51 books like A Gambling Man

Dashiell Hammett, more than any other author, created the hardboiled anti-hero. He’s also a damn fine prose writer. I re-read one of his books every year because of this, hoping perhaps to absorb his spare, elegant style. Each sentence is brutally trimmed of any excess and yet resonates with layered meaning. 

Dashiell Hammett himself was a broken hero. He fought in two World Wars for his country and yet was sent to jail by the committee for un-American activities for refusing to name names. He was a communist, who yet, as a young man, worked for the fascist, union-busting Pinkertons.

A complex, troubled individual who created dark and cynical worlds, and none more cynical than that of The Maltese Falcon. Here, we have a femme fatale, a hardboiled detective, gangsters, and conmen, all vying for the titular prize. It is a mean-streets masterpiece. 

This was a transformative read for me, taking me so deep into the world of turn of the century New York City that it felt like Carr was introducing me to new possibilities as a writer.

Carr is a historian as well as a novelist, and many of the landmarks, neighborhoods, and streets in this book took on a deeper meaning for me afterward. The crime narrative, which takes place during a pivotal moment in the evolution of modern criminology, is so propulsive and fascinating that I was holding my breath through some of the wonderfully spooky scenes.

I devoured this book with as much pleasure as his characters took in the scenes where they dine at Delmonico’s.

Disfigured and jobless after a fire, Timothy Wilde takes a job with the newly formed NYPD. He is assigned to the Sixth Ward, right on the border of the Five Points, a ward notorious for the desperately poor who live there and the rampant crime. One night he finds a young girl running through the street in a nightgown soaked with blood. She tells an unbelievable story of bodies buried in a nearby woods. Wilde investigates and soon finds himself a target of the city’s wealthy, several of whom are guilty of the most heinous of crimes but feel entitled to escape any accountability. Written in the slang of the times, it reads with the immediacy and plausibility of a memoir. I loved this book because it treats such serious issues: income inequality and the lack of accountability for the rich and powerful—even when engaged in child prostitution and murder.

This is a fun-filled mystery set in 1920s London. Cozies are not usually my thing, but I recently gave this a go as I am also writing a series in that exact time period and thought I’d see how Kinsey set about it. The historical beautifully captures the exuberance of the time period after World War I. Women have emerged from behind closed doors to interact on equal status as men, jazz music parades the pages with wild abandon, and the slang of the characters is spot on. The twists, turns, and action are blended in with the rich description to make this a delightful read.  

I was introduced to Ian Hamilton’s Ava Lee Novels when I was looking for a successful Canadian writer of “business fiction.” We never call it that, of course, it has to be written as an action-adventure, thriller, mystery, suspense novel, and Hamilton meets those criteria with Ava Lee as a tough-as-nails, lesbian Chinese-Canadian forensic accountant tracking down money stolen from business clients.

Her connections and family investments lead her to Hong Kong and Macau for a settling of accounts with local organized crime and Ava Lee knows that violence is the only negotiating tactic they understand.           

This book is the best model for me of what I wanted to write with my own Dale Hunter crime thriller series: a scientist, entrepreneur, or professional as the hero, not a private detective or law enforcement officer, and it’s set in Montreal with all the unique characteristics of that fascinating, multicultural historic city, including the bilingual dialogue unique to Montrealers that Reichs manages to untangle for readers to follow easily.

In addition, she tells the terrifying story of a forensic anthropologist helping to track down a serial killer who finds herself to be the next targeted victim. Déjà Dead is the novel that launched Tempe Brennan novels and the award-winning Bones TV series.      

Linwood Barclay is a fellow Canadian crime writer who imagines terrifying scenarios and takes stories through startling twists and turns of non-stop tension and suspense better than most.

Stephen King is a big fan of his writing in the style of horrifying domestic thrillers. In The Accident, we meet the humble hard-working neighbour with an eight-year-old daughter who discovers his wife killed in a car accident. The police claim she was the drunk driver who was responsible for it.

Garber has to believe the evidence but starts to explore what really happened and learns that his friends and neighbours are involved with dangerous criminals who are prepared to kill to protect their illegal activities. 

A gifted storyteller and USA Today bestselling author, Rick Mofina is a master of the thriller page-turner that starts with a family-friendly story and quickly accelerates through terrifying discoveries of the killer in the house, or next door, or rising from the character’s haunted past.

In Her Last Goodbye, we have the husband waking from some regrettable misbehavior and finding that his wife has not come home from her book club the previous night. He cannot answer his son’s question, “Where’s Mommy?” nor explain that he is the main suspect in his wife’s disappearance.

The mystery may never be explained either and a happy ending seems even more unlikely as he digs into the untold stories of their dark past.    

Another writer-hero, Anthony Horowitz writes as himself in this page-turning whodunit. Well-known for his television work on Midsomer Murders, Poirot, and Foyle’s War, Horowitz knows how to craft a mystery. When ex-cop turned private investigator Nathaniel Hawthorne approaches Horowitz about ghostwriting a book about his cases, Horowitz isn’t interested. Annoying and eccentric, Hawthorne isn’t someone Horowitz wants to be around, let alone write about. But when a famous actor’s wealthy mother is murdered six hours after planning her own funeral, Horowitz gets pulled into the investigation anyway. Though very much a Sherlock Holmes and Watson relationship, Hawthorne and Horowitz are more adversarial, making them an entertaining team. You want them to be friends, but then again, you don’t. The word isn’t just murder, but funny, engaging, and endearing, too.  

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.