Fans pick 100 books like Do What Thou Wilt

Few people can claim the title The Wickedest Man in the World bestowed upon one of the most vilified and revered characters of the nineteenth century, Alistair Crowley.

Writer, mountain climber, occultist, and dare I say visionary, Crowley has rubbed shoulders with both literary giants and personalities of the early nineteen hundreds. A member of several secret societies and founder of his own Temple of Thelema and surrounded by some of the strangest characters one could hope to meet in a single lifetime.

This biography recounts passages from his own diaries and manuscripts bequeathed to the author after his death and anecdotes both funny and disturbing about a man who lived a most extraordinary life. Eventually dying in poverty at a rooming house in Brighton.

Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference. 

A relaxed and urbane book by a man who could really write: Booth’s other work includes poetry and the acclaimed novel Hiroshima Joe, along with non-fiction on cannabis and opium, both very relevant to Crowley. It seems to speed up towards the end and has no source notes, which I thought might be because Booth was already racing against the cancer that killed him. Now I think it was just pressure of other work—he was prolific. I was at the launch when alcoholic Crowley disciple Gerald Suster, also a Crowley biographer and also now dead, staggered to his feet and began a rambling question with the Crowley greeting “Do what thou wilt shall be the whole of the Law,” to which Booth cordially replied “93!” The crowd had no idea what they were talking about.      

An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.

I love this book; it is my all-time favorite nonfiction resource book for female tarot creators during the Victorian Age. I was totally absorbed reading about the art and artists that Mary Greer selected: Maud Gonne, Moina Bergson Mathers, Annie Horniman and Florence Farr.

These are four women who transformed the face of women in power in the occult and magical societies. I especially dote on a book with photographs and illustrations when talking about a historical topic, and there are fantastic images, many one-of-a-kinds, that are well-researched and noted. If you have any interest in tarot, female Magicians, and the struggles of these amazing Suffragettes and artists, this book is for you. 

Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.

While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.

I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)

The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!

The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.

But most important of all, this book offers an irresistible mystery that certainly kept me guessing!

To say that Kenneth Grant’s (1924-2011) writing style is idiosyncratic would be a huge understatement, for to read him often equals entering into a dream state shot through with sinister overtones and illumined by the morbid light of witch’s Moon. Grant is mostly known for his “Typhonian Trilogies”–nine volumes that explore Crowley’s Thelema in connection with Lovecraftian mythos, Haitian Vodou, Austin Osman Spare’s art and sigil magic, Asian Tantra, and a number of related subjects.

Grant casts a wide conceptual net over the topics he explores by integrating them as aspects of a putative “Typhonian” or “Draconian” tradition, with its roots in pre-dynastic Egypt, that focuses on the mysteries of sexual magic and gives preeminence to the mystical power of female sexual vibrations. His argument is that this tradition often glossed over as the “left-hand path” sans negative moral connotations in its nomenclature, suffered historical repercussions by the representatives of… show more.

I love compilation books, as this style of book works fantastically well for horror. In a short period of time, you can be transported from London to the Black Forest, from deepest Africa to the frozen climes of the Arctic. This book does not disappoint in this respect, taking the reader on a discovery of differing locations and also styles of horror writing. As you read this book of David’s, he takes you through a deeply reflective journey of horror writing genres, from Lovecraft to Poe and beyond. With great artwork to boot. Utterly fantastic!

This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.