Here are 99 books that The Secret History of the Pink Carnation fans have personally recommended if you like
The Secret History of the Pink Carnation.
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Ever since I watched my first K-drama, Heartstrings, on Netflix in 2011 I’ve become fascinated with Korean Pop Culture. I created one of the largest K-drama discussion groups on Facebook (KDA: Kdrama Anonymous) and published seven K-pop and K-drama-related Novellas. I traveled to Korea with my family in 2017 and was a panelist at Kcon in 2018. My passion for Korean Pop Culture has ventured into Webtoons and I often spend my time there catching up on all my favorite stories. I truly love Korean Culture and I’m happy to have participated in even a small part of it.
It might not be Korean, but the same feeling is there. So many fangirls dream of visiting their favorite stories—and the main character Jane—in the book Austenland gets to do just that. When Jane’s grandmother buys her a trip to Austenland—the place where any girl’s Jane Austen dream can come true, she feels rude turning it down. Although, she’s enamored by men wearing smart coats andcravats, she’s also keenly aware of how fake everything is. It only takes a few days, however, to get swept up in the realness of the scene. A fangirl can hardly control her desire to be in her favorite book. This adorable and funny romance is exactly my cup of tea.
Jane is a young New York woman who can never seem to find the right man-perhaps because of her secret obsession with Mr. Darcy, as played by Colin Firth in the BBC adaptation of Pride and Prejudice. When a wealthy relative bequeaths her a trip to an English resort catering to Austen-obsessed women, however, Jane's fantasies of meeting the perfect Regency-era gentleman suddenly become more real than she ever could have imagined. Is this total immersion in a fake Austenland enough to make Jane kick the Austen obsession for good, or could all her dreams actually culminate in a Mr.…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
When I first came upon Sarah Shoemaker’s novel, I felt myself issuing a silent challenge: Can the author really inspire my sympathy for the gruff and tormented hero of Charlotte Brontë’s Jane Eyre? While I’d always loved the atmospheric moodiness of the novel and could empathize to a degree with Jane Eyre herself, Mr. Rochester’s dark, brooding, and secretive nature made me uneasy, and I wasn’t quick to find him as endearing as some other classic literary heroes. However, it was fascinating to be brought into the point of view of this particular Edward Fairfax Rochester! I appreciated experiencing the world of the novel as he might have perceived it and found the detailed background on his life to be an enjoyable addition.
"A CRACKING-GOOD READ!"-- People, Best New Books A deft and irresistible retelling of Charlotte Bronte´s beloved classic Jane Eyre--from the point of view of the dashing, mysterious Mr. Rochester himself. For 170 years, Edward Fairfax Rochester has stood as one of literature's most complex and captivating romantic heroes. Sometimes cruel, sometimes tender, Jane Eyre's mercurial master at Thornfield Hall has mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontv´'s masterpiece for generations. But his own story has never been told. We first meet this brilliant, tormented hero as a motherless boy roaming Thornfield's lonely corridors. On the morning of Edward's…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
Having been a huge fan of Kwan’s incredibly popular Crazy Rich Asians, I was already inclined to like this new book. Once I realized it was directly inspired by one of my longtime favorites, E.M. Forster’s A Room with a View (which I’d loved enough to write a modernization based on the original novel as well), I was immediately interested to see how Kwan would handle it. The comedy of manners and the exploration of cultural values and differences were the most intriguing aspects of the story to me. The focus on the ultra-wealthy—and all the toys and privileges that come with it—was less appealing, but it was still a thought-provoking element, given the context of the characters’ lives. Definitely worth checking out!
THE ICONIC AUTHOR OF THE BESTSELLING PHENOMENON CRAZY RICH ASIANS RETURNS WITH THE GLITTERING TALE OF A YOUNG WOMAN WHO FINDS HERSELF TORN BETWEEN TWO MEN.
'Your perfect summer read' Daily Mail
'Delightful' Independent
'Laugh-out-loud funny' Sunday Mirror
When Lucie Tang Churchill meets George Zao at a lavish wedding in Capri, she can't stand him. She can't stand that he gallantly offers to trade hotel rooms with her so she can have a sea view, that he knows more about the island than she does, and worst of all, that he kisses her in the darkness of the ancient ruins.…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
There simply aren’t enough romances that focus on older main characters, so I particularly loved that this funny, Shakespeare-inspired love story had a 60-year-old divorced heroine and an equally mature widower hero. The protagonists are rival florists in Boston, and their families have been embroiled in a feud that has spanned several generations. Watching the way this novel played out—especially with so many meddling family members!—was great fun. And if, like me, you always wished the original Romeo and Juliet could have, maybe, been transformed into a comedy with a happier ending, Jeanne Ray’s light, modern romance just might be for you.
Romeo Cacciamani and Julie Roseman are rival florists whose families have hated each other for as long as anyone can remember, yet no one can remember why. When the two meet at a small business owners' seminar, an intense and unwavering attraction blooms between them. Unsure of what fate has in store, but deeply in love, Julie and Romeo are not about to let something as silly as a generations-long feud stand in their way. That is, until Romeo's octogenarian mother, Julie's meddling ex-husband, and a cast of grown Cacciamani and Roseman children begin to intervene with a passionate hatred…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
I love Iain Banks’ work and this book seems to encapsulate the best of his early work: epic sci-fi, mental breakdown, and fantastic comedy. Switching between three storylines, one of which contains the best imagery in all SF and fantasy, Walking On Glass mixes reality with insanity and imagination with the every day to superb effect.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced…
As a white child bused to African American schools in Richmond, Virginia in the 1970s, I unwittingly stepped into a Civil Rights experiment that would shatter social norms and put me on a path to learning history not taught in textbooks. At first, I never expected to look back at this fraught time. Then I had children. The more I tried to tell them about my past, the more I wanted to understand the context. Why did we fall so short of America’s founding ideals? I have been reading and writing about American history ever since, completing a master’s degree and publishing books, essays, and poems.
