Here are 100 books that The Great Beast fans have personally recommended if you like
The Great Beast.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
When I was nine years old, my first poem was ‘published’ in my elementary school’s annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know it’s never too late to publish a book, I regret how long I waited. Young writers, don’t be afraid to go for it and don’t ever feel you’re not old enough for your words to matter. Readers need your unique, fresh vision.
I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.
I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.
I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.
What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.
Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
The most serious and culturally informed of the modern biographies, but still enthusiastic and enjoyable. Sutin is particularly good on Crowley’s religious and political aspects, and it reads unmistakably like a book by what a friend of mine would call “a real grown-up,” which isn’t always the case with books on occult subjects. Sutin makes a strong case for Crowley’s importance and larger significance, and the book’s wider perspective can be gauged by the spread of his solid, quality books on other subjects, including Buddhism and Philip K Dick.
Do What Thou Wilt: An exploration into the life and works of a modern mystic, occultist, poet, mountaineer, and bisexual adventurer known to his contemporaries as "The Great Beast"
Aleister Crowley was a groundbreaking poet and an iconoclastic visionary whose literary and cultural legacy extends far beyond the limits of his notoriety as a practitioner of the occult arts.
Born in 1875 to devout Christian parents, young Aleister's devotion scarcely outlived his father, who died when the boy was twelve. He reached maturity in the boarding schools and brothels of Victorian England, trained to become a world-class mountain climber, and…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference.
A rigorously researched biography of the founder of modern magick, as well as a study of the occult, sexuality, Eastern religion, and more
The name “Aleister Crowley” instantly conjures visions of diabolic ceremonies and orgiastic indulgences—and while the sardonic Crowley would perhaps be the last to challenge such a view, he was also much more than “the Beast,” as this authoritative biography shows.
Perdurabo—entitled after the magical name Crowley chose when inducted into the Hermetic Order of the Golden Dawn—traces Crowley’s remarkable journey from his birth as the only son of a wealthy lay preacher to his death in a…
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
A relaxed and urbane book by a man who could really write: Booth’s other work includes poetry and the acclaimed novel Hiroshima Joe, along with non-fiction on cannabis and opium, both very relevant to Crowley. It seems to speed up towards the end and has no source notes, which I thought might be because Booth was already racing against the cancer that killed him. Now I think it was just pressure of other work—he was prolific. I was at the launch when alcoholic Crowley disciple Gerald Suster, also a Crowley biographer and also now dead, staggered to his feet and began a rambling question with the Crowley greeting “Do what thou wilt shall be the whole of the Law,” to which Booth cordially replied “93!” The crowd had no idea what they were talking about.
Crowley advocated the practice of magick and encouraged his followers to create their own life styles and develop a keen self knowledge. He wrote many books on his subject and is still revered as the master of the dark arts with books and websites and followers all over the world. Martin Booth has used his skills as a biographer to encapsulate the man and his extraordinary life-style in a chilling tale of magic and intrigue.
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I have pursued escapism in all its forms for most of my life. From studying the otherworlds of ancient civilisations, especially in my native Britain, including Arthurian tales and those of the Welsh Mabinogion to the fictional worlds of Tolkien and Lewis’s Narnia. I am lucky enough to live in the Snowdonia Mountains with a wealth of legends and myth-making landscapes on my doorstep. This led to a practical interest in The Western Mystery Tradition and from there an academic curiosity toward occult societies and their founders. I believe there is a distinct link between our spiritual morality and physical mortality that is worth exploring through experience.
First published in 1956 Dion Fortune recalls her heroine Vivian le Fay, first introduced in The Sea Priestess fifteen years earlier.
In Moon Magic she is conjured as Lilith le Fay, mysterious and alluring. Interestingly, considering Dion Fortune died before finishing the book, its completion was brought about by an acolyte ‘channeling the author’ after her death.
Her play on the dynamic of the male and female polarity allows the story to evolve on different levels, as an interesting, if dated view of a society in need of a spiritual revelation, and a treatise on genuine esoteric practices. Fortune’s clipped prose style gives the reader's imagination free rein, allowing her to influence our understanding of certain concepts and provide an entertaining tale to boot.
