Fans pick 100 books like The Luminaries

I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected. 

I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.

I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!

Readers probably know Pulley best through her amazing best seller, The Watchmaker of Filigree Street. That’s how I first encountered her work too, but she became my favorite writer with Bedlam Stacks.

It is the story of Merrick Tremayne, an experienced wilderness traveler whom British colonial authorities hope can help discover new troves of quinine, a material essential for the British colonization of India. Set in the mid-nineteenth century, the story follows Tremayne as he reluctantly journeys into Peru’s distant and remote forests. 

Once there, he enters a magical world that retains just enough realism to make the truths of European colonization vividly clear. Violence and self-interest create unexpected and far-reaching consequences. Peoples at the fringes of empire guard their borders at the peril of those who intrude.

At the same time, Pulley’s deft imagination counterbalances harsh historical realities with magical threads. She brings Tremayne into a place of humanity… show more.

I adore historical mysteries, particularly those that confront the unsavory realities of racism, sexism, and homophobia in our not-so-distant pasts. This book delves into all of these in such a striking, fully inhabited way.

What I loved most about this book was the immediacy and urgency of its voice, which drew me in from the first page and never let me go. It’s a harrowing story, and the narrative frame gives it a pace that always manages to drive forward while still allowing enough space for the setting to come to life.

One of the best examples of “history from below” I’ve read.

It tells the well-known story of David Livingstone’s last journey–how after he died in tropical Africa, his servants marched his body across the continent to the port of Dar es Salaam, so that it could be shipped back to England and buried there with appropriate pomp and reverence. This forms the framework for an utterly original novel that presents this epic trek from the perspective of two of Livingstone’s slave servants: his feisty Muslim cook, Halima, who brings her gossipy sardonic perspective to the enterprise, and his devout and pompous body servant Joseph, a Christian determined to do right by his master.

This work sparkles with energy and humor, as well as presenting a fresh perspective on a well-trodden path.

I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.

Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.

The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.

The fate of women in this time in history is completely held by the men of the family.

I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life… show more.

Two Worlds, by Dame Anne Salmond, is another crossover work—part history and part anthropology. The author, an eminent New Zealand anthropologist, uses her knowledge of traditional Māori culture (what people believed, what they ate, how they lived) to flesh out the historical record left by early European visitors to Aotearoa/New Zealand. The result is a rich, authoritative account of encounters that for far too long have been described from only one point of view.

I love the setting of this mystery: New Zealand during World War II. Ngaio Marsh was a New Zealander, but most of her well-known mysteries are set in England. This one has fascinating Māori characters as well as the usual blustery English ones.

Add a Nazi spy and our intrepid Inspector Roderick Alleyn in disguise, a complex plot, plus a truly surprising ending, and you’ve got a recipe for exactly the kind of mystery I like to escape into. 

Matariki, the Māori new year, comes in late June, winter in New Zealand. It begins when the star cluster known as Matariki first appears in the sky. It’s a time of honoring ancestors, being with family, reflecting on the past, and dreaming for the future.

This moving story by Brianne Te Paa is about a boy who takes the lead in honoring his koro (grandfather), who dies shortly before Matariki. The sadness and warmth come through the night-sky color palette and the grown-up-feeling illustrations. To an American still learning about Matariki and Māori culture, this story feels unique, yet the way it captures the bonds between whānau (family) makes it feel universal.