One of nine Black students to integrate the high school in Little Rock, Arkansas in 1957, Beals faces threats to her life as well as constant cruelty not only from white people but also from members of her own community, who disapprove of her decision. Her book gives us an unflinching account of what it feels like to be inside the maelstrom. Education seems almost beside the point when she needs protection from the National Guard. Most resonant to me, Beals admits that being a warrior for social change is exhausting. “Sometimes,” she writes in her diary, “I just need to be a girl.”
In this essential autobiographical account by one of the Civil Rights Movement’s most powerful figures, Melba Pattillo Beals of the Little Rock Nine explores not only the oppressive force of racism, but the ability of young people to change ideas of race and identity.
In 1957, well before Martin Luther King’s “I Have a Dream” speech, Melba Pattillo Beals and eight other teenagers became iconic symbols for the Civil Rights Movement and the dismantling of Jim Crow in the American South as they integrated Little Rock’s Central High School in the wake of the landmark 1954 Supreme Court ruling, Brown…
It was almost by accident that I became who I turned out to be as a professional, a developmental scientist interested in how early-life experiences shape who we become. Had someone asked me when I graduated from high school what were the chances of me becoming a scientist and teacher, I would have answered “zero, zero”! During my now 40+ year academic career I've come to appreciate how complex the many forces are that shape who we become. There's no nature without nurture and no nurture without nature. This emergent realization led me to learn about and study many aspects of developmental experience, like parenting and peer relations, and the role of genetics and evolution.
Whether and how childhood adversity shapes human development is a question that has long intrigued scientists and citizens.
This book tells the story of a great sociologist mining archival data about children who grew up during economically troubled times in America in order to underscore how the past is—and is not—prologue. Perhaps its greatest contribution is in illuminating the environmental conditions and life experiences that determined whether children eventually thrived or failed. In so doing, this work shaped the field of developmental studies, including my own work, for decades to come.
Explores the familial and intergenerational implications and consequences of drastic socio-economic change, as experienced by Oakland, California residents born in 1920-21
I’m a woman. Laughing, crying, and swooning are all things I know intimately—sometimes heart-achingly. I’m living my life with my heart open, learning to be unashamedly me. That means I love, sometimes recklessly. That meant I hurt, sometimes more than anyone could know. And that means I swoon, not only for romance but also for the beauty of this “wild and precious life.” My recommended novels take you through all the feels. My own novels use my roots in Nashville, TN. Family and music are key. But more than that, my books are about learning to love yourself. I’ve learned personally that that’s the true happily ever after.
Swear on This Life is not your typical romance—and I absolutely love it. It’s a soul journey to heal childhood wounds. It’s a “the one who got away” love story. It’s heart-wrenching and elating.
It feels like real life.
(But you do get the HEA!)
Renee Carlino doesn’t stick to the formula for romance novels in the traditional sense, but her writing is still safely classed in the genre. That’s why I love it. It’s not fluff (don’t get me wrong, I love fluffy romcoms as well!) and it’s not a guy with 8-pack abs (also love those heroes!). Carlino writes about vulnerable humans daring to feel even though they know that love, like life, comes with hurt.
Don’t grab Swear on This Life when you need a lighthearted read. Grab it when you want to sit in your feels. I think you’ll love it!
From bestselling author Renee Carlino, a warm and witty novel about a struggling writer who must come to grips with her past, present, and future after she discovers that she's the inspiration for a pseudonymously published bestselling novel. When a bestselling debut novel from mysterious author J. Colby becomes the literary event of the year, Emiline reads it reluctantly. As an adjunct writing instructor at UC San Diego with her own stalled literary career and a bumpy long-term relationship, Emiline isn't thrilled to celebrate the accomplishments of a young and gifted writer. Yet from the very first page, Emiline is…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
I fall hard for novels about intense friendships and loyalty. I’ve never been to Korea, but it was easy for me to relate to the protagonist, Jung Yoon, whose personal growth is influenced by her study of European culture, much as my own immersion in Latin American culture continues to inform my life.
Here again, a gap in most Americans’ knowledge gets filled in. Shin’s haunting and poetic novel offers a bracing account of the student protests in South Korea in the ’80s, with repression, deaths, and disappearances at the hands of the US-supported dictatorship. The politics are eye-opening, but just a backdrop to the characters’ pursuit of love, friendship, intellectual development, and the tender way they must mourn many other losses as they grow up and apart.
Both a coming-of-age story and a love story, I'LL BE RIGHT THERE follows four friends who meet in the 1980s, at university in Seoul. Times are tough - South Korea is still a military dictatorship - and the group cling to each other, falling in and out of love. As they face personal loss and political uncertainty their paths diverge - mysterious deaths occur and secrets are revealed. Steeped in heartache, this novel is a delicate examination of youthful passions, tragedy, and political turmoil Like PLEASE LOOK AFTER MOTHER, I'LL BE RIGHT THERE combines utterly universal, resonant themes with an…
