100 books like Stone Soup

I’m an author, playwright, nonprofit strategist, and mother to two small children–the list goes on and on, and it's enough to work up an appetite. Since three of my favorite things in the world are 1) my kids, 2) stories, and 3) food, this reading roundup is near and dear to my heart. I wrote my picture book, Do Not Eat This Book!, because I believe food is a delicious entryway for exploring identity, sharing, caring, culture, and more, and the books in this list exemplify the sweet power of a good food-themed picture book.

The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.

Carolyn Porter is a graphic designer, type designer, and unapologetic lover of old handwriting. “Marcel’s Letters: A Font and The Search for One Man’s Fate” recounts Porter’s obsessive search to learn about Marcel Heuzé, a French forced laborer who mailed love letters to his wife and daughters from a Nazi labor camp in Berlin—letters Porter found 60 years later at an antique store in Minnesota. Porter’s book was awarded gold medals from Independent Publisher and The Military Writers Society of America, and was a finalist for a 2018 Minnesota Book Award.

My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction. 

I grew up in England in the immediate aftermath of WWII but have lived most of my adult life in California. I was inspired to become a writer of fiction after the death of my mother, wanting to find a way to preserve her remarkable story. While researching for my novel I was amazed to discover the British interned some refugees from the Nazis as “enemy aliens,” and fascinated to learn about the political resistance to Churchill’s domestic policies during the last two years of the war. I am astounded by the breadth of WWII stories that focus on the resilience of ordinary citizens and I always hunger for more!

I’m the author of multiple middle grade and YA historical novels, including Torch, which won the 2023 Los Angeles Times Book Prize for Young Adult Literature. Torch takes place in the aftermath of the Soviet invasion of Czechoslovakia in 1968, and it is especially timely in the face of the recent Russian invasion of Ukraine. The Bear (a popular symbol of the Russian Empire) has mauled many of its neighbors in the past century, not only Czechoslovakia and Ukraine but also the Baltic countries that, like Ukraine, were incorporated into the Soviet Union and the other Eastern European countries that were part of the Soviet bloc until the fall of Communism in 1989. 

Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.

I am an author, lifelong history geek, and relentlessly curious about finding unknown stories. In 2002 I met Henry Zguda, an eighty-five-year-old Polish Catholic who survived three years in Auschwitz and Buchenwald during World War II. He lived a mile from my house. Intrigued, I soon offered to write his incredible story. I am not Polish and knew little of Poland or Polish history when I began. This led to over ten years of research on Poland, World War II, and the Holocaust. My friendship with Henry changed the direction of my life and gave me keen insight into the plight of Poles, both Jewish and Christian, during World War II. Thousands of memoirs and books exist on the Holocaust. I believe the inspiring stories of Poles and other victims of Hitler and Stalin deserve equally widespread recognition.

I’ve always been fascinated with military history, added to which my interest in aviation after serving in Military Intelligence with the Air Force. After a career in advertising, I took to writing during lockdown. My novels uncover forgotten facts and histories, using real characters and their exploits and providing an interpretation of world war events from different perspectives, not just the victors. My recommendations bring the past to life, unpalatable as it might be, with vibrant characters, rich set-building, and beautiful period language, sentiments, and held beliefs. History and conflict, love, loss, tragedy, and forgotten memory are brought to life, full of visceral colour, but importantly always truthfully.

I am a Canadian-Ukrainian children’s author and former librarian. My great-aunt was a sniper with the Ukrainian underground, fighting both Hitler and Stalin. She was executed after the war by the Soviets and buried in a mass grave. Her mother was sent to a gulag in Siberia and never heard from again. I will never know all that happened to my ancestors, but I can give voice to others whose culture, life, and history were erased in the same way. Every novel I’ve written has delved into a piece of the past that has been shoved under the carpet for political reasons.