Here are 93 books that The Romantic Generation fans have personally recommended if you like
The Romantic Generation.
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I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
In the ongoing debates over artificial general intelligence (AGI), Judea Pearl is taking a firm stand: He argues that an intelligent robot should be able to reason about causality and that the currently fashionable approaches to AI miss this aspect.
A celebrated AI researcher and a Turing Prize laureate, Pearl has developed an amazingly original approach to this problem. This book is a high-end popular exposition of his approach.
But it’s so much more than that. It’s a history of statistics and its conflicted attitude to causality. It’s a story of heroes (or villains?) in this history. And it’s a scientific autobiography that describes Pearl’s journey. Pearl likes picking fights with the AI community, statisticians, or economists. He’s boastful, provocative, extremely intelligent, and knows how to tell a story.
'Wonderful ... illuminating and fun to read' - Daniel Kahneman, winner of the Nobel Prize and author of Thinking, Fast and Slow
'"Pearl's accomplishments over the last 30 years have provided the theoretical basis for progress in artificial intelligence and have redefined the term "thinking machine"' - Vint Cerf, Chief Internet Evangelist, Google, Inc.
The influential book in how causality revolutionized science and the world, by the pioneer of artificial intelligence
'Correlation does not imply causation.' This mantra was invoked by scientists for decades in order to avoid taking positions as to whether one thing caused another, such as smoking…
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
A simple (not perfect) test of whether you’re going to love this book: Just check out the author’s blog, called “shtetl-optimized”. The style is similar: sharp, funny, mixing professional theoretical Computer Science with broader takes.
I am still in the middle of the book, and nevertheless, I’m happy to recommend it. As an amateur with superficial CS knowledge, I am enjoying this introduction to classical complexity theory and the basic theory of quantum computation.
Aaronson’s distinctive style makes the ride all the more enjoyable. It’s neither a “real” textbook nor a pop-science book. It’s in a weird space somewhere in between, and I love it!
Written by noted quantum computing theorist Scott Aaronson, this book takes readers on a tour through some of the deepest ideas of maths, computer science and physics. Full of insights, arguments and philosophical perspectives, the book covers an amazing array of topics. Beginning in antiquity with Democritus, it progresses through logic and set theory, computability and complexity theory, quantum computing, cryptography, the information content of quantum states and the interpretation of quantum mechanics. There are also extended discussions about time travel, Newcomb's Paradox, the anthropic principle and the views of Roger Penrose. Aaronson's informal style makes this fascinating book accessible…
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.
Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.
Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age.
Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical…
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
I am an academic economist, but even more interested in intellectual debates. I discovered this book when I was a PhD student, and it has remained a favorite of mine.
In the 1970s, macroeconomics (not my field) underwent a revolution. The old guard was “Keynesian,” the new Turks were “new classical”. This book is a series of conversations from the early 1980s with the protagonists of this epic period, many future Nobel laureates.
The interviewer, Arjo Klamer, was interested in the rhetoric and culture of economics, and he constructed the interviews in a way that nicely brought out these elements. The interlocutors are brilliant, acerbic, and funny. If you think economics is dry or boring, you won’t think so after seeing how passionate these people are.
A collection of interviews with 11 of the nation's leading economic theorists providing an introduction to current issues in economic theory and to the ways in which economists think.
I’ve been fascinated by fictional royal stories ever since I was a little kid watching them unfold in children’s movies. Once I became a reader, I quickly became a fan of the genre. There’s such an escapism that comes with reading books about royals. And since America has no monarch, the books offer a fantasy and fairy-tale aspect to the reading. I read these books to relax, to fall in love with love, and to cheer for the ordinary person finding something extraordinary in their world—real orfictional.
I love Jess Mastorakos’ military books. As a military veteran, I always enjoy a good romance featuring our country’s servicemen and women. Pairing one up with a royal is pure genius on Ms. Mastorakos’ part. This book had humor, sweet moments, a little clandestine action going on, and a swoony ending. This book reminded me why I read Jess Mastorakos.
What happens when a side gig working security turns into a royal calamity?
My mom is clawing her way out of a massive amount of medical debt. So, in addition to being an active-duty Marine, I'm also working security for my friend's matchmaking company to help her out as much as I can.
Then one night, a gorgeous and mysterious woman needs my help evading a group of well-dressed men who are after her. I don't question it, I just get her out of there.
Then I find out she's the princess of a small country, and she wants to…
I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
Silverian Stables isn’t technically a ranch, as it is in a fantasy story and the stable is more a place where the horses of the knights, travelers, and other high-born’s horses are kept, but in only a few pages I was sold and ready to start the long trek up Mount Saddle. The stables become a focal point in book two where the Stable Master is one of the main characters. We get a loving peek into her life and the lives of those caring for the horses. The horses that fill the stables feel like ones I have known all my life and am dying to ride. Even though it is fantasy romance, it reads like any great small-town story, just with an added hint of magic.
Raised as a noble scion, Heinregard comes to the House of Silveria for their famous Spring Song festival, but when he hears the voice of stable lad Clayten, he's overthrown in more ways than one. As they spend time together overseeing Heinregard’s troublesome younger cousins, the two grow close. Is Heinregard prepared to risk everything for someone of a different station?
As the Dowager Duchess’ daughter, Viraya is safely past marriageable age and responsible for Spring Song celebrations. This year, their guests include a formidable Capitán who has the gall to set his…
My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.
As a Brit, I love books set in the US; I love exploring our cultural differences. This one is an angsty emotional journey with a very strong female character, which isn’t always successfully pulled off in romance novels. Love isn’t always rainbows and sunshine, and I think this is one of those stories reminding us that it needs to be worked at.
Twenty-one year old Laura Sedgwick is a rebel without a cause. Her only plans for life are to make no plans She revels in her fascination of the unexpected as she navigates her way through mid-nineties' Dallas nightlife. One very bad night brings her face to face with the one man likely to change her mind about…well...everything.
Twenty-three year old Seth Whitaker has every intention of seeing through with his well mapped out life. He is a hard working over-achiever that has no intentions of slowing his pace for anyone. With a fierce…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This classic study introduced me and the whole world of critics and scholars to theoretical perspectives that still resonate among historians of literature and culture.
It defines a momentous change: the shift from views of art as a mirror—a reflection of things as they are—to a lamp—a radiant projection from the hearts and minds of its creators. This revolution in aesthetic principles, formulated by German and British theorists, also resulted in new ways of looking at nature and in new kinds of poetry.
Abrams charts the depths of Romantic theory; and his work helped spur a revival of interest in the Romantics—now often cherished as the first modern poets.
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a sucker for a good primary source, but I’m even more of a fan of the 1.5 sources. I love the sources which are of the time but are influenced as much by rumour as fact. This collection of essays does its best to be objective, but there are people amongst these pages who have been so strongly immortalised in popular opinion, but sometimes facts have been discarded in favour of Hazlitt’s own opinion. But, from the point of view of a historical fiction writer, this is priceless, because it unearths a contemporary viewpoint and opens a window onto the thoughts of a people about The Spirit of the Age!
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a person with limited interests so, as well as loving history and poetry, I also collect bits of both… Ballads and Lyrical Pieces is one of the only books I can boast about having a first edition of!
I have a lot of time for Walter Scott, not only as a writer, but as a cultural politician and a folklorist. A lot of the pieces in this book are not solely his work, but the reimagining of local ballads. After scooping up these, there’s no wonder he went on to invent the romanticised “Scottishness” we recognise today. This book, 15 years before Scott influenced George IV’s visit to Scotland, shows where his own influences came from.
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure…
