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I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
Ketchum’s classic survival horror novel about cannibals attacking a cabin of vacationers is pure 80s slasher goodness. It was perhaps the darkest book of its kind for a long time and pulls no punches with the intensity of its chase scenes. Ketchum’s economical writing style makes it a very easy read, one where you will root for the good guys, and be left emotionally drained by the end.
September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River―off season―awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall…
And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface…and that there are no limits at all to the will to survive.
I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
Laymon provides the perfect mix of psychological horror and serial killer madness in this cult novel that is part murder mystery and part survival horror. In Island, a family boat trip to a remote island goes horribly awry when someone starts offing family members one by one. It will leave you shocked and satisfied with its overwhelming tension and disturbing ending.
'If you've missed Laymon, you've missed a treat' Stephen King.
When eight people are shipwrecked on a deserted island they take solace in the fact that at least they have fresh water, food and firewood. Now all they have to do is sit tight until they're rescued. There's just one problem - they're not alone. In the jungle behind the beach, there's a maniac on the loose and he's plotting to kill them all, one by one...
I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
This coming-of-age revenge novel includes brilliant twists, excellent characters, and a villain that is pure evil. It’s bad enough when adults have to fight off sadistic killers, but it’s downright harrowing when children have to do it. Written with all the noir stylings of a Jim Thompson novel but with the darkness of a Clive Barker film, this is a difficult story to experience, but a very rewarding one.
From award-winning author Gary A. Braunbeck comes Prodigal Blues, his first foray into non-supernatural horror.
After he finds himself stranded at a truck stop in Missouri, Mark Sieber gets one of the biggest shocks of his life when he recognizes the face of a little girl on a Missing poster as belonging to the same little girl he saw only a few minutes before. Looking around for some sign of her, he comes back to his table in the restaurant to find the little sitting there, waiting for him.
"I'm sorry, mister," is all she seems capable of saying.
I spent most of my youth playing sports, and so was forced into being a closet reader, only sissies read books. I never watched TV as a kid. I was always buried in a book that transported me somewhere. These were the days when I had to read with a flashlight under the covers until I was caught and told to shut my darn book and go to sleep. This led to a degree in creative writing and a first career stint teaching the subject. Then, after retiring from founding a financial planning company, I started writing and hope I can transport others.
A comment in The Washington Star reads: “No one who reads it will forget it.” That is true. I went through every emotion imaginable from stark horror to utter innocence. The boy, escaping the Holocaust, travels on his own through the Slavic countryside where he discovers the best in people and the horrifying worst. I traveled with him.
Jerzy Kosinski's mythic, master-work of a shattered post-War Europe.
Originally published in 1965, The Painted Bird established Jerzy Kosinski as a major literary figure. Kosinski's story follows a dark-haired, olive-skinned boy, abandoned by his parents during World War II, as he wanders alone from one village to another, sometimes hounded and tortured, only rarely sheltered and cared for. Through the juxtaposition of adolescence and the most brutal of adult experiences, Kosinski sums up a Bosch-like world of harrowing excess where senseless violence and untempered hatred are the norm. Through sparse prose and vivid imagery, Kosinski's novel is a story of…
Hiking in the flower-covered hillsides of Central California as a nature-loving kid, I couldn’t help but wonder about my companions. One of my first purchases (with babysitting money!) was a wildflower guide. I’ve moved around the country many times and every time I’ve had to start over, make new plant acquaintances and discoveries—always an orienting process. Of course, I’ve also studied plants formally, in college and in my career, and (honestly, best of all) via mentors and independent study. All this has shown me that flowers are more than just beautiful! They’re amazingly diverse, and full of fascinating behaviors and quirks. In fact, they are essential parts of the complex habitats we share.
I get emotional every time I consult this book, which in my heart is a classic, never equaled in the world of flower guides before or since its publication back in 1985. Short chapters profile dozens of familiar meadow, forest, and roadside plants, from beloved wildflowers to those we consider weeds. In a confiding, chatty tone, we are introduced to each plant’s history and folklore, uses, habitat, and wild and garden relatives. Then, best of all, with “what you can observe,” the authors take a deeper dive. I learned how daisy-family flowers prevent inbreeding, how milkweed blooms kidnap their pollinators, and how emerging skunk cabbage plants generate enough heat to melt snow in their vicinity.
