75 books like The Religion

When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.

It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page. 

Antiquarian Charlie Lovett’s The Bookman’s Tale is informed by his expertise. TBT is a paean to books, their production, archival, transmission, forgery. This book should appeal to readers who love books. The story of Peter, a present-day apprentice rare books dealer, alternates with that of Bartholomew Harbottle, a crooked Elizabethan book dealer, a friend of William Shakespeare. 

The book follows a Shakespearean document as it passes from hand to hand over time. At first, the document appears real. Then forged. Then partially forged. Then perhaps real. Then a perfect copy shows up. Which one is real? Which one is fake? Are both fake? Therein lies a tale.

Q takes place in strife-ridden 1500s central Europe. At the center is an Anabaptist revolutionary, of many names, hunted by a Papal spy, Q. Identities mutate in Q. Thus, Q is an espionage novel, with disguises, code, counterfeiting. Commoners build egalitarian communities in Q. But rulers cannot tolerate egalitarianism. It might be catching. Thus, Q is also a war novel, with battles, skirmishes, narrow escapes. 

Is Q an allegory for modern revolution? The take-away seems to be, “Use the new technology and dissimulate.” A seems self-evident. But B? Would I even know, if they’re dissimulating? An idea-filled, engrossing, wide-ranging, tragi-comic read.

Shakespeare’s Dog is the craziest Shakespearean book I’ve ever read. Not only is the young Stratford Shakespeare’s tale told by his dog, Hooker ̶ the dog speaks a kind of faux-Shakespearean: full of Elizabethan-esque vocabulary and syntax, Anglo-Saxon bawdry, new-coined usages of common words (“the wind flummoxed”; “I knelled the truth”).  Moreover, Rooke must really know his dogs. Because the dog-viewpoint (a frustrated Shakespeare “bites his toenails”) seems right on the money. The struggle of a prodigy youth and his prodigy dog to escape the tawdry, shallow, raucous banality of provincial small-town life is told with vividness, wit, and pathos.

The Great Siege of Malta – a nearly four-month struggle in 1565, should be essential for any military historian to understand. Sadly, its treatment in fiction has been ludicrously underserved.

Enter Ironfire. Mr. Ball’s work builds slowly, showing the reader how various elements of the Ottoman Army (the Janissaries, in particular) were acquired, trained, and readied for war. Likewise, a failing legacy of crusade, as well as a decline in support for religious military orders, plague Christian leadership in Malta. Ball’s ‘slow burn’ narrative ignites into the island’s famous siege by a massive and well-equipped Ottoman army, facing a motley band of knights and Maltese locals reliant upon blades and fire to desperately hold their walls. Ironfire is a master class on premodern siege warfare in fiction.

This book is an extraordinary synthesis of half a century of history (c. 1520-1571) as European powers and the Ottoman Empire fought for control of the Mediterranean Sea. Empires of the Sea focuses on a number of momentous military engagements, the Siege of Rhodes (1522), the Siege of Malta (1565), the Ottoman conquest of Cyprus (1570-1), and the Battle of Lepanto (1571). Crowley writes like an artist evoking the colors and textures of the brilliant seventeenth-century amid a world of emperors, sultans, popes, and pirates. He manages to capture both the extraordinary individuals who shaped momentous events through their personalities and the broader historical trends that led to the defeat of Ottoman expansion during the 16th century and shaped the contours of Europe as we know it today.

Living in a world where we can look at images of places we’re planning to travel without even going there means it’s easy to forget the importance of letters sent from foreign countries. Especially ones as well written as these. Ogier De Busbecq was an ambassador for the Hapsburg Empire in the court of Suleyman the Magnificent in the 16th century, but his observations, comments, and snippets of gossip read like he was in Istanbul last month. He had a keen eye for detail and nothing escaped his notice – palace machinations, dirty politics, and even prison conditions, gleaned from the time he spent incarcerated.

I really like Falconer’s works because they are historical novels involving tense mysteries of heroes overcoming dramatic odds to end as victorious models of perseverance, overcoming odds against them.

While enjoying a great read and being engulfed in the dangers the characters faced, I learned a lot about what was happening in the 200–300 AD period. The details that Falconer included were just fascinating to me.     

James Holland is a popular historian because his works are so eminently readable. This book was his first and sprang from the BBC documentary, Battle for Malta, that he also wrote and presented.

Once Mussolini declared war on Britain, Malta, an island no bigger than the Isle of Wight, became a strategic keystone in the Mediterranean and was destined to become the most bombed place on earth. Holland uses survivor testimonies, diaries, and personal letters to focus his narrative on the tribulations and suffering as well as the hopes and fears of the ordinary Maltese and the servicemen sent to defend them. This is a splendid book that does much to illuminate a somewhat neglected part of British military history.

George Taylor, young and Scottish, a private in the Royal Army Medical Corps, arrived in Malta in 1940, naïve to what the future held for him. Four years later he left as a cynical sergeant (and incidentally, a Master Freemason). In the interim, while letters home were heavily censored, he kept his own truths in an extensive secret diary. His candid narrative documenting the siege of Malta and the daily, pounding attacks from Axis air forces is shot through with his real anxieties for the survival of his relationship with Nettie, his fiancée back home. This is both a war story and a love story from a private world into which we have been invited by George and Nettie’s own daughter.