Here are 100 books that The Big Rewind fans have personally recommended if you like
The Big Rewind.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.
“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times
The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia
Harlem, 1926. Young Black women like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
Bad things happen to good people every day, and it seems unfair. I’ve lost friends to cancer, heart disease, and accidents, and I always wonder why it had to be someone who was decent and good and kind. At the same time, other people get away with all sorts of crimes, including murder. I can’t change the way the world works. So, in my own books and the books I like to read, the good guys might have some tough times, but in the end, they win. And the bad guys get what they deserve.
I love learning how people lived in other times via historical fiction, and Cadfael, a Benedictine monk who practiced healing arts in England in the 1100s, is one of my favorite characters.
I like hearing his opinions about the civil war that raged at that time and the church’s role in it. I like the fact that he’s a bit of a maverick who pushes beyond the bounds of his role as a monk to solve mysteries.
In the gentle Shrewsbury spring of 1140 the midnight matins at the Benedictine abbey suddenly reverberates with an unholy sound - a hunt in full cry. Pursued by a drunken mob, the quarry is running for its life. When the frantic creature bursts into the nave to claim sanctuary, Brother Cadfael finds himself fighting off armed townsmen to save a terrified young man. Accused of robbery and murder is Liliwin, a wandering minstrel who performed at the wedding of the local goldsmith's son. But his supposed victim, the miserly craftsman, is still alive, although a strongbox lies empty. Brother Cadfael…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Not a traditional Whodunnit, this queer, YA retelling of Shakespeare’sJulius Caesarleaves the reader wondering what happened to class alpha-lesbian, Jude Cuthbert, when she goes missing under mysterious circumstances. Set just after the 2016 election, this brilliant satire pulls apart the thoughts of each conspirator – Brutus becomes Bronwyn; Cassius, Cass; and Portia is gender-flipped to Bronwyn’s boyfriend, Porter – as well as Jude/Julius’s own perspective on her fall from power.
In this queer YA retelling of Shakespeare’s Julius Caesar,stakes at Augustus Magnet School are cutthroat, scheming is creative, and loyalty is ever-changing.
Overnight, Bronwyn St. James goes from junior class queen to daughter of an imprisoned felon, and she lands in the care of her aunt and younger cousin Cass, a competitive cheerleader who Bronwyn barely knows. Life gets worse when her ex-best friend, the always-cool Jude Cuthbert, ostracizes Bronwyn from the queer social elite for dating a boy, Porter Kendrick.
Bronwyn and Jude are both running for student body president, and that means war. But after Bronwyn, Porter, and…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
Lyndsay has strong ties with her family and, in the opening book of this series, I loved how all three generations, including her feisty grandmother, pitch in to help Lyndsay realize her dream of opening a Caribbean bakery and café in her local Brooklyn neighborhood.
And when a rival business owner is murdered, Lyndsay needs all the support she can get as the spotlight shines on her as a potential suspect. Despite any danger involved, she begins her own investigation. Things become further complicated when one of the detectives on the case turns out to be her high-school crush from the past.
With lots of determination, a warm heart, and an appreciation for what is important in life, I cheered her on right through the last page.
Little Caribbean, Brooklyn, New York: Lyndsay Murray is opening Spice Isle Bakery with her family, and it's everything she's ever wanted. The West Indian bakery is her way to give back to the community she loves, stay connected to her Grenadian roots, and work side-by-side with her family. The only thing getting a rise out of Lyndsay is Claudio Fabrizi, a disgruntled fellow bakery owner who does not want any competition. On opening day, he comes into the bakery threatening to shut them down. Fed up, Lyndsay takes him to task in front of what seems to be the whole…
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
I have been a mystery reader my entire life, starting with the Hardy Boys series as a child and then progressing to authors like Agatha Christie, Sir Arthur Conan Doyle, Chester Himes, Ellery Queen, Dashiell Hammett, Raymond Chandler, and many, many others. I love trying to figure out the crime or mystery before the reveal, but usually don’t. And, I have always truly enjoyed mystery books which have humor and quirky characters in them. More recently, I have become an award-winning mystery novelist myself, having published both a historical fiction mystery series and stories set in contemporary times in an ongoing anthology series that combines murder, mystery, and music.
Robert B. Parker’s Spenser for Hire is among my very favorite mystery novels.
I love the characters, humor, and crimes to be solved in them – but Double Play is not a Spenser book. So why did I choose it? It’s simply because it’s one of the most fascinating historical fiction mysteries I’ve ever read.
