using the same materials.

Jean is a brilliant figurative mixed media artist and she abstracts the figure in a way that invites even nonobjective painters to want to try a new subject manner. She has some fun composition ideas and even a roadmap of when to add other materials.

A visually beautiful book that will inspire your work no matter what your genre.

After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.

David Hockney believes, rightly in my opinion, that European artists since the Renaissance have used optical aids - mirrors of different types, the camera obscura, the camera lucida - much more often than conventional art history has allowed. I like and admire this book for the wonderful choice of illustrations, and the deep knowledge and understanding of painting methods that Hockney betrays, with wit and elegance, in the text. His arguments are highly subversive and involve a complete re-thinking of the role of optics in Western art, before photography. I don't go along with all of Hockney's theories. But he has overturned the subject, and has got art historians thinking again.

Joy McCullough’s Blood Water Paint is historical fiction that tells the story of Artemisia Gentileschi, a Renaissance painter who survived a sexual assault and persevered to see her assailant convicted in an Italian court. If the true aspects of the story weren’t compelling enough, McCullough contrasts her fictional character with the biblical heroines Judith and Susanna, using prose and verse strategically to weave the stories with their counter-narratives. McCullough’s experience as a playwright shines through here and her poetic devices are downright Shakespearean, revealing clues to her characters’ emotional truths through the deceptively simple arrangement of words on the page. This book is astonishingly good and a must-read for anyone intrigued by novels in verse.

Martin Kemp is the world's leading expert on the use of perspective, optical tools, and scientific knowledge in art. This encyclopaedic book follows developments from the Italian Renaissance to the nineteenth century, with a great wealth of illustrations, from Brunelleschi and Alberti to the colour theories of Goethe and Chevreul. I re-read and refer to this book repeatedly - as I am sure do many others - and am always finding new insights. Kemp's explanations are always clear and penetrating, even when the writers and artists he is writing about are not.