Here are 100 books that The Minuscule Mansion of Myra Malone fans have personally recommended if you like
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As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.
Katherine is a super-talented writer who has written adult books as well.
In this case she brings her amazing skills to bear on a strong mystery with a female protagonist, a grandad, and a bunch of talented circus performer types. Great use of words, complex plot, good resolution, spooky locations.
“A dazzling tale of wild hope, lingering grief, admirable self-sufficiency, and intergenerational adoration.” —Publishers Weekly (starred review) “Vita tests her own limits, and readers will thrill at her cleverness, tenacity, and close escapes.” —Booklist “A satisfying adventure.” —Kirkus Reviews
From award-winning author Katherine Rundell comes a fast-paced and utterly thrilling adventure driven by the loyalty and love between a grandfather and his granddaughter.
When Vita’s grandfather’s mansion is taken from him by a powerful real estate tycoon, Vita knows it’s up to her to make things right.
With the help of a pickpocket and her new circus friends, Vita creates…
Horror has had a place in my life since my parents let me watch horror movies at far too young an age. But horror comes in many forms, and I’ve found that my love for atmosphere supersedes that of cheap thrills. In Gothic literature, atmosphere is everything. Done right, it paints an unsettling picture that builds tension for readers hoping to get lost in a disquieting world. A lover of classics, I was drawn to Gothic texts, from Dracula to the works of Edgar Allen Poe, and my Gothic novel The Alchemy of Moonlight is a love letter to the pioneers who shaped these shadowy worlds for generation of readers.
The shocking twists alone are enough to satisfy readers eager for turmoil and drama in an unsettling Gothic environment, but Marshall deftly creates a shadowy world with its own rules, with a sure hand.
As mist settles over the landscape as well as our protagonist’s memories, something rotten in this ancestral home calls to her through a labyrinth of architecture that is slightly off. The antagonistic distant family intimidates Helen as the house settles into her bones and dreams, steeling readers for a stunning final act that will keep their hearts pounding well after setting this book down.
This is one of the most thoroughly enjoyable books I’ve read in recent memory.
The Haunting of Hill House meets Knives Out in a bid for an inheritance that will leave Helen Vaughan either rich...or dead.
Helen Vaughan doesn't know why she and her mother left their ancestral home at Harrowstone Hall, called Harrow, or why they haven't spoken to their extended family since. So when her grandfather dies, she's shocked to learn that he has left everything—the house, the grounds, and the money—to her. The inheritance comes with one condition: she must stay on the grounds of Harrow for one full year, or she'll be left with nothing.
As a novelist, I focus on the characters in my books, and the plot is woven around them. I'm a people-watcher, and I remember bits and pieces of the folks I observe—many of which find their way into my novels. As a reader, plot pulls me in, but it is the characters that I remember.As a novelist, I always begin with a cast of characters: I start with a physical quirk, a personality flaw, an offbeat way of seeing things. Then I add a plot. For me, plot is the hardest. There are hundreds of characters swimming around in my imagination (see my first book, Characters in Search of a Novel).
Talk about quirky chararcters and magic! This book is full of them!
Apparently, I am fascinated with agoraphobics and magical themes! Cathal Flood is a horrible old man. He is a hoarder and misanthrope. However, he doesn’t want to go into a home, so he hires Maud to help him sort out his home so he can satisfy all that he is sane and orderly.
But there are saints seeping out of the woodwork and cats are everywhere. This hoarder has stories, and Maud keeps uncovering them, along with hints from the saints who comment on the action. This book is what? A thriller? A study of Irish folklore and the Catholic faith? I don’t know, but I just loved the book.
From the award-winning author of Himself comes a spellbinding and “magically entertaining read” (Good Housekeeping, UK) about a lonely caregiver and a cranky hoarder with a house full of secrets that “will appeal to fans of Tana French and Sophie Hannah, as it charms and unsettles in equal measure” (BookPage).
Maud Drennan is a dedicated caregiver whose sunny disposition masks a deep sadness. A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding…
I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”
That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.
I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.
'I swear I didn't breathe the whole time I was reading it. Gripping, pacy, brilliantly twisty.' CLARE MACKINTOSH
'Creepy, intricate and utterly immersive: an excellent holiday read.' GUARDIAN
'A twisty and engrossing story of betrayal and redemption.' IAN RANKIN ____________________________
FROM THE #1 BESTSELLING AUTHOR OF THEN SHE WAS GONE
In a large house in London's fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.
In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.
I believe the stories we live are just as important as the stories we decide to read. Growing up, my family always went on trips that revolved around exploring what nature had to offer. I fell in love at an early age with places where the mountains seem to touch the skies, or the ocean challenges the vibrance of every shade of blue I ever dreamed could exist. This itch for adventure seemed to be born in me alongside my love of reading and writing, and the same emotions I experience when hiking up a steep trail or sweating in the desert are those I love in stories. Adventure on!
This book is like taking a step inside a dream. For me, it had everything I could ever ask for from a novel—lyrical prose, gorgeous imagery, fun and lovable characters, a little bit of quirk, and a rare depth at the heart of it. Nature is a major element, taking place in Oklahoma, Oregon, Michigan, Mississippi, and Montana. The writing is so vivid it immerses you in the adventure, making it feel as though you’re walking beneath the pines, smelling the gulf coast air, or simply marveling in the beauty of the natural world alongside Wylan, the quirky and heroic protagonist.
