Here are 100 books that The Mommy Myth fans have personally recommended if you like
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A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
I first read this book many moons ago. I love Margaret Atwood’s writing, and this book just jumps out of the page as a warning to everyone. I read it again after the Hulu series came out, and it has not lost its power. Could this really happen?
Well, after the overturning of Roe vs Wade, it seems that it really could. Infertility is rising, reproduction is falling, and women’s reproductive rights are being steadily eroded. Atwood did say at the time that nothing in the book had not already happened somewhere in the world, but I don’t think anyone really believed that America would get to the place where Atwood’s ideas seem to be coming true.
I highly recommend this for anyone who is appalled at the way America is shaping up. If I had my way, this prescient novel would be required reading for everyone.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
A much more recent book that can be read in conjunction with The Handmaid’s Tale.
I had no idea what to expect from this novel and was truly gripped by the unfolding tale of a world in which women are incarcerated for being deemed bad mothers. I am not going to give away any of the plot here, as the power of the book depends on its unfolding horror.
D W Winnicott's definition of the ‘good enough' mother resonated with me throughout this book, and I do worry that we are facing this dystopian reality in a 21st-century America that puts fetal rights before those of women and families.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
I loved this book when I initially read it, and return to it time and again. Adrienne Rich is, quite simply, the mother of motherhood studies.
This book strongly resonates with me and my experiences as a mother, particularly how Rich defines mothering and motherhood as two distinct states of being: Motherhood–the patriarchal institution (this is where we get all the do’s and don’ts of what society expects of us as mothers)–and mothering–the actual affective labor of bringing up children.
One section in particular–where Rich compares the freedom of the summer break with the return to restrictions of term time and the ‘rule of the father’–is as true now as it was then. This is a personal take on motherhood infused with passion and intelligence. I highly recommend it.
In Of Woman Born, originally published in 1976, influential poet and feminist Adrienne Rich examines the patriarchic systems and political institutions that define motherhood. Exploring her own experience-as a woman, a poet, a feminist and a mother-she finds the act of mothering to be both determined by and distinct from the institution of motherhood as it is imposed on all women everywhere. A "powerful blend of research, theory, and self-reflection" (Sandra M. Gilbert, Paris Review), Of Woman Born revolutionised how women thought about motherhood and their own liberation. With a stirring new foreword from National Book Critics Circle Award-winning writer…
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
If anyone is interested in maternal theories (as I clearly am), this is a huge engrossing book. It gathers essays by leading feminist maternal theorists (although don’t let this put anyone off), and I found it a brilliant book that inspired me in so many ways.
It was published in 2007, and I bought it after I met the wonderful Andrea O’Reilly–who is another mother of motherhood studies (literally)–at a motherhood conference. I found so much thoughtful work here and discovered theorists I had never read, which, in turn, inspired me to read their work.
It is awe-inspiring that O’Reilly managed to edit such a huge book with 50 chapters by nearly as many writers. What a treat.
Theory on mothers, mothering and motherhood has emerged as a distinct body of knowledge within Motherhood Studies and Feminist Theory more generally. This collection, the first ever anthology on maternal theory, introduces readers to this rich and diverse tradition of maternal theory. Composed of 50 chapters and covering more than three decades of scholarship, Maternal Theory includes all the "must read" theorists on motherhood. Writers include: Adrienne Rich, Nancy Chodorow, Sara Ruddick, Alice Walker, Barbara Katz Rothman, bell hooks, Sharon Hays, Patricia Hill-Collins, Julia Kristeva, Kim Anderson, Audre Lorde, Ellen Lewin, Daphne de Marneffe, Ariel Gore, Ann Crittenden, Judith Warner…
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
What can I say? Logic and Mr. Limbaugh is a crapbook (see my introduction) dedicated exclusively to Rush Limbaugh. Although dated (1995), this little book is extremely engaging, entertaining, and enlightening. And applicable to all the other Rush Limbaughs out there, past, present, and future. (Might there be a Logic and Mr. Trump manuscript-in-progress?)
Logic and Mr. Limbaugh is both an entertaining introduction to the elements of logic and a serious critique of the practical logic of a major conservative propagandist. Professor Perkins takes 50 examples of logical reasoning from Rush's statements, identifies the logical arguments, and points out fallacies.
For people who know something about a technical field, there is nothing that can ruin a book or movie faster than inaccuracies about that field. I’ve worked as an armored car driver, police officer, and private investigator in and around Detroit, and have been writing for outdoor magazines for close to twenty years, so not only do I know a lot about the featured subjects/characters of most thrillers, I care about how accurately they’re portrayed, and have brought that passion to my writing. I’ve written five thrillers set in Detroit, many of them featuring a private investigator, and when writing Bestiarii and its sequels did extensive research on dinosaurs.
