Here are 100 books that The Pencil fans have personally recommended if you like
The Pencil.
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As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
A glorious, mini rebellion of colour and newfound artistic freedom. This deservedly popular picture book is as smart and funny as the youngsters it is aimed at. Each new character we meet is wonderfully individual and uniquely creative. A rainbow of inspiration! Who knew we could care about crayons so much? Bliss!
Debut author Drew Daywalt and international bestseller Oliver Jeffers team up to create a colourful solution to a crayon-based crisis in this playful, imaginative story that will have children laughing and playing with their crayons in a whole new way.
Poor Duncan just wants to colour in. But when he opens his box of crayons, he only finds letters, all saying the same thing: We quit!
Beige is tired of playing second fiddle to Brown, Blue needs a break from colouring in all that water, while Pink just wants to be used. Green…
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
When determined Vera is late for school, she uses her wild, funny, and inventive creativity to save the day. This hilarious and original story is buzzing with resourcefulness and passion. It is perfect for learning about standing on your own two feet - and being rewarded for hard work and inventiveness along the way!
When Vera Jewel's bike breaks one morning, she takes matters into her own hands and comes up with some ingenious - and very funny! - ways to get to school. From jumping on her space hopper to making her own catapult, Vera's ideas get more and more adventurous, but nothing seems to get her there on time. It's a good thing that she's one determined little girl who never gives up . . .
Vera Jewel is Late for School is a warm, funny and very original story about determination and creativity, perfect for learning about standing on your own…
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
With simple and stunning illustrations we see long-legged Bob the bird learn to celebrate himself with a relaxed and creative flourish. Once seen, you will never forget those wonderful knobbly knees! Bob’s adventures cleverly and accessibly introduce art appreciation in a whole new way as he celebrates not only his own individuality but that of great artists too.
Bob the bird is just like all his friends, apart from his skinny legs. When Bob is teased, he decides to try and change himself to fit in. But little does he know where all his efforts will lead him...
An affirming picture book for age 3+ about the power of art and of being confident enough to be yourself.
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
What a wonderfully creative idea it is to imagine a snail who draws beautiful art with his very own snail trail. This bold and colourful picture book encourages children to notice the small things all around them and delight in the details. This warm story encourages self-expression and celebrates the world around us (big and small) in every colour of the rainbow.
A beautiful, colourful and bold picture book that encourages children to notice the small things, think big, and express themselves! Matisse is a young snail who loves to create beautiful drawings with his trail. The trouble is most of the time people are far too busy to even notice them. It's only when a child notices Matisse's beautiful trails that his art is finally celebrated - and they inspire a whole class of children to get creative too!
Louisa Waugh is a writer, blogger, and the prize-winning author of three non-fiction books: Hearing Birds Fly, Selling Olga, and Meet Me in Gaza. She has lived and worked in the Middle East, Central and West Africa, and is a conflict adviser for an international peace-building organisation. She blogs at The Waugh Zoneand currently lives in Brighton, on the southern English coast, where she kayaks and drinks red wine on the beach, usually not at the same time.
Of all the destinations we can and do explore during our lives, our internal landscape is the most intimate. Without silence, how do we begin to know ourselves, and to see ourselves for who we really are? Sara Maitland moved from being a chatterer to “a silence hunter,” seeking out spaces where she could live alone and savour silent solitude. Her book explores histories and landscapes of silence, from contemplatives to explorers. She nails the difference between bad silence (the kind most of us are terrified of) and the spaciousness of prolonged silence that, eventually, becomes a state of bliss. Don’t be put off by the apparent seriousness of this subject: Sara might be a religious reclusive, but she writes in accessible prose that, ironically, induces the sense you could almost be having a drink together. It’s a brilliant book.
