Here are 100 books that A Pattern Language fans have personally recommended if you like
A Pattern Language.
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I'm an experimental social psychologist and Scientia Professor at the University of New South Wales, Sydney. I grew up in Hungary, and after an adventurous escape I ended up in Sydney. I received my DPhil and DSc degrees from the University of Oxford, and I spent various periods working at Oxford, Stanford, Heidelberg, and Giessen. For my work I received the Order of Australia, as well as the Distinguished Scientific Contribution Award, the Alexander von Humboldt Prize, and a Rockefeller Fellowship. As somebody who experienced totalitarian communism firsthand, I am very interested in the reasons for the recent spread of totalitarian, tribal ideologies, potentially undermining Western liberalism, undoubtedly the most successful civilization in human history.
This is one of the best books I have read that helps to understand the reasons behind the fascinating and unpredictable rise of Western liberal civilization.
Humans lived in abysmal conditions for tens of thousands of years, poor, wretched, exposed to violence, war, illness, and untimely death for most of our evolutionary history. The emergence of Western liberal civilization is truly an amazing break with our miserable past. How did this happen?
The authors argue that there is a very precarious path to be followed between totalitarian and imposed order, and chaotic individualism, and Western civilization happened to find almost by chance that delicate balance as a result of a combination of historical, ideological, and other circumstances.
"Why is it so difficult to develop and sustain liberal democracy? The best recent work on this subject comes from a remarkable pair of scholars, Daron Acemoglu and James A. Robinson. In their latest book, The Narrow Corridor, they have answered this question with great insight." -Fareed Zakaria, The Washington Post
From the authors of the international bestseller Why Nations Fail, a crucial new big-picture framework that answers the question of how liberty flourishes in some states but falls to authoritarianism or anarchy in others--and explains how it can continue to thrive despite new threats.
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
The book that propelled the fight against modernist city planning–think urban renewal or interstate highways–is still a thrill to read 62 years after its publication.
Generating most of her insights by walking the city streets and living in Greenwich Village, Jacobs shows how dense neighborhoods with diverse land uses generate valuable "weak ties" while avoiding the suffocating conformity of small towns.
Jacobs did not just talk the talk; she walked the walk–getting arrested for protesting Robert Moses’ plan to slice a highway through lower Manhattan. Embraced by both libertarians and progressive new urbanists, Jacobs still generates controversy, but you can feel her love for urban neighborhoods on every page.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
For me, art is a journey of relentless questioning, exploring, and introspection. As an artist, author, and educator, I have relied on each book in this collection to further my creative journey. The titles that I've selected offer unique perspectives on the transformative power of art and have had the biggest effect on my students, my peers, and my own artistic growth. I believe that art is a language that is and should be for everyone, providing a conduit for individual expression, problem-solving, and innovation. Each of these titles has offered pivotal "aha" moments while igniting my passion, and I hope they allow you to unlock your creative potential.
This one may surprise you, but I assure you that Understanding Comics is an absolute gem!
McCloud has crafted an intellectual yet accessible guide that is not just a study of comics but a masterclass in communication and the art of storytelling. This book provides a rich fusion of insightful theory and practical advice, all conveyed through the very medium it discusses, making it a uniquely immersive experience.
McCloud’s engaging style and profound understanding of the mechanics of comics didn't just educate me; they enchanted me. His deep dives into the psychology behind why we connect with comics pair perfectly with his diegetic examples of framing, composition, and visual motivation. It’s a journey through the mechanics of comics that turns into a deeper exploration of visual expression and human perception.
Art is, in essence, a storytelling medium, making this book as invaluable for artists and writers as it is for…
The bestselling international classic on storytelling and visual communication "You must read this book." - Neil Gaiman Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
I was initially drawn to economics as a way to understand and address global problems of poverty and hunger, like those I saw in Africa with the Peace Corps and later as a researcher. As my interests broadened toward environmental and other social problems, again I found that economics provides valuable insights about their causes and possible solutions. Economics is unfortunately often misunderstood and defined too narrowly: but as a social science, it encompasses a broad framework to comprehend individuals, families, cities, nations. It encompasses philosophical thought, normative questions, and intangibles like humans’ desire for respect. After decades as an economics professor I still find its insights fascinating and powerful.
