100 books like The Fortune Teller

I read this book this month while traveling to the UK Tarot Conference and loved the resonance of tarot cards and people appearing in your life at the right time. Claire McMillian opens up the world of surrealist painter Remedios Varo by way of Pamela’s Smith Tarot cards as markers and guideposts.

I fell down the rabbit hole researching Varo’s artwork after I read it, especially Remedios’ painting of the magician or juggler. Her friend, Leonora Carrington, is also in the book—bringing art, tarot, and love to their immense ambition and their drive to live their life in their art and tarot readings. I loved learning about this post-WWII community of magical women and the art they created across Europe and Mexico.

I had never been to The Cloisters here in Manhattan after many decades of living here, but I read Katy Hays's book, and had to visit it afterward. Hays’ book was a great pre-cursor to the trip to the Museum of Medieval and Early Renaissance Art.

I kept in mind the world of the fictional underdog, Anne Sitwell, who worked her way up to know there were secrets in the vault at the Cloisters. A Tarot Deck, possibly from the d’Este family in Italy, sets the stage for skullduggery while secrets and murders mount, leading to a plot twist at the end for our hapless Anne. It was interesting talking to the docent at the museum after I took a garden tour, and to spot a copy of this book for sale in the gift shop there.

I was intrigued by the magical abilities in the “Hands” of each one of the three protagonists in this book. Tamara uses her hands for tarot readings to tell people’s futures, while Phyllis’s hands have a super-power strength for knife-throwing, and Dev has “Saint’s Hands” have a sort of spidey-sense, helping his work as a police spy.

I was intrigued by Tamara’s tarot readings as part of this crime story, with the weaving in of black people’s stories of trauma, the double-edged sword of passing for white, and Juju assassins. This alternate history is a nebula of magic, criminals, and an exploration of how love heals people.

This book was the 2021 Winner of the World Fantasy Award. It was an unexpected winner, but I can see how Johnson’s gritty writing pulled people in. Trigger warning: if you have nerves about reading about knives as weapons, you may want to… show more.

I love this book; it is my all-time favorite nonfiction resource book for female tarot creators during the Victorian Age. I was totally absorbed reading about the art and artists that Mary Greer selected: Maud Gonne, Moina Bergson Mathers, Annie Horniman and Florence Farr.

These are four women who transformed the face of women in power in the occult and magical societies. I especially dote on a book with photographs and illustrations when talking about a historical topic, and there are fantastic images, many one-of-a-kinds, that are well-researched and noted. If you have any interest in tarot, female Magicians, and the struggles of these amazing Suffragettes and artists, this book is for you. 

I love a story that fills a space on the shelf that no one else has thought to create. Props to Lina Chern for giving this reader Katie True.

From the moment I met Katie, working at a decidedly unglamorous suburban mall shop while wondering why her life is...well, her life (and looking to Tarot cards among other places for answers), I knew this wasn’t another off-the-shelf mystery protagonist.

This book not only serves up a clever plot with offbeat supporting players in a unique yet oh-so-familiar setting; it reveals an everyday struggling young woman as a cool and quirky individual who is just trying to make her life into something meaningful.

I should mention, along the way, she solves a murder, proving her street smarts aren’t to be underestimated.

I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.

The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”

I rarely read YA these days. But the description of a teenage girl searching for her best friend who has gone missing instantly grabbed me. And once I started reading, I couldn’t stop. I had to know what happened to Monday. 

I honestly don’t know if I could have gone through everything Claudia, the main character, did in her search for Monday, which made her such an appealing and sympathetic character. And I felt her anger, frustration, and confusion when no one seemed to care or even notice that Monday was gone. 

This book was an emotional sucker punch that stayed with me long after I was done with it and accurately portrays the reality of how unsafe the world can be for young black girls.

This is possibly a more Lovecraftian selection than a Holmesian one, as the monsters and the unfathomable world of Lovecraft and Cthulhu really dominate thematically. The sinister darkness of Lovecraft really comes through here.

It’s a little heartbreaking to see Holmes in over his head, struggling with non-Euclidian magic, but very well done and a gripping story.

A Japanese ghost story, set in an imaginary, contemporary, Japanese town by a Singaporean first novelist.

I picked this out at Brighton Library because I liked the cover, but Clarissa Goenawan's Rainbirds has survived the goodreads treatment, so hopefully she's a writer to watch (I mean, there will be more of these).

Readers have recalled Haruki Murakami, because it's allegedly Japanese, and a bit off-kilter, but to me this dreamlike narrative seemed fresh and floating: ungrounded, not alienated. I thought of another Japanese writer, Kazuo Ishiguro, & The Buried Giant: a misty, off-kilter take on Arthurian Britain, in which everyone seems either asleep, or else making the journey the dead make to wherever they go, while dreaming the novel's action...

No, I give up, I can't explain the charm, you'd have to try it and see, & yes, those are goldfish, not any kind of birds on the cover, and… show more.

Set in 1930s Singapore, written by one of the island country’s finest writers, this book features a most unlikely protagonist, SuLin, a young local girl hired as a nanny in the British Governor’s household.

Dealing with childhood polio, labeled a ‘bad-luck’ child, SuLin yearns for a life where she can become a journalist of her own standing, not just someone’s wife or mistress. Just like the other feisty women in these other series, she’s beset by challenges, including those of her own making, but she never gives up!

I’ve been a huge fan of Yu’s contemporary Aunty Lee series, set in contemporary Singapore, and I loved this one too. The descriptions of Singapore’s lush tropical landscape, the trees, and the food–especially the food–are too good to pass up.