After a noisy upbringing as one of six children, and adulthood as a vocal feminist and mother, Sara Maitland began to crave silence. Over the past five years, she has spent periods of silence in the Sinai Desert and the Australian bush and on the Isle of Skye. She interweaves these experiences with the history of silence told through fairy tale and myth, Western and Eastern religious traditions, the Enlightenment and psychoanalysis, up to the ambivalence towards silence in contemporary society. Maitland has built a hermitage on an isolated Scottish moor, and the book culminates powerfully with her experiences of…
My parents survived the Killing Fields of Cambodia and the aftermath of the Vietnam War, so their love for us was always tinged with anxiety, fear, and a large deal of paranoia and control. All of my books are about the complex relationship between parents and their children, and the things we knowingly or unknowingly pass down. I’ve also worked a number of years as a university student counsellor, where the same enduring themes play out in my students’ experiences. So naturally, I am drawn to stories that explore difficult but loving family dynamics.
Hope Farm moved me so much because it conveys the bitter-sweetness of being thirteen, being privy to adults who make terrible choices, and having to adapt to the consequences of those choices. It is about parents who join cults (in this case, a hippy one) and the effects of this on their children. Peggy Frew has such a seductive and captivating way of engrossing the reader in the story through her stunning prose.
A devastatingly beautiful story about the broken bonds of childhood, and the enduring cost of holding back the truth.
“They were inescapable, the tensions of the adult world―the fraught and febrile aura that surrounded Ishtar and those in her orbit, that whined and creaked like a wire pulled too tight.”
It is the winter of 1985. Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver's mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new…
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
I read Olivia Laing’s bookat the height of my own loneliness: isolated, in lockdown, at the beginning of the COVID-19 pandemic. Part memoir, part art history, part cultural criticism, the book managed to be both intimate and expansive—just what I needed as I sat by myself in front of a computer, anxiously refreshing virus graphs.
I became absorbed by the lives of Andy Warhol and Edward Hopper, Henry Darger, and David Wojnarowicz, artists I’d heard of but knew nothing about, and by the various aspects of loneliness I’d never previously considered. It’s the perfect example of the type of hybrid writing that I find truly magical.
Finalist for the National Book Critics Circle Award in Criticism
#1 Book of the Year from Brain Pickings
Named a best book of the year by NPR, Newsweek, Slate, Pop Sugar, Marie Claire, Elle, Publishers Weekly, and Lit Hub
A dazzling work of biography, memoir, and cultural criticism on the subject of loneliness, told through the lives of iconic artists, by the acclaimed author of The Trip to Echo Spring.
When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by the most shameful of experiences, she began…
Despite a successful editorial career and thriving beauty business, in my 30s I remained plagued by a depression and crippling perfectionism. What began as a self-help bender and journalistic endeavor to explore every holistic experience I could get my hands on became a way of life—and saved my life. When my spiritual mentor Monica Lawson introduced me to the Other Side and how to work with them to find clarity and purpose, it clicked: we could teach others to do the same. Our mission is to take the weird out of the woo and make spirituality accessible for everyone. It’s your birthright to chase you. We’re simply here to show you the way.
One of my earliest spiritual reads and a way of living that I return to again and again whenever I feel stuck, impatient, or anxious that life isn’t happening on my timeline, or in the way I think it *should*. Surprise! The Universe always has other plans when we are making ours. When you surrender, you allow the Universe to step in and support you in the most magical and synchronistic ways, whether with the right people, opportunities, or next steps. If you can allow for the unexpected instead of trying to control the outcome, miracles can and will happen.
Michael A. Singer, author of The Untethered Soul, tells the extraordinary story of what happened when, after a deep spiritual awakening, he decided to let go of his personal preferences and simply let life call the shots. As Singer takes you on this great experiment and journey into life's perfection, the events that transpire will both challenge your deepest assumptions about life and inspire you to look at your own life in a radically different way.
Spirituality is meant to bring about harmony and peace. But the diversity of our philosophies, beliefs, concepts, and views about the soul often leads…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.
It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.
I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his dog Rowdy for company.
He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage.
But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister,…
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
Another profound critique of “civilized” values. Thoreau is like Plato in that he always drills down to bedrock truth: What is it that makes for a good life? Individually and collectively?
Be prepared for longueurs. Those who want a pithier critique along more contemporary lines might enjoy the works of the late Ivan Illich, especially Tools for Conviviality.
Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience.
In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you…