In this slim book, Ken Arrow – Nobel laureate and “one of the transcendent minds in the history of economics” – reveals with extraordinary clarity many essential truths about how the world works and why.
The first of these four essays is among the most eloquent and succinct statement about the core conflicts humanity faces: between the individual and society, between freedoms and collective obligation, between compromise and commitment.
Given that context, Arrow builds a framework for understanding the nature of organizations: their purposes, processes, and the central role of information. The clarity with which Arrow has developed this economics of information – an asset intangible and unmeasurable – reveals his genius.
The inquiry closes by considering the role of authority and responsibility; but throughout there are gems of insights in nearly every paragraph.
The tension between what we wish for and what we can get, between values and opportunities, exists even at the purely individual level. A hermit on a mountain may value warm clothing and yet be hard-pressed to make it from the leaves, bark, or skins he can find. But when many people are competing with each other for satisfaction of their wants, learning how to exploit what is available becomes more difficult. In this volume, Nobel Laureate Kenneth J. Arrow analyzes why - and how - human beings organize their common lives to overcome the basic economic problem: the allocation…
I’m a professor at The University of Michigan, external faculty at The Santa Fe Institute, and an editor of Collective Intelligence. As a theorist, I build mathematical and computational models and frameworks. My research explores the functional contributions of diversity – different ways of thinking and seeing – on group performance, a topic I explore in my book The Difference. Recently, I’ve become interested in how to build ensembles of markets, democracies, hierarchies, self-organized communities, or algorithms so that societies prosper. That agenda drives the books I have chosen for this list.
This book challenges the notion that we should rely on the ideal as a guidepost. Set aside whether we could decide on an ideal; Gaus, a philosopher, makes a four-part argument against pursuing it. First, how could we contemplate the incomprehensible number of possible institutional, legal, and organizational configurations? We couldn’t. Second, the components of those configurations interact, resulting in a rugged landscape: the path to the ideal would not be entirely uphill, that is, it would require sacrifices. Hence, the book’s title. Third, owing to the interactions among choices, we cannot evaluate collective well-being in alternative configurations with any accuracy. What hubris to assume that we could. And finally, the landscape responds to our positioning, as we adapt our physical, organizational, and institutional (both formal and invisible) environments, we alter what we can achieve and what we desire.
In his provocative new book, The Tyranny of the Ideal, Gerald Gaus lays out a vision for how we should theorize about justice in a diverse society. Gaus shows how free and equal people, faced with intractable struggles and irreconcilable conflicts, might share a common moral life shaped by a just framework. He argues that if we are to take diversity seriously and if moral inquiry is sincere about shaping the world, then the pursuit of idealized and perfect theories of justice-essentially, the entire production of theories of justice that has dominated political philosophy for the past forty years-needs to…
In my 30 years as a writer I’ve learned it’s not enough to simply deliver information; it has to be done in an entertaining, engaging, and inspiring way. I’ve been fascinated in how the world “works” all my life. As a kid I dismantled the family lawn mower (failing to get it re-mantled.) After teaching for two years I turned to general contracting where it was imperative to know how things “worked.” As an editor with Readers’ Digest and Family Handyman magazine, I wrote the “How A House Works” column and headed up the DIY books division, teaching others how the world works. For the last 15 years I’ve been focused on books that explore the world around us.
Ascher takes us on a delightful tour of New York City, teaching us about the inner workings of one of the world’s most complex cities. In doing so, she gives us clues as to how our own cities work. Using words, statistics, history, and illustrations, Ascher makes the complex seem simple, From sewage to stoplights to subways she leaves no stone unturned. Fact to ponder: For years NYC shipped its garbage to a landfill in Texas, nearly 2,000 miles away.
