73 books like Women of the Golden Dawn

I read this book this month while traveling to the UK Tarot Conference and loved the resonance of tarot cards and people appearing in your life at the right time. Claire McMillian opens up the world of surrealist painter Remedios Varo by way of Pamela’s Smith Tarot cards as markers and guideposts.

I fell down the rabbit hole researching Varo’s artwork after I read it, especially Remedios’ painting of the magician or juggler. Her friend, Leonora Carrington, is also in the book—bringing art, tarot, and love to their immense ambition and their drive to live their life in their art and tarot readings. I loved learning about this post-WWII community of magical women and the art they created across Europe and Mexico.

I had never been to The Cloisters here in Manhattan after many decades of living here, but I read Katy Hays's book, and had to visit it afterward. Hays’ book was a great pre-cursor to the trip to the Museum of Medieval and Early Renaissance Art.

I kept in mind the world of the fictional underdog, Anne Sitwell, who worked her way up to know there were secrets in the vault at the Cloisters. A Tarot Deck, possibly from the d’Este family in Italy, sets the stage for skullduggery while secrets and murders mount, leading to a plot twist at the end for our hapless Anne. It was interesting talking to the docent at the museum after I took a garden tour, and to spot a copy of this book for sale in the gift shop there.

I was intrigued by the magical abilities in the “Hands” of each one of the three protagonists in this book. Tamara uses her hands for tarot readings to tell people’s futures, while Phyllis’s hands have a super-power strength for knife-throwing, and Dev has “Saint’s Hands” have a sort of spidey-sense, helping his work as a police spy.

I was intrigued by Tamara’s tarot readings as part of this crime story, with the weaving in of black people’s stories of trauma, the double-edged sword of passing for white, and Juju assassins. This alternate history is a nebula of magic, criminals, and an exploration of how love heals people.

This book was the 2021 Winner of the World Fantasy Award. It was an unexpected winner, but I can see how Johnson’s gritty writing pulled people in. Trigger warning: if you have nerves about reading about knives as weapons, you may want to… show more.

I like the format of this book, where each chapter is titled after a Tarot card. The involves a manuscript from Cleopatra’s time with a seer named Ionna to our modern-day protagonist, Semele, who works in an auction house.

Ionna foresaw a sort of doomsday tarot deck throughout history and in this manuscript, which is now up for sale, named Semele in her prophecy. She has to track down the descendants of Ionna, who may have the key to where this tarot deck is, before the manuscript passes into the wrong hands.

While tarot isn’t the main focus of the book, the background research on tarot is fascinating.

A relaxed and urbane book by a man who could really write: Booth’s other work includes poetry and the acclaimed novel Hiroshima Joe, along with non-fiction on cannabis and opium, both very relevant to Crowley. It seems to speed up towards the end and has no source notes, which I thought might be because Booth was already racing against the cancer that killed him. Now I think it was just pressure of other work—he was prolific. I was at the launch when alcoholic Crowley disciple Gerald Suster, also a Crowley biographer and also now dead, staggered to his feet and began a rambling question with the Crowley greeting “Do what thou wilt shall be the whole of the Law,” to which Booth cordially replied “93!” The crowd had no idea what they were talking about.      

The most serious and culturally informed of the modern biographies, but still enthusiastic and enjoyable. Sutin is particularly good on Crowley’s religious and political aspects, and it reads unmistakably like a book by what a friend of mine would call “a real grown-up,” which isn’t always the case with books on occult subjects. Sutin makes a strong case for Crowley’s importance and larger significance, and the book’s wider perspective can be gauged by the spread of his solid, quality books on other subjects, including Buddhism and Philip K Dick.  

Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.

While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.

I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)

Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference. 

The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!

The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.

But most important of all, this book offers an irresistible mystery that certainly kept me guessing!

While designing and illustrating my own Sun and Moon Tarot, I followed the normal order of letters of the Hebrew alphabet and therefore also their values. And I respected the original Western Hermetic order of the cards on the paths of the Tree of Life and their corresponding Hebrew letters. This system is explained in detail in this book.

Rufus C. Camphausen describes in detail how the numbering of the tarot cards has been changed by different groups of people (Kabbalists, Astrologers, the Hermetic order of the Golden Dawn & Aleister Crowley, A. E. Waite of the Rider Waite Tarot). The same is true with the assignment of the planets and zodiac signs and the assignment of the numbers and the Hebrew letters on the paths of the Sefiroth (Tree of Life in Kabbalah).

Together with Van Leeuwen he also created ‘The Kabbalistic Tarot/Tree-of-life Tarot’. This tarot deck… show more.