I’m the USA Today bestselling author of nineteen romances including the He Wanted Me Pregnant! series of short, steamy, standalone reads, several of which feature curvy heroines. I believe there’s room in romance for heroes and heroines of all shapes and sizes and I love to see curvy girls find their one-and-only: someone who loves them exactly the way they are. I like my curvy heroines to be smart, witty, and have depth and I like my romances to be just the right mix of squee-inducing instalove and steamy scenes.
Maybe it’s because I live in a city but I’m a sucker for outdoor settings both in my own books and in those I read. This book by Mia Brody pushes all the right buttons: we’ve got Crew, a prickly but good-hearted muscled lumberjack, and Maggie, a curvy bride who’s running away from a polite-language-can’t-describe-how-horrible-he-is groom. Fortunately, as she hightails it away from the arranged marriage from hell, she spins off the road and winds up stuck in a cabin with Crew in the middle of a snowstorm. It’s sweet, it’s steamy, it moves fast and it’s just the perfect read to snuggle up with when the wind’s howling outside.
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Keith gripped me with his Mountain Man series. If ever there was a reluctant hero who accidentally self-sabotages often, one who is so real and relatable that you can’t help but love him, then Keith’s Gus character is for you. Tackling the zombie apocalypse from the point of view of a regular, everyday man, this series grabs hold and doesn’t let go.
Boomstick.Samurai bat.Motorcycle leather.And the will to live amongst the unliving.Augustus Berry lives a day-to-day existence comprised of waking up, getting drunk, and preparing for the inevitable day when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of a city and scavenging for whatever supplies remain since the demise of civilization, Gus knows that his next visit to undead suburbia could be his last. Not only does he face a corpse-infested urban hell, human scavengers, and unending loneliness, but now a new mystery has risen...The undead are disappearing from the streets.A force…
I’m the USA Today bestselling author of nineteen romances including the He Wanted Me Pregnant! series of short, steamy, standalone reads, several of which feature curvy heroines. I believe there’s room in romance for heroes and heroines of all shapes and sizes and I love to see curvy girls find their one-and-only: someone who loves them exactly the way they are. I like my curvy heroines to be smart, witty, and have depth and I like my romances to be just the right mix of squee-inducing instalove and steamy scenes.
Okay, I admit it, I may have picked this one up because I was curious, as a romance author, to read a romance abouta romance author. Fern Fraser totally delivers and although we have some tried-and-tested tropes here (instalove, young heroine who wants to get her v-card punched, secret billionaire who hides his wealth, then has to come clean), Fern assembles all the ingredients into such a delicious, feel-good pie that it feels fresh. There’s a whole series if you find you like them, but each one stands on its own as a fun, steamy read.
♥ A dare, a lie and a vacation fling that just might lead to a forever kind of love ♥
Emmy
I might be young and idealistic, but I set goals in life. One of which–being a successful romance author–I’m already living. While at a writer’s retreat with my besties, I drink too much Champagne and let my secret slip. I may write about dirty things but have no real life experience. My friend suggests a solution and the smoking hot mountain resort groundskeeper seems like the perfect candidate to help solve my ‘V-card ‘problem.’
I’m a longtime writer and author, who basically learned the craft of writing from over 17 years with the Portland Police Bureau. Some of the best writers are working and retired police officers because, when you write those daily reports or detailed investigativereports, you learn how to write. I've written six books, two of which have been published by Oregon Greystone Press, the Indie Publishing company operated by my wife, Theresa. I graduated from Portland State University in 2017 and was listed in the commencement program as “the oldest PSU graduate” of that year. I was 80. I live in Portland with my wife, Theresa, also a writer and author.
White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.…
In the 19th century West begins the saga of a powerful family.
After mountain man Isaiah Crow arrives in Alta California, he saves a group of people from local bandits.
As luck would have it, they are family and Vaqueros from the rancho of Don Hernando Batista, one of the most powerful families in Southern California - and very anxious to take their new friends to meet the Patron.
After Señor Batista introduces his daughter Francisca to Isaiah, the two soon fall in love. From this union a child - Jedadiah - is born. He will learn not only how…
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Big Sky is a masterpiece of historical fiction and an often-cited classic novel of the American West. It earns this distinction because of its original characterization, its use of historical and geographical accuracy, its thematic depth, and its symbolism. It is set in the mountain man or fur trade era, and it shows the consequences of White men going into the wilderness. This book introduces the idea, in cultural and environmental terms, that in the occupation of the American West, people ruin the thing they love. This book not only makes it to the top of the lists by western writers, but it also is well appreciated by scholars and students in Western American Literature.
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