Here are 93 books that Strange Flowers fans have personally recommended if you like
Strange Flowers.
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I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
I loved this book because it tells the story of a young woman in a perilous political situation who doesn’t cave to horrifying violence or conform simply to stay safe. I admire the voice Burns creates for the main character, called “middle sister,” because it’s unlike any narration in any other novel.
For me, the strangeness of middle sister’s narration gets at the disconnect between the way a young woman sees herself and the way the rest of the world sees her—as inconsequential, as a sexual object, as a target. I love the way that she thinks her way out of the traps all around her, using humor and clear-sightedness to survive ‘the troubles’ in Northern Ireland during the 1970s.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
I’m a historical fiction author and librarian from Hampshire, and I’m passionate about women’s history. I write stories inspired by the lives of real women in the past, who achieved extraordinary things, but whom history has forgotten. My debut novel, Operation Moonlight, won the Penguin Random House First Novel competition in 2019.
This incredibly moving novel, set in Dublin in 1918, tells the story of a nurse, Julia, who works in the maternity ward of a hospital.
During the height of the terrible flu epidemic, Julia must risk her own life in order to save the lives of the women under her care. I love learning about the medical world, and the history of women as healers. The story features a real doctor – Dr. Kathleen Lynn – a pioneering medical woman who, along with brave women like Julia, saved lives against all odds.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews).
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
David has lost his wife far too early. A man in mourning, he relives their twenty years together and sees that the ground beneath them had shifted and he had simply not noticed, or was it more that he had chosen not to. The writing here is spectacular and the theme of love and loss so very moving. Set between Ireland and Spain, McMahon captures the sublime and mundane nature of long-term love with exceptional skill. Another reason I like this book is that in my debut novel, my main character Maurice Hannigan, while very different from David, was also a widower, and naturally, the issue of loss figured heavily so I feel a bond to this book that is very special.
'A poignant, gentle and astutely observed novel about marriage and the evolution of love' Sunday Times, NOVELS OF THE YEAR 2020 ________________
Is there such a thing as a perfect marriage?
David thought so. But when his wife Mary Rose dies suddenly he has to think again. In reliving their twenty years together David sees that the ground beneath them had shifted and he simply hadn't noticed. Or had chosen not to.
Figuring out who Mary Rose really was and the secrets that she kept - some of these hidden in plain sight - makes David wonder if he really…
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
Set over three generations of the one family, this is the story of their fight for survival. What I love here is not just the prose, because there is no one finer than O’Callaghan, but also because it touches on the depopulation of Ireland’s small islands during the famine and the small island to which he refers has a very significant family connection for me. Partly based on O’Callaghan’s own family, Life Sentences tells an epic story of working-class life in Ireland from famine right through to modern-day. It is an unforgettable tale of love, abandonment, and reconciliation.
An unforgettable tale of love, abandonment, hunger and redemption, from a rising star of Irish fiction
'O'Callaghan is one of our finest writers . . . and this is his best work yet' JOHN BANVILLE
*****
At just sixteen, Nancy leaves the small island of Cape Clear for the mainland, the only member of her family to survive the effects of the Great Famine. Finding work in a grand house on the edge of Cork City, she is irrepressibly drawn to the charismatic gardener Michael Egan, sparking a love…
I am first and foremost an avid reader of a variety of genres, but women’s/romantic fiction is my favorite. I have a passion for God and His ability to pull us out of the deepest pit and transform a life of beauty from the ashes of our past. Although I write from a “Christian” viewpoint, I prefer characters with flaws and books that deal with women’s issues in a realistic way, not glossed over or hinted at. Which is why my tagline is “Inspirational with an Edge!” ™ In my opinion, the harder our characters fall from grace, the more powerful their redemption or testimony will be.
Julie Lessman’s tagline is “Passion with a Purpose” and she delivers this so well, especially in A Passion Redeemed. This story also deals with abuse toward women, (even though the heroine is an adult not a child) and the remarkable power of God to deliver, redeem and heal victims of such atrocities.
Graced with physical beauty, though shallow of heart, Charity O'Connor is a woman who knows what she wants. She sets her sights on the cantankerous Mitch Dennehy, editor at the Irish Times, who has unwittingly stolen her heart. And although the sparks are there, Mitch refuses to fan the coals of a potential relationship with his ex-fiancee's sister. But Charity has a plan to turn up the heat and she always gets what she wants--one way or another. Is revenge so sweet after all? Or will Charity get burned? Full of intense passion, betrayal, and forgiveness, A Passion Redeemed will…
I am an author and a reader, and there is little I love more than falling deep into an atmospheric mystery. One that has the texture of dark velvet—something so rich, vivid, and experiential I can almost wrap it around me—and has just the right amount of suspense to keep me turning pages. As an author of historical fiction and mysteries, capturing that immersive, atmospheric sense of place is so important to me. When I see this done well, I want to savor it, study it—and try to get you to read it, too.