Almost 15 years after she first appeared in Sea Priestess, Dion Fortune wrote about her heroine Vivien Le Fay again. In Moon Magic Vivien appears as Lilith Le Fay, and uses her knowledge of moontides to construct an astral temple of Hermetic magic. The viewpoint of Lilith Le Fay is purely pagan, and she is a rebel against society, bent upon its alteration. She may, of course, represent my Freudian subconscious... --'from the Introduction 'Dion Fortune's books sell! Sea Priestess has sold 32,000 copies and Moon Magic has 25,000 copies in print. 'First published in 1938 and 1956, neither Sea…
I have pursued escapism in all its forms for most of my life. From studying the otherworlds of ancient civilisations, especially in my native Britain, including Arthurian tales and those of the Welsh Mabinogion to the fictional worlds of Tolkien and Lewis’s Narnia. I am lucky enough to live in the Snowdonia Mountains with a wealth of legends and myth-making landscapes on my doorstep. This led to a practical interest in The Western Mystery Tradition and from there an academic curiosity toward occult societies and their founders. I believe there is a distinct link between our spiritual morality and physical mortality that is worth exploring through experience.
John and Caitin Mathews have a vast body of work on the subject of spirituality. This is one of their first and, in my opinion, one of their best.
I recommend this title to anyone who feels a deep connection to Celtic heritage and the old Gods and Goddesses of early British and Welsh ancestry. I was especially entranced by the pathworking techniques, a guided visualisation journey into the ‘otherworld’ of our native ancestors. Having undertaken several of these guided visualisation journeys, I had some deeply personal and life-enhancing experiences that I still vividly recall some thirty years later.
A great introduction to the Western Mystery Tradition.
I've had many professions over the years: theatrical stage technician, stage manager, scenic artist, teacher, writer, driver, husband, and father. I've always had a love for horror and fantasy stretching from the classic Gothic to the incredible worlds of Tolkien, Pratchett, and many more. I never set out to write, but I love the escapism and freedom that both reading and writing allows. I was a military child and having followed my father across Europe, I settled in the beautiful cathedral city of Lincoln, UK, which itself has its horror, hauntings, and history. Fantasy writing seemed to be the next stage of my development, combining macabre with the fascinating task of creating a fantastical world.
I love compilation books, as this style of book works fantastically well for horror. In a short period of time, you can be transported from London to the Black Forest, from deepest Africa to the frozen climes of the Arctic. This book does not disappoint in this respect, taking the reader on a discovery of differing locations and also styles of horror writing. As you read this book of David’s, he takes you through a deeply reflective journey of horror writing genres, from Lovecraft to Poe and beyond. With great artwork to boot. Utterly fantastic!
"I wouldn't hesitate to recommend this work to fans of Lovecraft, MR James, Algernon Blackwood et al as Tallerman can take his place amongst those, and other, master craftsmen of the dark tale." - Peter Sutton (Bristol Book Blog)
Written by David Tallerman and Illustrated by Duncan Kay, The Sign in the Moonlight Includes the original novelette, The War of the Rats, and 13 other haunting tales.
A doomed mountaineering expedition attempts the slopes of Kanchenjunga, following in the footsteps of notorious occultist Aleister Crowley. A young soldier witnesses omens of another, vaster conflict in the ravaged trenches of the…
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
To say that Kenneth Grant’s (1924-2011) writing style is idiosyncratic would be a huge understatement, for to read him often equals entering into a dream state shot through with sinister overtones and illumined by the morbid light of witch’s Moon. Grant is mostly known for his “Typhonian Trilogies”–nine volumes that explore Crowley’s Thelema in connection with Lovecraftian mythos, Haitian Vodou, Austin Osman Spare’s art and sigil magic, Asian Tantra, and a number of related subjects.
Grant casts a wide conceptual net over the topics he explores by integrating them as aspects of a putative “Typhonian” or “Draconian” tradition, with its roots in pre-dynastic Egypt, that focuses on the mysteries of sexual magic and gives preeminence to the mystical power of female sexual vibrations. His argument is that this tradition often glossed over as the “left-hand path” sans negative moral connotations in its nomenclature, suffered historical repercussions by the representatives of…
In this study of Aleister Crowley's system of sexual magic, Kenneth Grant reveals the occult workings of the Fire Snake or Kundalini-Goddess the cosmic power that when awakened by magical means assumes the form that Crowley called the Scarlet Woman. Grant also describes a method of dream control that Crowley and others used to establish contact with extraterrestrial and non-human beings and to prepare themselves for the realization of true cosmic consciousness.
