100 books like The Deadly Mystery of the Missing Diamonds

Not only am I a cyberpunk writer, I’m officially a Doctor of Cyberpunk. My Ph.D. thesis, The Dark Century: 1946–2046, looked at hardboiled fiction, film noir, and tech-noir (AKA cyberpunk) traditions across the past, the present, and an imagined future. It was a radical break from my previous career as an aid worker, where I ran poverty alleviation programs throughout Southeast Asia. And yet, I’ve drawn on that experience in my prose, using the experience of the cultures that I lived and worked in to breathe life into the settings for my short stories and novels. 

I’m a window-seat person. If I’m on a trip, I want to see much more than the device propelling me forward. In crime books, the vehicle is always the crime, but I want that felonious little engine to also propel me through realms where I become more explorer than passenger, where I’ve entered marvelous and unexpected worlds that become characters in themselves. It almost doesn’t matter what that world is, whether it’s 19th-century Chicago architecture, bitcoin cartels or octopus linguistics. As long as it’s well-researched and rendered with depth, precision, and passion, your ticket to a crime gets you at least two books, or even genres, for one!

I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other. 

I have always been a storyteller and I’m fascinated by the use of language and how a story can be told well. I’ve used storytelling as an entrepreneur, executive, and management consultant, and my two business books for enlightened entrepreneurship use real-life stories to make the messages and lessons learned more memorable. Fictional versions of those stories were wandering through my imagination to make them more fun to read (and to write) for about fifteen years before they emerged in the Dale Hunter crime thriller series to show that entrepreneurs are not all evil, selfish monsters; sometimes they’re the hero!     

I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.

I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.

I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books like Never Sleep I even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense. I love fantasy and science fiction as the next person, but the idea of transporting people to times and places that actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author. 

I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experiments and the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.

I have a sophisticated education, including a Ph.D. in History from the University of Massachusetts. I have had a career, if that’s precisely the word, in the music business as the publicist for the Grateful Dead. I spent ten years researching what became On Highway 61. I have been a close observer of America’s racial politics at least since 1962, when the head of the Hollywood NAACP, James Tolbert, and his family, moved in next door to my family’s home in the white working-class neighborhood of Pacoima in the San Fernando Valley. Mr. Tolbert instructed me in music among other things, and I’ve been studying ever since.

I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.