I’m a baseball fan and this book which postulates what might have happened to Jackie Robinson in 1947 when he broke in the major leagues told from the perspective of him and his bodyguard (and with gangsters involved) is just outstanding hard-boiled crime noir.
It is 1947, the year Jackie Robinson breaks major-league baseball's colour barrier by playing for the Brooklyn Dodgers - and changes the world. This is the story of that season, as told through the eyes of a difficult, brooding, and wounded man named Joseph Burke. Burke, a veteran of World War II and a survivor of Guadalcanal, is hired by Brooklyn Dodgers manager Branch Rickey to guard Robinson. While Burke shadows Robinson, a man of tremendous strength and character suddenly thrust into the media spotlight, the bodyguard must also face some hard truths of his own, in a world where…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Just to get this out of the way: Adam is one of my closest friends. We both started our second novels New Year’s week of 2014 on a trip we took for the explicit purpose of starting new novels. I spent the next ten years trying to write my book, but Adam finished Sensation Machines in a more reasonable time frame. It was published in the summer of 2020, a basically impossible time to promote a book because we were all in lockdown. (Yes, I know, it wasn’t the worst thing that happened that summer, but still.)
It is a marriage story, a murder mystery, a cultural satire, a tech farce, and a reckoning with all the lessons we failed to learn from the last financial crisis. And it’s a great Brooklyn novel, in the tradition of Zadie Smith’s The Autograph Man (also a second novel!) and Jonathan Lethem’s The…
A razor-sharp, darkly funny, and deeply human rendering of a Post-Trump America in economic free fall
Michael and Wendy Mixner are a Brooklyn-based couple whose marriage is failing in the wake of a personal tragedy. Michael, a Wall Street trader, is meanwhile keeping a secret: he lost the couple’s life savings when a tanking economy caused a major market crash. And Wendy, a digital marketing strategist, has been hired onto a data-mining project of epic scale, whose mysterious creator has ambitions to solve a national crisis of mass unemployment and reshape America’s social and political landscapes. When Michael’s best friend…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Displaying the decaying carcass of post-war South Brooklyn, Hubert Selby Jr. mines a grim industrial wasteland, as bleak as his beleaguered characters imploding across six short stories, each prefaced by a Biblical passage.
A gang mauls a group of soldiers on leave. A transgender woman, abused by a homophobic brother, rejected by a drug dealer, overdoses. Facing a shotgun wedding, a young man abandons his pregnant girlfriend. A sex worker is gang raped to death. A corrupt, closeted union steward is severely beaten after sexually assaulting a boy.
This 1950s South Brooklyn, when the Brooklyn Army Terminal complex and waterfront docks were infested by racketeers and thugs, comes to brutal life because of Selby’s crude prose. That grammar-be-damned style vividly captures Brooklyn life on the docks, factories, and warehouses, as well as its diners, dive bars, and union locals.
Last Exit to Brooklyn remains undiminished in its awesome power and magnitude as the novel that first showed us the fierce, primal rage seething in America’s cities. Selby brings out the dope addicts, hoodlums, prostitutes, workers, and thieves brawling in the back alleys of Brooklyn. This explosive best-seller has come to be regarded as a classic of modern American writing.
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
I loved graphic novels even before I became an author/illustrator. But because I create for young readers, I also read a lot of graphic novels aimed at them. I am also a big believer that books with female protagonists are important for all readers: male, female, and non-binary. All of the books I’ve recommended are books I plucked off my own bookshelf, and that I’ve read several times and I think are exceptional in some way.
One night, eleven-year-old Effie (a recent orphan) is dropped off at her aunts’ house.
She doesn’t really want to be there until she discovers that her aunts are witches and she may be one too! This female-driven graphic novel is full of colorful characters who help Effie find the magic within herself.
Graphic novels tell half the story through the art and Witches of Brooklyn beautifully rendered with lines that communicate energy and grace.
There's a new witch in town! Life in Brooklyn takes a strange turn when Effie discovers MAGIC runs in the family.
A middle-grade graphic novel adventure filled with magical hjinks for fans of Phoebe and Her Unicorn and Making Friends.
Could there really be witches in Brooklyn?!
Effie's aunts are weird. Like, really WEIRD. Really, really, really WEIRD! The secretly-magic kind of weird and that makes Effie wonder . . . does this mean she can do magic, too?
Life in Brooklyn takes a strange twist for Effie as she learns more about her family and herself. With new friends…
