Here are 74 books that The Devil in Texas/El Diablo En Texas fans have personally recommended if you like
The Devil in Texas/El Diablo En Texas.
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Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Sallyis the moving account of the true story of a captive Indian girl who lived in the house of Brigham Young as a servant and cook, a “wild” woman who had been “tamed” by her civilized captors. When she had almost forgotten her own language Sally was sent off to a Mormon village as the wife of a Pahvant Ute chief in order to “civilize” the local surrounding Indians. Sally’s story asks us what these seemingly simple words “wild” and “tame” really mean, and to think about what they can hide.
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young's family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a 'wild' woman made 'tame' who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
In 1912 a posse made up of cowboys and state police caught up with an Indian family on the run and massacred almost all of them. Murderous Indians, vengeful whites: a simple Western story that when told through the multiple points of view of its participants, the sheriff who couldn’t intercept the posse in time, the son of a murdered Basque rancher, and, most poignantly, Shoshone Mike’s adolescent daughter, has the elements of a Greek tragedy.
In 1911 a posse chased an itinerant Shoshone family across 200 hundred miles of Nevada desert and slaughtered them. Shoshone Mike re-creates this final chapter in the Old West through the eyes of an anachronistic sheriff.
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
Gloria Anzaldúa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.
The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.
She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.
Each of these is a “borderland” to be navigated and negotiated, and each of these borders is rich with insight, life, laughter, tears, violence, and love. The last 100 pages of the book is titled “Un Agitado Viento/ Ehécatl, The Wind.” It…
"The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country--a border culture."--Gloria Anzaldúa
Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in BORDERLANDS/LA FRONTERA: THE NEW MESTIZA profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but…
I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.
The Time It Never Rained tells the grim battle between ranchers and drought in 1950s western Texas.
I grew up on a small Minnesota farm and remember my father’s struggle to keep the farm going, but at least he never faced a seven-year drought. A stubborn rancher who reminded me of my father, refuses to give in or ask for help.
I especially liked the secondary story of illegal immigrants, attitudes of ranchers toward the Feds tasked with arresting and deporting them, and the government programs that backfired in the end. It’s an excellent read that left me thankful for every drop of rain and blade of green grass. Its lessons of racism and kindness are pertinent to today’s world.
In the 1950s, West Texas suffered the longest drought in the memory of most men then living. By that time, Charlie Flagg, the central character of this novel, was one of a dying breed of men who wrested their living from the harsh land of West Texas. The struggle made them fiercely independent, a trait personified in Charlie’s persistence throughout the seven dry years, his refusal to accept defeat, his opposition to federal aid programs and their inevitable bureaucratic regulations, his determination to stay on the land he loves and respects even as he suffers with that land. Charlie is…
I’ve spent my life recreating myself as many times as Madonna. If things aren’t working, I move on to something new. I’ll go to classes, learn something else, change careers, and struggle the whole way as I look for pieces of life that fit the puzzle of me. It takes me a lot longer to read so when I try to diversify my bookshelf and don’t always stick to my genre (as the professionals tell an author to do). What I “stick to” is finding female characters who struggle and want to give up, but somehow, something deep inside them makes them move forward one step at a time.
The China Bayles series by Susan Wittig-Albert introduced me to characters who are brave without being superpowered.
China Bayles is a female protagonist who is strong-willed and intelligent. The stories about her never emphasize her looks other than describing things that would be overlooked on television.
She’s left her job as a Texas attorney and runs an herb shop (it expands in later books). She’s more likely to have dirt under her nails and sneakers on her feet rather than a fresh mani-pedi with stilettos for superhero-style espionage.
China is surrounded by a tight group of loved ones. These are characters that go through troubles. They support each other. The series gives middle-aged people something to embrace when typical pop culture never lets anyone age.
After reading some China Bayles stories, I noticed myself doing new things like planting small porch pots of pansies and herbs. With small steps come…
Nominated for both an Agatha and an Anthony Award, Susan Wittig Albert's novels featuring ex-lawyer and herb-shop proprietor China Bayles have won acclaim for their rich characterization and witty, suspenseful stories of crime and passion in small-town Texas.
Now, when China's friend Jo dies of an apparent suicide, China looks behind the quaint facade of Pecan Springs and takes a suspicious look at everyone. And though she finds lots of friendly faces, China is sure that one of them hides the heart of a killer.
I’m just a guy, a normal guy who enjoys thinking and writing about things that can nudge humanity along towards peace. If everybody thought just a little bit about it, we’d have it.
I love this story! It’s a wonderful romp through the lives of the characters, characters who are like everyday people that we could know.
It’s at once bizarre yet relatable, imaginative yet real, and just all-around fantastic. This is a story that I thoroughly enjoyed reading the first time and one that I would read again.
This is one of McMurtry's most memorable novels - the basis for the film of the same name. Set in a small, dusty Texas town, it introduces Jacy, Duane and Sonny, teenagers stumbling towards adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
This coverage of the crime wave of the Overton gang who burgled, pimped, and committed various crimes up and down I-35 is nonfiction, but hard to believe at times.
The story paints vivid time in Austin with a supporting cast of colorful lawyers, madams, and even UT Tower sniper Charles Whitman. Jesse Sublett, author, musician, painter, journalist, and photographer is basically as close as Austin has to royalty and portrays the events in a rock n’ roll style.
I’d also recommend Jesse’s fiction series staring bass player and skip tracer Martin Fender.
Timmy Overton of Austin and Jerry Ray James of Odessa were football stars who traded athletics for lives of crime. The original rebels without causes, nihilists with Cadillacs and Elvis hair, the Overton gang and their associates formed a ragtag white trash mafia that bedazzled Austin law enforcement for most of the 1960s. Tied into a loose network of crooked lawyers, pimps and used car dealers who became known as the "traveling criminals," they burglarized banks and ran smuggling and prostitution rings all over Texas. Author Jesse Sublett presents a detailed account of these Austin miscreants, who rose to folk…
I'm a contemporary romance writer who does some series in paranormal romance and some in romantic suspense. I know lots of romance is about the fantasy and I write to that, but I want each of my romances to have you walking away believing in real-life love, too. I want heroes and heroines who could walk right off the page! I want to acknowledge smart women finding men who love a snappy comeback and a sharp brain. My favorite stories come together when our heroine is the only one who could solve this crime or mystery. I was first invited to write RS in the Dark Falls series and I shockingly won a Maggie for my first book. I loved the genre so much that I went on to build a whole series of my own!
Kleypas is better known for her historical fiction, but her contemporary series knocks it out of the park. There’s never been a better enemies to lovers pair than Gabe and Liberty. This book also has wrong side of the tracks vibes as well as rags-to-riches gold. Their reasons for hating each other are sound—not the kind of ridiculous drivel we sometimes get served. Secrets abound, and when these two finally feel like they’re finding their footing, Liberty’s first love comes back… and then it really heats up! Sugar Daddy isn’t what you expect when you open the book, it’s so much better!
Two men. One woman. A choice that can make her or break her. A love story you'll never forget.
Liberty Jones fell in love with Hardy Cates when she was just fourteen-and-three-quarters. But at seventeen, the ambitious Hardy craves a life bigger and better than their parochial hometown of Welcome, Texas, can offer. While he's fond of Liberty and feels a responsibility to protect her, her crush is a complication he doesn't need.
Yet something continues to draws Hardy and Liberty to each other, especially when she blossoms into a proper beauty. So when he chooses to follow his head…
