Here are 8 books that Maternal Theory fans have personally recommended if you like
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A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
I first read this book many moons ago. I love Margaret Atwood’s writing, and this book just jumps out of the page as a warning to everyone. I read it again after the Hulu series came out, and it has not lost its power. Could this really happen?
Well, after the overturning of Roe vs Wade, it seems that it really could. Infertility is rising, reproduction is falling, and women’s reproductive rights are being steadily eroded. Atwood did say at the time that nothing in the book had not already happened somewhere in the world, but I don’t think anyone really believed that America would get to the place where Atwood’s ideas seem to be coming true.
I highly recommend this for anyone who is appalled at the way America is shaping up. If I had my way, this prescient novel would be required reading for everyone.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
A much more recent book that can be read in conjunction with The Handmaid’s Tale.
I had no idea what to expect from this novel and was truly gripped by the unfolding tale of a world in which women are incarcerated for being deemed bad mothers. I am not going to give away any of the plot here, as the power of the book depends on its unfolding horror.
D W Winnicott's definition of the ‘good enough' mother resonated with me throughout this book, and I do worry that we are facing this dystopian reality in a 21st-century America that puts fetal rights before those of women and families.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
I loved this book when I initially read it, and return to it time and again. Adrienne Rich is, quite simply, the mother of motherhood studies.
This book strongly resonates with me and my experiences as a mother, particularly how Rich defines mothering and motherhood as two distinct states of being: Motherhood–the patriarchal institution (this is where we get all the do’s and don’ts of what society expects of us as mothers)–and mothering–the actual affective labor of bringing up children.
One section in particular–where Rich compares the freedom of the summer break with the return to restrictions of term time and the ‘rule of the father’–is as true now as it was then. This is a personal take on motherhood infused with passion and intelligence. I highly recommend it.
In Of Woman Born, originally published in 1976, influential poet and feminist Adrienne Rich examines the patriarchic systems and political institutions that define motherhood. Exploring her own experience-as a woman, a poet, a feminist and a mother-she finds the act of mothering to be both determined by and distinct from the institution of motherhood as it is imposed on all women everywhere. A "powerful blend of research, theory, and self-reflection" (Sandra M. Gilbert, Paris Review), Of Woman Born revolutionised how women thought about motherhood and their own liberation. With a stirring new foreword from National Book Critics Circle Award-winning writer…
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
This book literally became my bible when I started writing about motherhood and television. I just loved their down-to-earthness (is there such a word? There is now) and how Douglas and Michaels write from the heart about what it’s like to be a mother of young children and how the media constantly undermines that experience.
I honestly think this was the first time (and my first child was born in 1986) that anyone had voiced my experience, which was so far away from the way I ‘should be’ feeling. The introduction alone made my heart sing with lines such as ‘Brought back to reality by stereophonic whining, you indeed feel as sexy as Rush Limbaugh in a thong.’
These are my kind of women and my kind of writers. They made me feel so much better about the ambivalence I often felt about motherhood and helped me understand what was…
Now in paperback, the provocative book that has ignited fiery debate and created a dialogue among women about the state of motherhood today. In THE MOMMY MYTH, Susan Douglas and Meredith Michaels turn their 'sharp, funny, and fed-up prose' (San Diego Union Tribune) toward the cult of the new momism, a trend in Western culture that suggests that women can only achieve contentment through the perfection of mothering. Even so, the standards of this ideal remain out of reach, no matter how hard women try to 'have it all'. THE MOMMY MYTH skilfully maps the distance travelled from the days…
While a history student at the University of Washington I became aware that courses never included more than a paragraph on the important contributions of women, such as Eleanor Roosevelt or Jane Addams. I longed to know more. What gave some women motivation to defy conventions and use their talents? When I first learned that Helga Estby’s audacious achievement was silenced for over 100 years, it launched me into over 15 years of research trying to recover this forgotten woman’s story. As a writing professor for twenty years, I saw how assigning papers that led to exploring and understanding the women in one’s family background deeply enriched college students' lives.
Olsen’s landmark book (1994) sheds light on how the writings and creativity of marginalized women and working-class people are often disenfranchised and the circumstances and forces that seek to silence them. I discovered her seminal ideas while in the midst of writing my Ph.D. dissertation at Gonzaga University on Helga Estby that emerged later as Bold Spirit. I was trying to figure out why her family burned hundreds of the pages Helga secretly wrote of her audacious journey across America. This evolved into my closing chapter in Bold Spirit on “the silencing of family stories,” which prompts readers to consider their own family silences. She raises important questions, especially for writers, on what nurtures creativity.
A study of the crucial relationship between circumstances - of sex, economic class, colour, the times and climate into which one is born - and creativity. The book draws on the lives, letters, diaries and testimonies of writers such as Melville, Hardy, Blake and Rimbaud. Tillie Olsen focuses on the financial and cultural pressures which obstructed, or silenced, their work. She then turns to those who have lost most: women writers, their energies deflected into domesticity and motherhood; black American writers, only 11 of whom published more than two novels from 1850-1950.
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
These essays are the ultimate guide to human intimacy. If you believe, as I do, that the best way to find meaning in life is to establish connections with others, you must read this book.
Rich teaches us that we are all clumsy, needy, fearful communicators, and shows us how what we perceive as failings are actually the secret keys to opening up whole invisible worlds of understanding between each other. She understands the art of gentleness as well as anyone who has ever written.
At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
The moral outrage of Audre Lorde is always directed at making the world a better place.
That is her great genius: she can see everything that is wrong, and knows how to awaken in each of us the desire to make things better. She also understands that every revolution begins with a single human being deciding that she, he or they can be a better person and help to make a better world.
Her spirituality is like the ocean: magnificent, scary, greater than us. She’s also perhaps the most important poet of the twentieth century and for the twenty-first century, so she’s just indispensable reading. Absolutely required.
If you haven’t already spent time with her work, you should read “Power” on the Poetry Foundation website today, before you look at any of the books I list above. It will take three minutes and may well change your view of poetry…
"These are poems which blaze and pulse on the page."-Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms-beautifully, forcefully-for contemporary multicultural and pluralist debate."-Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."-Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."-Out Magazine
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
This one is left field as it doesn’t fall neatly into the list. I included this book to avoid the impression that only Indigenous writers can write about Indigenous experiences. It’s important that we do, of course, but this book puts a slightly different slant on the “self-representation” question from an intersectional perspective.
Black feminist writer, Patricia Hill Collins, introduces the concept of intersecting lives and experiences, highlighting common struggles among Indigenous, Black, Minority, and Queer communities and how we are affected by violence in different and shared ways, invisible and public.
I encountered this work during a period of similar oppressions, finding it to be a transformative gift. Patricia’s ideas expand my world to new possibilities beyond institutional thinking. I love how the writing is so accessible, and the pages just fly along. Love this woman!
School shootings, police misconduct, and sexual assault where people are injured and die dominate the news. What are the connections between such incidents of violence and extreme harm?
In this new book, world-renowned sociologist Patricia Hill Collins explores how violence differentially affects people according to their class, sexuality, nationality, and ethnicity. These invisible workings of overlapping power relations give rise to what she terms "lethal intersections," where multiple forms of oppression converge to catalyze a set of violent practices that fall more heavily on particular groups. Drawing on a rich tapestry of cases, Collins challenges readers to reflect on what…