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Do What Thou Wilt.
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I have pursued escapism in all its forms for most of my life. From studying the otherworlds of ancient civilisations, especially in my native Britain, including Arthurian tales and those of the Welsh Mabinogion to the fictional worlds of Tolkien and Lewis’s Narnia. I am lucky enough to live in the Snowdonia Mountains with a wealth of legends and myth-making landscapes on my doorstep. This led to a practical interest in The Western Mystery Tradition and from there an academic curiosity toward occult societies and their founders. I believe there is a distinct link between our spiritual morality and physical mortality that is worth exploring through experience.
Few people can claim the title The Wickedest Man in the World bestowed upon one of the most vilified and revered characters of the nineteenth century, Alistair Crowley.
Writer, mountain climber, occultist, and dare I say visionary, Crowley has rubbed shoulders with both literary giants and personalities of the early nineteen hundreds. A member of several secret societies and founder of his own Temple of Thelema and surrounded by some of the strangest characters one could hope to meet in a single lifetime.
This biography recounts passages from his own diaries and manuscripts bequeathed to the author after his death and anecdotes both funny and disturbing about a man who lived a most extraordinary life. Eventually dying in poverty at a rooming house in Brighton.
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference.
A rigorously researched biography of the founder of modern magick, as well as a study of the occult, sexuality, Eastern religion, and more
The name “Aleister Crowley” instantly conjures visions of diabolic ceremonies and orgiastic indulgences—and while the sardonic Crowley would perhaps be the last to challenge such a view, he was also much more than “the Beast,” as this authoritative biography shows.
Perdurabo—entitled after the magical name Crowley chose when inducted into the Hermetic Order of the Golden Dawn—traces Crowley’s remarkable journey from his birth as the only son of a wealthy lay preacher to his death in a…
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
A relaxed and urbane book by a man who could really write: Booth’s other work includes poetry and the acclaimed novel Hiroshima Joe, along with non-fiction on cannabis and opium, both very relevant to Crowley. It seems to speed up towards the end and has no source notes, which I thought might be because Booth was already racing against the cancer that killed him. Now I think it was just pressure of other work—he was prolific. I was at the launch when alcoholic Crowley disciple Gerald Suster, also a Crowley biographer and also now dead, staggered to his feet and began a rambling question with the Crowley greeting “Do what thou wilt shall be the whole of the Law,” to which Booth cordially replied “93!” The crowd had no idea what they were talking about.
Crowley advocated the practice of magick and encouraged his followers to create their own life styles and develop a keen self knowledge. He wrote many books on his subject and is still revered as the master of the dark arts with books and websites and followers all over the world. Martin Booth has used his skills as a biographer to encapsulate the man and his extraordinary life-style in a chilling tale of magic and intrigue.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.
With a name like Susan Wands, it was inevitable that I would be drawn to the occult and to the world of tarot cards. In high school, I was drawn to a set of tarot cards, not knowing that this deck, the Ryde Waite deck, was illustrated by Pamela Colman Smith. Pamela was the co-creator of the world’s best-selling tarot deck, and I became obsessed with her and her life story. I have written a historical fantasy series, the Arcana Oracle Series, based on Pamela’s life and lectured worldwide on the Golden Dawn, Tarot, and Magical Women.
I love this book; it is my all-time favorite nonfiction resource book for female tarot creators during the Victorian Age. I was totally absorbed reading about the art and artists that Mary Greer selected: Maud Gonne, Moina Bergson Mathers, Annie Horniman and Florence Farr.
These are four women who transformed the face of women in power in the occult and magical societies. I especially dote on a book with photographs and illustrations when talking about a historical topic, and there are fantastic images, many one-of-a-kinds, that are well-researched and noted. If you have any interest in tarot, female Magicians, and the struggles of these amazing Suffragettes and artists, this book is for you.
