Here are 93 books that Strange Flowers fans have personally recommended if you like
Strange Flowers.
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I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
I loved this book because it tells the story of a young woman in a perilous political situation who doesn’t cave to horrifying violence or conform simply to stay safe. I admire the voice Burns creates for the main character, called “middle sister,” because it’s unlike any narration in any other novel.
For me, the strangeness of middle sister’s narration gets at the disconnect between the way a young woman sees herself and the way the rest of the world sees her—as inconsequential, as a sexual object, as a target. I love the way that she thinks her way out of the traps all around her, using humor and clear-sightedness to survive ‘the troubles’ in Northern Ireland during the 1970s.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.
The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.
It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews).
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
David has lost his wife far too early. A man in mourning, he relives their twenty years together and sees that the ground beneath them had shifted and he had simply not noticed, or was it more that he had chosen not to. The writing here is spectacular and the theme of love and loss so very moving. Set between Ireland and Spain, McMahon captures the sublime and mundane nature of long-term love with exceptional skill. Another reason I like this book is that in my debut novel, my main character Maurice Hannigan, while very different from David, was also a widower, and naturally, the issue of loss figured heavily so I feel a bond to this book that is very special.
'A poignant, gentle and astutely observed novel about marriage and the evolution of love' Sunday Times, NOVELS OF THE YEAR 2020 ________________
Is there such a thing as a perfect marriage?
David thought so. But when his wife Mary Rose dies suddenly he has to think again. In reliving their twenty years together David sees that the ground beneath them had shifted and he simply hadn't noticed. Or had chosen not to.
Figuring out who Mary Rose really was and the secrets that she kept - some of these hidden in plain sight - makes David wonder if he really…
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
Set over three generations of the one family, this is the story of their fight for survival. What I love here is not just the prose, because there is no one finer than O’Callaghan, but also because it touches on the depopulation of Ireland’s small islands during the famine and the small island to which he refers has a very significant family connection for me. Partly based on O’Callaghan’s own family, Life Sentences tells an epic story of working-class life in Ireland from famine right through to modern-day. It is an unforgettable tale of love, abandonment, and reconciliation.
An unforgettable tale of love, abandonment, hunger and redemption, from a rising star of Irish fiction
'O'Callaghan is one of our finest writers . . . and this is his best work yet' JOHN BANVILLE
*****
At just sixteen, Nancy leaves the small island of Cape Clear for the mainland, the only member of her family to survive the effects of the Great Famine. Finding work in a grand house on the edge of Cork City, she is irrepressibly drawn to the charismatic gardener Michael Egan, sparking a love…
I am first and foremost an avid reader of a variety of genres, but women’s/romantic fiction is my favorite. I have a passion for God and His ability to pull us out of the deepest pit and transform a life of beauty from the ashes of our past. Although I write from a “Christian” viewpoint, I prefer characters with flaws and books that deal with women’s issues in a realistic way, not glossed over or hinted at. Which is why my tagline is “Inspirational with an Edge!” ™ In my opinion, the harder our characters fall from grace, the more powerful their redemption or testimony will be.
Julie Lessman’s tagline is “Passion with a Purpose” and she delivers this so well, especially in A Passion Redeemed. This story also deals with abuse toward women, (even though the heroine is an adult not a child) and the remarkable power of God to deliver, redeem and heal victims of such atrocities.
Graced with physical beauty, though shallow of heart, Charity O'Connor is a woman who knows what she wants. She sets her sights on the cantankerous Mitch Dennehy, editor at the Irish Times, who has unwittingly stolen her heart. And although the sparks are there, Mitch refuses to fan the coals of a potential relationship with his ex-fiancee's sister. But Charity has a plan to turn up the heat and she always gets what she wants--one way or another. Is revenge so sweet after all? Or will Charity get burned? Full of intense passion, betrayal, and forgiveness, A Passion Redeemed will…
I am an author and a reader, and there is little I love more than falling deep into an atmospheric mystery. One that has the texture of dark velvet—something so rich, vivid, and experiential I can almost wrap it around me—and has just the right amount of suspense to keep me turning pages. As an author of historical fiction and mysteries, capturing that immersive, atmospheric sense of place is so important to me. When I see this done well, I want to savor it, study it—and try to get you to read it, too.
No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.
I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.
Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness.
From Tana French, author of the forthcoming novel The Searcher, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award.
Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his…
I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.
Irish author Tana French is known for her Dublin Murder Squad series and is what some call a literary crime writer.
The Searcher, a standalone novel, explores themes of restorative justice. Chicago cop Cal Hooper retires to rural Ireland where he undertakes the renovation of a dilapidated cottage. While he toils, he’s joined by a nearly silent teen Trey.
It’s another book where an adult and child don’t realize they need each other, but so quietly and beautifully help heal each other’s wounds.
This was my absolute favorite book in this author’s canon. It’s not perfect, but it’s perfectly imperfect.
'Terrific - terrifying, amazing' STEPHEN KING 'Completely, indescribably magnificent' MARIAN KEYES -----
A DISAPPEARANCE. A SMALL TOWN. A QUESTION THAT NEEDS ANSWERING...
Cal Hooper thought a fixer-upper in a remote Irish village would be the perfect escape. After twenty-five years in the Chicago police force, and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens.
But then a local kid comes looking for his help. His brother has gone missing, and no one, least of all the police, seems to care. Cal wants nothing to do…
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
More beautifully written magic realism, with compelling characters and a fascinating plot. Fowley-Doyle uses the obliqueness of the supernatural and the compelling tropes of a mystery story to explore Ireland's troubled history with women and children. There's something of the road trip to this one, with a warm, supportive, found-family providing kindness and companionship to the main character in a story that otherwise might be too bleak to bear. Release yourself to the prose and to the experience, let the book carry you. It’ll be worth the journey.
On Deena's seventeenth birthday, the day she finally comes out to her family, her wild and mysterious sister Mandy is seen leaping from a cliff. The family is heartbroken, but not surprised. The women…
I picked these books because I love telling stories about bold women, and pirates float my boat. Being able to incorporate so much of history into my seafaring women, making them real and believable, makes writing that much more enjoyable. When I can incorporate real historical tidbits into my work it’s a good writing day, and I wanted to share my favorite research books with other readers.
Sjoholm goes far back in history to document tales of women who went to sea, and commanded ships, in Phoenicia, Scandinavia, the British Isles, and Ireland. There was no holding back strong seafaring women and I love seeing their stories brought to life. Grace O’Malley in particular won the respect of her English foes, including their strong ruler, Elizabeth I.
The Pirate Queen begins in Ireland with the infamous Grace O'Malley, a ruthless pirate and scourge to the most powerful fleets of sixteenth-century Europe. This Irish clan chieftain, sea captain, and pirate queen was a contemporary of Elizabeth I, a figure whose life is the stuff of myth. Regularly raiding English ships caught off Ireland's west coast, O'Malley was purported to have fought the Spanish armada just hours after giving birth to her son. She had several husbands in her lifetime, and acquired lands and castles that still dot the Irish coastline today. But Grace O'Malley was not alone. Since…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.
Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.
Read Elizabeth Bowen's accessible feminist take on the Irish aristocracy
WITH AN INTRODUCTION BY VICTORIA GLENDINNING
The Irish troubles rage, but up at the 'Big House', tennis parties, dances and flirtations with the English officers continue, undisturbed by the ambushes, arrests and burning country beyond the gates. Faint vibrations of discord reach the young girl Lois, who is straining for her own freedom, and she will witness the troubles surge closer and reach their irrevocable, inevitable climax.
