Fans pick 100 books like The Essential Earthman

The first three books on my list concentrate on building form and space, with little about function.

The ‘pattern language’ is different, mapping human activities onto appropriate built forms, and advocating repeated patterns that have been found to work.

Christopher Alexander wants us to use the patterns in designing responses to situations, but they also help to judge how well-built spaces fit their contexts in analysing architecture.

Although Alexander maps activities onto his own preferred design style, the patterns are not inherently specific to any style or period of architecture.

Despite being written 50 years ago, this one-of-a-kind book is still fresh and relevant.

Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.

For more than half a century the Sunset Western Garden Book was the first and last word for Western gardeners. This compendium established a zonal system specifically for the nuanced West, and provided exhaustive, accurate, updated, and unbiased information, plant by plant, variety by variety, from A to Z. It offered a selection guide for specific situations suited to inland heat and the temperate coast. It provided basic information about planting, pests, soils, pruning, and weeds. I sold hundreds of copies of this indispensable volume to nursery customers. My co-workers did the same. That the sun has set on this essential field guide to gardening in the West is a bitter pill. Our Western gardens are diminished without it.

Most of us who took action on our ache to “get back to the land” gave ourselves over to a rustic bucolia we’d created in our minds. And, yes, as it turned out, it was all of that, the harmony of seasons, the deep peace, the night sky, the quail, and deer. It was other things, too, things we hadn’t reckoned on—isolation, endless labor, and the hourly rate of the well man. Readable and entertaining, Get Your Pitchfork On! eases the urban to rural transition with hard-won practical advice. It will infuse your dream, whatever its scale, with a healthy dose of preparedness to assure its best chance of success. 

I recently met the author at a writing workshop. He was my facilitator—he did an excellent job! What’s more, after the week of reading and critiquing each other’s fictional stories I decided to read this book. Wow! Beautifully written. The stories are sometimes shocking, sometimes sad but always worth the time! I feel lucky to have met this author and have had him help me improve my first novel which I'm completing now. 

It’s not the scariest Stephen King novel I’ve ever read—I’d give that honor to The Shining—but this book remains my all-time favorite.

The story of John Smith, who awakens from a five-year coma with psychic powers that are more curse than blessing, plays to King’s greatest strength as a writer: the ability to create believable characters who you really care about.

The book is also a time capsule of American politics in the 1970s—one that seems newly relevant in the 2024 presidential season.

Julia Henry’s third book in her Garden Squad Mysteries makes my list.

In Digging Up the Remains, Julia Henry brings readers a modern Jessica Fletcher with her character Lilly Jayne. Senior citizen Lilly is roommates with Delia, nearly forty years age difference! Somehow this works exquisitely for both of them. The rest of the characters span in age, but not in ethnicity, although there is small LGBT representation.

The theme of Digging Up the Remains is about secrets. The skeletons are in the closet so to speak.

Due to the contemporary setting this book’s way of showing the status of the journalism business is accurate. Now the world favors unsubstantiated, high-traffic live feeds of the “average” citizen hoping to get 15 minutes of fame and go viral. 

This extraordinary book (bilingual in English and Spanish, with excerpts in the Mayan language K’iche’) tells the true story of Don Margarito Esteban Álvarez Velázquez, a Maya farmer who planted trees instead of clearing land for corn and beans.

His vision and foresight came partly from his relationship with the village holy man, who taught him reverence for nature and ways to use native plants for food and medicine.

In creating and defending his forests, Don Margarito was ahead of his time in preventing erosion and preserving the soil for generations to come, even as his village was ravaged by government forces in the long-lasting genocide of indigenous peoples during the second half of the twentieth century. (This part of the story is treated very briefly and sensitively for younger readers.) 

Allison Havens’s bright collage illustrations incorporate drawings made by children from the present-day Central Guatemalan village where Don Margarito… show more.

This book is colourful, joyful, and deliciously diverse. The simple rhyme is rollicking but not too sweet, the illustrations are bright and playful, with plenty of fun detail. I love the mixture of people (all ages and colours and abilities) at work in the community garden, and how there is room for different ways of doing things (some plots are neat and proper while others are messy and wild). Best of all is how the story ends with everyone sitting down together to enjoy a garden-grown feast. Community, humour, hospitality, gratitude, and care for the earth—this little story is a cornucopia of good things. 

Author John Forti’s book combines personal essays and gardening info on traditional/ heirloom plants. He encourages readers to slow down and reconnect with the land (he’s one of the founders of the Slow Food movement) and learn or re-learn sustainable, traditional gardening skills. He describes herbs like angelica, pre-industrial agricultural practices (I wish I had goats, so they could eat all the poison ivy around my house), and much more. I enjoyed the beautiful woodblock print images throughout the book. They help remind me that I don’t have to depend on all the modern “stuff,” like technology, chemicals, and modern hybrids, to have a successful and satisfying garden.