These four remarkable women, core members of the Hermetic Order of the Golden Dawn, left a lasting imprint on the politics, literature, and theater of 19th-century Europe. Less well-known than the famous men in their lives, including Yeats and Shaw, their stories are now told.
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.
While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.
I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus's ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal…
Radical Friend highlights the remarkable life of Amy Kirby Post, a nineteenth-century abolitionist and women's rights activist who created deep friendships across the color line to promote social justice. Her relationships with Frederick Douglass, Harriet Jacobs, Sojourner Truth, William C. Nell, and other Black activists from the 1840s to the…
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!
The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.
But most important of all, this book offers an irresistible mystery that certainly kept me guessing!
A detective steeped in the art of magic solves the mystifying murder of two occultists.
Now retired from the tour circuit on which he made his name, master magician The Great Merlini spends his days running a magic shop in New York’s Times Square and his nights moonlighting as a consultant for the NYPD. The cops call him when faced with crimes so impossible that they can only be comprehended by a magician’s mind. In the most recent case, two occultists are discovered dead in locked rooms, one spread out on a pentagram, both appearing to have been murdered under…
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
To say that Kenneth Grant’s (1924-2011) writing style is idiosyncratic would be a huge understatement, for to read him often equals entering into a dream state shot through with sinister overtones and illumined by the morbid light of witch’s Moon. Grant is mostly known for his “Typhonian Trilogies”–nine volumes that explore Crowley’s Thelema in connection with Lovecraftian mythos, Haitian Vodou, Austin Osman Spare’s art and sigil magic, Asian Tantra, and a number of related subjects.
Grant casts a wide conceptual net over the topics he explores by integrating them as aspects of a putative “Typhonian” or “Draconian” tradition, with its roots in pre-dynastic Egypt, that focuses on the mysteries of sexual magic and gives preeminence to the mystical power of female sexual vibrations. His argument is that this tradition often glossed over as the “left-hand path” sans negative moral connotations in its nomenclature, suffered historical repercussions by the representatives of…
In this study of Aleister Crowley's system of sexual magic, Kenneth Grant reveals the occult workings of the Fire Snake or Kundalini-Goddess the cosmic power that when awakened by magical means assumes the form that Crowley called the Scarlet Woman. Grant also describes a method of dream control that Crowley and others used to establish contact with extraterrestrial and non-human beings and to prepare themselves for the realization of true cosmic consciousness.
I've had many professions over the years: theatrical stage technician, stage manager, scenic artist, teacher, writer, driver, husband, and father. I've always had a love for horror and fantasy stretching from the classic Gothic to the incredible worlds of Tolkien, Pratchett, and many more. I never set out to write, but I love the escapism and freedom that both reading and writing allows. I was a military child and having followed my father across Europe, I settled in the beautiful cathedral city of Lincoln, UK, which itself has its horror, hauntings, and history. Fantasy writing seemed to be the next stage of my development, combining macabre with the fascinating task of creating a fantastical world.
I love compilation books, as this style of book works fantastically well for horror. In a short period of time, you can be transported from London to the Black Forest, from deepest Africa to the frozen climes of the Arctic. This book does not disappoint in this respect, taking the reader on a discovery of differing locations and also styles of horror writing. As you read this book of David’s, he takes you through a deeply reflective journey of horror writing genres, from Lovecraft to Poe and beyond. With great artwork to boot. Utterly fantastic!
"I wouldn't hesitate to recommend this work to fans of Lovecraft, MR James, Algernon Blackwood et al as Tallerman can take his place amongst those, and other, master craftsmen of the dark tale." - Peter Sutton (Bristol Book Blog)
Written by David Tallerman and Illustrated by Duncan Kay, The Sign in the Moonlight Includes the original novelette, The War of the Rats, and 13 other haunting tales.
A doomed mountaineering expedition attempts the slopes of Kanchenjunga, following in the footsteps of notorious occultist Aleister Crowley. A young soldier witnesses omens of another, vaster conflict in the ravaged trenches of the…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.