Here are 57 books that The Seven Dials Mystery fans have personally recommended if you like
The Seven Dials Mystery.
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I picked up And Then There Were None off my parents' shelf when I was probably about thirteen. It was my first Agatha Christie, and I was instantly entranced by her ability to build suspense, write witty dialogue, and plot the perfect murder. As I grew up I continued reading her prolific work, while, like her, making writing my career. When we decided to write our sixth book in the Science of Horror series, we wanted to step out of “horror” and explore more the mystery genre, and we knew Agatha Christie, the Queen of Crime, was the perfect point of view. The Science of Agatha Christie was born.
This one has recently gotten attention thanks to the movie adaptation, A Haunting in Venice hitting the theaters starring Kenneth Branagh as Hercule Poirot.
As a horror fan, I was instantly intrigued by the title, and Christie doesn’t disappoint. Does she ever? A body is found in a tub for bobbing apples and evil spirits are suspected. This one is a fun change from a polite society poisoning. I’m always a fan of a little supernatural intrigue.
When a Halloween Party turns deadly, it falls to Hercule Poirots to unmask a murderer in Agatha Christie’s classic murder mystery, Hallowe’en Party.
At a Halloween party, Joyce—a hostile thirteen-year-old—boasts that she once witnessed a murder. When no one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub.
That night, Hercule Poirot is called in to find the `evil presence'. But first he must establish whether he is looking for a murderer or a double-murderer...
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
Actually, I tell a lie. I had read crime before my honeymoon, but only Agatha Christie, whose whodunnits always feature murders that are tastefully described and over in a couple of lines.
With Christie, it’s all about the puzzle, and boy, is she good at that. Her characters are often a bit two-dimensional, but you forgive that for the sake of her plots, which always race along and convince, however unlikely in real life.
This is one of her most famous ones, and rightly so. No spoilers here, but if you read this as I did as a teenager (recommended by my father) you are in for a grand surprise. Hopefully.
The classic "The Murder of Roger Ackroyd", finally at a fair price!The Murder of Roger Ackroyd is a work of detective fiction by British writer Agatha Christie, first published in June 1926 in the United Kingdom. It is the third novel to feature Hercule Poirot as the lead detective.
In 2013, the British Crime Writers' Association voted it the best crime novel ever.
I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.
Christie’s Jane Marple inspired me to write mysteries. As Miss Marple made her starring debut in Murder at the Vicarage, it holds a dear place in my heart.
In quaint St. Mary’s Mead, a man named Colonel Protheroe meets with foul play, and it’s Miss Marple’s keen insights that prove invaluable. Jane Marple may be “of a certain age,” but she’s as sharp as a tack. I admire how Christie plunks the reader right into the story, introducing would-be suspects at a rapid pace, particularly Miss Marple, who takes tea with the Vicar’s younger wife and spills plenty of tea in the process.
This one’s a classic for lovers of traditional mysteries like me!
The Murder at the Vicarage is Agatha Christie’s first mystery to feature the beloved investigator Miss Marple—as a dead body in a clergyman’s study proves to the indomitable sleuth that no place, holy or otherwise, is a sanctuary from homicide.
Miss Marple encounters a compelling murder mystery in the sleepy little village of St. Mary Mead, where under the seemingly peaceful exterior of an English country village lurks intrigue, guilt, deception and death.
Colonel Protheroe, local magistrate and overbearing land-owner is the most detested man in the village. Everyone--even in the vicar--wishes he were dead. And very soon he is--shot…
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed and fast-paced, and set in the world of thoroughbred horse racing and country life.
Meg's first investigation starts on the dreaded anniversary of Frank's untimely death. Meg's conviction that it was no accident turns into a keen determination to find out who killed her husband. As she follows the bends…
"What Happened to Frank?" is a fast-paced, action-packed mystery that unfurls within the worlds of thoroughbred horse racing and country living.
Meg Sheppard escaped persistent abuse by her stepfather by emigrating to Canada from England. She now lives on a small horse farm. She owns two thoroughbred racehorses, Rose and Speed, and two retired racehorses, Eagle and Bullet.
Meg adores her border collie dog, Kelly, who is usually at her side. On the dreaded anniversary of Frank's untimely death, Meg's conviction that it was no accident turns into a keen determination to find out…
I picked up And Then There Were None off my parents' shelf when I was probably about thirteen. It was my first Agatha Christie, and I was instantly entranced by her ability to build suspense, write witty dialogue, and plot the perfect murder. As I grew up I continued reading her prolific work, while, like her, making writing my career. When we decided to write our sixth book in the Science of Horror series, we wanted to step out of “horror” and explore more the mystery genre, and we knew Agatha Christie, the Queen of Crime, was the perfect point of view. The Science of Agatha Christie was born.
During research for my book, I came across her own autobiography, which was a rare treat. It made me feel closer to her as I studied her life, getting to read events in her own voice.
Christie was a formidable woman with a life well lived, so hearing her take on her own characters and books was fascinating. She was quite self-effacing, and even admits to being annoyed with Hercule Poirot! I recommend this book for fans of her, of course, but also for aspiring writers.