This novel, released in 1994, was one of The New York Times’ Notable Books of the Year, but these days, unfortunately few people have heard of it.
A thriller about a terrorist holding the entire American air traffic control system hostage, this novel stood out because of how accurate all the details of the U.S. ATC were—details Gruenfeld had become aware of while pursuing a pilot’s license.
Rush Limbaugh, an avid fan of aviation, raved about the book on his #1 rated radio show, and that’s where I heard about it.
After the near-crash of a passenger plane, the responsible party demands five million in cash to prevent worse accidents, and former NTSB investigator and Naval officer Jack Webster and combat pilot Bo Kincaid are partnered to investigate--if they can trust each other
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Sh*t happens (bad relationships, business failures, burnt toast). That’s OK, says Scanlan, because making garbage is an essential part of any activity. In fact, you can’t get anywhere, or achieve any kind of personal or intellectual growth, without some detritus. To me, this explains why humans make so much trash of the kind that I’ve spent my life digging up in archaeological sites. And it makes me feel quite OK about spending a day writing stuff that might go straight into the shredder tomorrow…
This is the first work to examine the detritus of our culture in its full range; garbage in this sense is not only material waste and ruin, environmental degradation and so on, but also residual or 'broken' knowledge, useless concepts, the remainders of systems of intellectual and cultural thought. In this unique and original work (a kind of intellectual scavenging in its own right) the author shows why garbage is, perversely, the source of all that is valuable. The author considers how Western philosophy, science and technology attained mastery over nature through what can be seen as a prolonged act…
I like books that aren’t easy to categorize by genre because that’s the kind of book I like to write. Most of my novels are defined as science fiction for marketing purposes and placed on the science fiction shelves of book shops, but they aren’t very typical of science fiction and don’t necessarily always appeal to those looking for a lot of futuristic tech, or tales of galactic empires. In some ways, the things I write about are more typical of the concerns of readers of non-SF ‘mainstream’ (I hate the term, but there it is!) literary fiction, but many such readers will find them too science fictional.
Doris Lessing is one of the genuinely great authors of the 20th century. A true visionary, she moved effortlessly between naturalistic writing and her own unique variety of science fiction/fantasy—the latter written with such conviction that it seems completely real (while her naturalistic writing is so vivid is to seem almost more than real). In this book, a middle-aged woman looks out of her window at a civilization that is rapidly falling apart. As the woman retreats into her own inner world, a strange girl comes to live with her, bringing an animal called Hugo that is somewhere in between a dog and a cat. It’s a spell-binding piece of world-building and a reminder that everything that seems permanent will one day crumble.
In a beleaguered city where rats and roving gangs terrorize the streets, where government has broken down and meaningless violence holds sway, a woman -- middle-aged and middle-class -- is brought a twelve-year-old girl and told that it is her responsibility to raise the child. This book, which the author has called "an attempt at autobiography," is that woman's journal -- a glimpse of a future only slightly more horrendous than our present, and of the forces that alone can save us from total destruction.
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
When I was a student I found this book an inspiration. Beautifully written, it brings out deep affinities between the poetry and ideas of Wordsworth, Shelley, and other poets in England and the idealist philosophers in Germany, and the ways both groups rewrote the cosmic ideas of Christianity and ancient esoteric systems. It continually sets off sparks with its surprising comparisons. In the fifty years since it appeared, scholars have complained about how many writers the book leaves out, but given that its theme is “The High Romantic Argument” and not all of Romanticism, I am still impressed by how much it takes in.
In this remarkable new book, M. H. Abrams definitively studies the Romantic Age (1789-1835)-the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the…
My super-power is making brain science accessible and entertaining for children and adults alike. I am living this out as an author, mental health counselor, and the founder of BraveBrains. In addition to training parents and professionals, I have the joy of sharing my passion and expertise through podcast appearances, blogs, and articles. The lightbulb moments are my favorite, and I'm committed to helping people bring what they learn home in practical ways. I write picture books because the magic of reading and re-reading stories light up the brain in a powerful way. But don’t worry…I always include some goodies for the adults in the back of the book.
Grief, unfortunately, is a part of life. Western culture has a habit of ignoring and minimizing grief in detrimental ways. When we gently turn toward the difficult stuff in life, we can “feel and deal” in ways that benefit mental health. There are many books about grieving the death of a loved one (a list for another day, perhaps), but few acknowledge the other intense and life-altering kinds of loss and change that children are grieving. Dr. Coombes’ book is much more inclusive–plus, it delivers a treasure trove of activities to help children (and adults) navigate this challenging part of being human. The delightful doodles will appeal to upper elementary and quite a few tweens and teens.
These writing, craft, and doodling activities are designed to offer children support through experiences of loss, change, disappointment, and grief by using creativity to combat negative feelings and help them work through difficult times.