A fascinating guided tour of the ways things work in a modern city
“It's a rare person who won't find something of interest in The Works, whether it's an explanation of how a street-sweeper works or the view of what's down a manhole.” —New York Post
Have you ever wondered how the water in your faucet gets there? Where your garbage goes? What the pipes under city streets do? How bananas from Ecuador get to your local market? Why radiators in apartment buildings clang? Using New York City as its point of reference, The Works takes readers down manholes and…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
Read away, but the best way to understand cities is to go out and see them for yourself! This fun-to-read book is an excellent ‘travel guide’ for seeing all the different elements of cities that surround us on our everyday walks. From bollards and street lamps to entire street grids, cellphone systems, and even the names of the places we live and visit—all these parts and dimensions of our cities are the result of conscious decisions and debates. The authors vividly describe the back story of many urban objects and systems we often just take for granted, and they provide a plethora of great illustrations to show you what they mean. Trust me, after reading this book you’ll never see cities the same way.
Out now: The most entertaining and fascinating book about architecture and design, from the wildly popular podcast 99% Invisible. __________
A New York Times Bestseller
'Full of surprises and quirky information . . . a fascinating journey through the over-familiar.' - Financial Times, Best Books of 2020
'[A] diverse and enlightening book . . . The 99% Invisible City is altogether fresh and imaginative when it comes to thinking about urban spaces.' -The New York Times Book Review
'A delightful book about the under-appreciated wonders of good design' - Tim Harford, bestselling author of The Undercover Economist and Fifty…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Home discusses the complex series of factors that have generated the house as we understand it today. The chapters can be read independently as discussions on, for example, the evolution of comfort or the organisation of the different spaces. However, the book also builds into a fascinating argument for revisiting some of the pre-modern ideas of communal living, shared spaces, and live-work relationships.
Walk through five centuries of homes both great and small from the smoke-filled manor halls of the Middle Ages to today's Ralph Lauren-designed environments on a house tour like no other, one that delightfully explicates the very idea of "home."
You'll see how social and cultural changes influenced styles of decoration and furnishing, learn the connection between wall-hung religious tapestries and wall-to-wall carpeting, discover how some of our most welcome luxuries were born of architectural necessity, and much more. Most of all, Home opens a rare window into our private lives and how we really want to live.
I'm an architect, professor, and director of the School of Architecture at the University of North Carolina at Charlotte. Throughout my career, I've sought to empower people to improve the designed environment through better knowledge of materials. I've written nine books and many articles on emerging materials, sustainable building technologies, and Japanese architecture and design. Having lived in Japan several times, I also appreciate the importance of developing an expanded worldview of material practices.
Global socioeconomic diversity is an important yet abstract concept, but this book offers tangible evidence.
Household material wealth varies significantly worldwide in both quantity and quality. To reveal this diverse range, sixteen photographers visited thirty countries and lived briefly with families considered statistically average for their nation.
In the book, each family stands before their abode with all their household possessions. Suffice it to say that contrasts abound.
Called “Fascinating! An incredible book” by Oprah Winfrey, this beloved photography collection vividly portrays the look and feel of the human condition everywhere on Earth.
In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions; a few jars and jugs for some, an explosion of electronic gadgetry for others.
California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
For years Henry Mitchell wrote for The Washington Post about the agony and the ecstasy of gardening and, consequently, everything else. This classic is laced with pith, wit, gems, and instruction throughout. No one does it better or funnier. The easiest path is to quote the man himself: “Shasta daisies are far more agreeable and lovely than one thinks they are going to be.”
"The most soul-satisfying gardening book in years." -New York Times (March 1982, reviewing the 1981 cloth edition from IU Press).
"Genuinely a classic . . ." -Los Angeles Times (on the occasion of Houghton Mifflin's paperback edition, which came out in 1994).
"Is there anyone alive with the slightest interest in gardening who doesn't know that Henry Mitchell is one of the funniest and most truthful garden columnists we've got?" -Allen Lacy
"Mitchell is a joy to read. He has tried and failed, persevered and triumphed, and he has many sound recommendations for us fumblers and failures." -Celestine Sibley, in…