Back in print in the exclusive authorized edition, is the engaging and illuminating chronicle of the life of the “Queen of Mystery.” Fans of Hercule Poirot and Miss Marple and readers of John Curran’s fascinating biographies Agatha Christie’s Secret Notebooks and Murder in the Making will be spellbound by the compelling, authoritative account of one of the world’s most influential and fascinating novelists, told in her own words and inimitable style. The New York Times Book Review calls Christie’s autobiography a “joyful adventure,” saying, “she brings the sense of wonder...to her extraordinary career.”
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
A regency setting with a hint of magic had me saying, "Yes, Please!" I loved the light touch of the paranormal that Cara Devlin included in her Bow Street Duchess series.
There are plenty of upstairs/downstairs friendships and class conflicts to make the books feel true to the time period. Her main characters are raw and vulnerable, and I loved cheering them on to their happily ever after.
A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won’t snub the opportunity now.
But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she’s determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she…
I’m the author of two YA fantasy novels – We Are Blood and Thunder and We Are Bound by Stars. They’re set in a fantasy world, Valorian, governed by a (literally) colorful magic system and a pantheon of gods, and are all about power, fate, and discovering your true self. Both novels are dual narrative and feature a host of female main characters, who I think are complex, flawed, and relatable. As a child, I was obsessed with Lord of the Rings but always wondered why all the real heroes were men, which inspired me to write these books – partly, too, because of the wonderful female-led fantasies which have come out in the interim.
Samantha Shannon’s world-building in this series is second to none. We find ourselves in a future alternate version of the world, where the government monitors the population for those people with extraordinary powers: clairvoyants. Paige, our main character, is one of these – and a bit of an antihero to boot (my favourite kind of hero!). You will love and be frustrated by her – and root for the simmering romance plot.
The year is 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of Scion London, based at Seven Dials, employed by a man named Jaxon Hall. Her job: to scout for information by breaking into people's minds. For Paige is a dreamwalker, a clairvoyant and, in the world of Scion, she commits treason simply by breathing.
It is raining the day her life changes for ever. Attacked, drugged and kidnapped, Paige is transported to Oxford - a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite with mysterious…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
I’ve been a fan of Tessa Hadley’s for years and tore through this book from 2023. There’s so much humor and surprise in these stories. And I loved the vivid details and painfully sharp contrast between what her characters hope for and what they wind up with in the aftermath of both minor and major events.
Heartbreaking tales of everyday life, of family and romantic relationships, filled with nuanced gestures, fateful misunderstandings, and raw emotion. I couldn’t ask for more from a story collection.
Sunday Times bestseller Tessa Hadley explores the big consequences of small events in this new collection
'You've either got it or you haven't. Hadley's got it' FINANCIAL TIMES
Heloise's father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Janey's bohemian mother plans to marry a man close to Janey's own age - everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of…
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs.
I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,…
In Shakespeare's verbally dazzling and eternally enigmatic exploration of conscience, madness and the nature of humanity, a young prince meets his father's ghost in the middle of the night, who accuses his own brother - now married to his widow - of murdering him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild insanity while plotting revenge. But his actions soon begin to wreak havoc on innocent and guilty alike.
When I studied Shakespeare’s works as an undergraduate, I became intrigued by the questions of why and how we got to the point where Shakespeare’s name is recognised all over the world, his plays are quoted in everyday conversation, and his works are central to every English Literature course. I’ve pursued these questions in my academic research, where I look at the history of Shakespeare in performance, but also at how these performances are remembered in souvenirs, pictures, and objects.
Alan R. Young’s close focus on an individual play over nearly two centuries shows how far images can shape our ideas of what a play is about. He looks at paintings, illustrations, prints, photographs, and comic burlesques, demonstrating the incredible variety of images which have been inspired by Hamlet. I find Young’s chronological approach incredibly helpful, since it shows how one image influences another, and how representations of a single scene can change over time in line with fashions in the art world.
This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare.
As someone who’s had a lifelong interest in psychology, especially abnormal psychology, I’ve always been fascinated the small destructions some people inflict on others – sometimes even on themselves. For me the greatest crime is not to kill someone but to reduce them by making their life uncomfortable or unwelcome. The ability to do this is what I would call a “negative skill.” It’s not easy, but some people do it uncannily well, and without caring. Perhaps because this is so alien to me, I remain riveted by stories that portray it, and some cases attempt to explain it. These are a few of those stories.
Vera and Eden are devoted sisters. One of them has an illegitimate baby.
The book is allegedly devoted to telling the story of how Vera came to kill Eden, but in telling this story it also attempts to determine which one of them is the baby’s mother.
In doing both of these, however, it also details the ways in which people, even people who seem to be devoted to each other, can make each other’s lives miserable, and can choose to make their own lives miserable.
Vine (aka. Ruth Rendell) is, of course the mistress of psychological suspense, and for me this is the best book she ever wrote.
"Dazzling...writing at her formidable best, Barbara Vine taps the poetry as well as the pain of her characters' clamorous declarations of their need for love." -New York Times Book Review
"When the best mystery writer in the English-speaking world launched a second byline, she actually stepped up her writing a level." -TIME
Faith Severn has grown up with the dark cloud of murder looming over her family. Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith…