No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.
I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.
Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness.
From Tana French, author of the forthcoming novel The Searcher, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award.
Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his…
I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.
Irish author Tana French is known for her Dublin Murder Squad series and is what some call a literary crime writer.
The Searcher, a standalone novel, explores themes of restorative justice. Chicago cop Cal Hooper retires to rural Ireland where he undertakes the renovation of a dilapidated cottage. While he toils, he’s joined by a nearly silent teen Trey.
It’s another book where an adult and child don’t realize they need each other, but so quietly and beautifully help heal each other’s wounds.
This was my absolute favorite book in this author’s canon. It’s not perfect, but it’s perfectly imperfect.
'Terrific - terrifying, amazing' STEPHEN KING 'Completely, indescribably magnificent' MARIAN KEYES -----
A DISAPPEARANCE. A SMALL TOWN. A QUESTION THAT NEEDS ANSWERING...
Cal Hooper thought a fixer-upper in a remote Irish village would be the perfect escape. After twenty-five years in the Chicago police force, and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens.
But then a local kid comes looking for his help. His brother has gone missing, and no one, least of all the police, seems to care. Cal wants nothing to do…
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
More beautifully written magic realism, with compelling characters and a fascinating plot. Fowley-Doyle uses the obliqueness of the supernatural and the compelling tropes of a mystery story to explore Ireland's troubled history with women and children. There's something of the road trip to this one, with a warm, supportive, found-family providing kindness and companionship to the main character in a story that otherwise might be too bleak to bear. Release yourself to the prose and to the experience, let the book carry you. It’ll be worth the journey.
On Deena's seventeenth birthday, the day she finally comes out to her family, her wild and mysterious sister Mandy is seen leaping from a cliff. The family is heartbroken, but not surprised. The women…
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
I’ve always been interested in developments in Irish history during the under-studied seventeenth century. This was the period when many of the political, social, and economic foundations of modern Ireland emerged. The century began during the major upheaval of the Nine Years’ War and witnessed two more major conflicts—the 1641 Rebellion (which lasted until 1653) and the Williamite War of the 1690s. However, Gillespie’s book is unusual in that it focuses on the various efforts made to reach accommodations between natives and settlers, Catholics and Protestants, the Gaelic Irish, the Old English, and the New English, during the decades between these conflicts. All in all, a fascinating read which shows that things might have evolved differently had these efforts succeeded.
Well-established ideas of monarchy, social hierarchy and honour were under pressure in a fast-changing world. Political, religious, social and economic circumstances were all in flux. The common ambition of every faction was the creation of a usable focus of governance. Thus plantations, the constitutional experiments of Wentworth in the 1630s, the Confederation of the 1640s, the republican 1650s and the royalist reaction of the latter part of the century can be seen not simply as episodes in colonial domination but as part of an on-going attempt to find a modus vivendi within Ireland, often compromised by external influences.
Like anyone else who takes an interest in Ireland, I’ve been fascinated by the long and often very difficult history of the island’s experience of religion. Where I live, in county Antrim, religious imagery appears everywhere – in churches and schools, obviously, but also on signboards posted onto trees, and in the colourful rags that are still hung up to decorate holy wells. This book is the fruit of twenty years of thinking about Christian Ireland - its long and difficult history, and its sudden and difficult collapse.
Why, from the 1990s, did the Irish Catholic consensus so suddenly disappear? And what might be the effect of this sudden-onset secularisation? This brilliant account of the recent revolution in Irish religion describes the effects of the clerical scandals that brought down a government, demoralised a denomination, and drove social change on a massive and structural scale. Ganiel shows how the older religious monopolies that did so much to shape the institutions and culture of Ireland, north and south, have given way to a much more fluid religious market, in which individuals can believe without belonging just as much as they might formerly have belonged without believing.
Transforming Post-Catholic Ireland is the first major book to explore the dynamic religious landscape of contemporary Ireland, north and south, and to analyse the island's religious transition. It confirms that the Catholic Church's long-standing 'monopoly' has well and truly disintegrated, replaced by a mixed, post-Catholic religious 'market' featuring new and growing expressions of Protestantism, as well as other religions. It describes how people of faith are developing 'extra-institutional' expressions of religion, keeping their faith alive outside or in addition to the institutional Catholic Church.
Drawing on island-wide surveys of clergy and laypeople, as well as more than 100 interviews, Gladys…
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