"Told with brains and heart" —Michelle Gable, New York Times bestselling author of A Paris Apartment
"Bristles with charm and curiosity" —Winston Groom, New York Times bestselling author of Forrest Gump
"A wholly original and superbly crafted work of art, Beasts of Extraordinary Circumstance is a masterpiece of the imagination." —Lori Nelson Spielman, New York Times bestselling author of The Life List and Sweet Forgiveness
"Charlotte's Web for grown-ups who, like Weylyn Grey, have their own stories of being different, feared, brave, and loved." —Mo Daviau, author of Every Anxious Wave
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I immediately loved this book for its alternate history, detailed folklore, and dark academic vibes. I connected with the complex characters and a strong female protagonist who was fearless of social expectations. The unique combination of folklore and an archaeology background that I share with the author Heather Fawcett was something I found familiarity with instantly.
I enjoyed the alternate history where dark academia met with the more traditional Gaslamp-style fantasy fiction to create something new. This combination of dark academia, marginalized voices, and alternate history is a style I enjoy delving into the past in new, unusual ways and revealing voices that otherwise remain unheard.
NATIONAL BESTSELLER • A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series.
“A darkly gorgeous fantasy that sparkles with snow and magic.”—Sangu Mandanna, author of The Very Secret Society of Irregular Witches
Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is…
I’m a creative director in Vermont with a few favorite things: laughter, standard poodles, and happy endings—in life and in fiction. Romance fiction abounds with young heroines and happy endings. But I prefer reading about mature women like myself, women who have experienced their share of disappointments yet face life’s challenges with courage and humor. I like the elements of both genres in one juicy book. After much-frustrated searching, I gave up and wrote the story I wanted to read. My wise, middle-aged heroine still has lots to learn about grief and joy, and learns many of those lessons with men—in bed.
Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks.
Famous in Paris, infamous in London, Verity Durant is as well-known for her mouthwatering cuisine as for her scandalous love life. But that’s the least of the surprises awaiting her new employer when he arrives at the estate of Fairleigh Park following the unexpected death of his brother.
To rising political star Stuart Somerset, Verity Durant is just a name and food is just food, until her first dish touches his lips. Only one other time had he felt such pure arousal–a dangerous night of passion with a stranger, who disappeared at dawn. Ten years is a long time to…
I’m just a girl who fell in love with French literature: Les Miserables, The Count of Monte Cristo, The Phantom of the Opera. And then the associated Gothics: Dracula, A Christmas Carol, A Picture of Dorian Gray. Then I ran out. Apparently, there are only so many gothic novels one can find in 18th- and 19th-century writings—and I even read several of the more obscure ones. But I wasn’t done with the genre yet. I wanted one more gothic novel, with all the mystery of Edmond Dantès and with all the philosophical complexity of Jean-Valjean—but with a strong female protagonist and a lush Americana setting. So I wrote it myself.
Nothing scary happens exactly, but that doesn’t stop this novel from holding a strange and creepy tension throughout the whole of it. With a heavy surrealist bent, the book centers on a girl and her father who were born from the ground, and so have the powers to heal people by moving around the things that are inside them. It’s exactly as haunting as it sounds.
'A tangled, gnarled, wonderfully original, strange, beautiful beast of a book' DAISY JOHNSON, author of Everything Under
'Beautiful and terrifying' SUNDAY TIMES
'Seethingly assured debut fuses magical realism with critical and feminist theory' GUARDIAN
In house in a wood, Ada and her father live peacefully, tending to their garden and the wildlife in it. They are not human though. Ada was made by her father from the Ground, a unique patch of earth with birthing and healing properties. Though perhaps he didn't get her quite right. They spend their days healing the local human folk - named Cures - who…
Ghost stories have fascinated me since I was a small child, even when they gave me nightmares every night. I've never lived in a haunted house, been part of a cursed family, or been kidnapped by highwaymen and villainous villains, but I've always sensed some people never leave this world. Despite the nightmares, I also believe ghosts aren't always vengeful spirits but loved ones, beings of light who sometimes just want to say hi. I have been writing stories since I learned to write. Ghost stories have always been a part of me, and I hope to shed a different light on this gloomy genre.
About twenty years ago, I read the opening lines of this book (published in 1955) in the evening and finished the entire book in one sitting. This time, I read it in two sittings and fell in love with it again.
I love how this short novel straddles several genres—literary fiction, magic realism, surrealist fiction, and Gothic fiction—in its own way. I always enjoy a precise and simple style, at which Juan Rulfo excels. Yet, the narrative and the plot are so complex that it's hard to believe so much fits into one hundred pages.
This book has all the elements of Gothic fiction in the Mexican style. The gloom and eeriness are palpable in the oppressive heat of the wasteland that is the fictional town of Comala, and only Rulfo could marry such contradictions in one short novel.
"One of the best novels in Hispanic literature, and in literature as a whole.” —Jorge Luis Borges
The highly influential masterpiece of Latin American literature, now published in a new, authoritative translation, and featuring a foreword by Gabriel García Márquez
A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man’s quest for his lost father. That man swears to his dying mother that he will find the father he has never met—Pedro Páramo—but when he reaches the town of Comala, he…
How do we decide what is true and untrue, what is real and what isn’t? It’s something I’ve tried to understand since I was a child. In each book I chose, a character has to face a universe completely unlike what they’d believed—in some cases, what they’d spent their entire lives devoted to. How someone would react in such a situation is deeply fascinating to me, and each of these books has not only stayed with me for years but has profoundly influenced my own writing and worldview.
I love books that explore how ordinary people might react in extraordinary circumstances, and this one takes that to another level.
The main characters, Tengo and Aomame, see that the world has changed—the most obvious clue being that there are now two moons in the sky—and it is fascinating to watch how these two very different people cope with living in a new and mysterious context. Murakami has a knack for making the surreal seem believable, and in this book, he is at the top of his game.
NATIONAL BESTSELLER • The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her.
She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course…
