58 books like Silverlock

I find the combination of mystery and fantasy in the Harry Dresden books irresistible, and Storm Front is certainly no exception. A typical detective has to watch out for the as-yet-undiscovered killer. Harry has to watch out for the killer—as well as the White Council, the organization of wizards that is profoundly suspicious of him and more than ready to execute him if he takes one step out of line. And then there are various supernatural creatures who want either to kill humans or to use them for their own purposes.

Butcher’s imaginative humor is second to none. I have to laugh every time I think about Bob, the skull animated by an air spirit, or Toot-Toot, the wyldfae who serves Harry in exchange for pizza. Butcher seamlessly blends such touches of original humor with pulse-pounding excitement.

This novel may seem an odd choice since King Arthur is likely more fictional than historical, yet Mark Twain, for all his humor, uses the novel as a satire upon the wrongs of capitalism and his late nineteenth-century society.

Hank Morgan, the Connecticut Yankee, intentionally tries to change history by making medieval England a better place. He does this by trying to rid the land of superstition and the hold that charlatans like Merlin have over the country, but he is also a complex character who is not unwilling to use medieval superstition to his advantage.

By the end of the novel, he has turned medieval England into a medieval version of the nineteenth-century complete with modern inventions including the bicycle and telephone. However, the most memorable scene occurs when Hank and King Arthur travel the country in disguise and end up enslaved and nearly hanged.

The experience causes King… show more.

Perseverance and living in the moment, are probably the lessons to take away from The Wizard of Oz and enjoying the journey, wherever the road may lead and the fact that while having courage, a heart (empathy/ emotional intelligence/ kindness and gentleness) and a brain (intelligence), may be fine by themselves, it is when they work together that the magic happens and good things become real).

Harry Potter and the Sorcerer’s Stone is the first book in the Harry Potter series, drawing readers into its magical world filled with fantasy and adventure.

I personally like books where the author has an overactive imagination, and this author truly takes the cake in that regard. J.K. Rowling’s creative storytelling draws readers of all ages into Harry’s enchanting world and journey of self-discovery as he travels to an unknown world. The characters and some of the themes highlighted (such as bullying, trying to fit in, self-doubt, adjusting to change, and not getting drawn in by evil) will resonate with readers of all ages.

With its spellbinding narrative and charming characters, it is one of the few books I’ve read where the movie is just as exciting as the book. This book and movie made me feel like I was being taken away to this magical world, and reinforces the… show more.

I literally guffawed as I read this—enough times that my kids begged me to read it to them (which I did). This retelling of Beowulf played with expectations, twisting and turning in unexpected ways. The characters were fully fleshed out, with plenty of faults and quirks. No one was who I thought they were. Intrigue, magic, and stubborn independence mixed to make this delightful tale. 

This is the most important book people have never heard of. It was immensely popular in the Middle Ages – 300 manuscripts survive in nine languages (Beowulf, another monster tale, survives in one copy). The probably-fictional “John Mandeville, knight, though I am not worthy” sets out from England in 1332, travels the known world on pilgrimage to Jerusalem, and continues all the way to India. He encounters wondrous places, people, and beasts. The book is fundamentally flawed, with rampant racism, anti-Semitism, Islamophobia, sexism, and on, but this is why it matters. Mandeville was Columbus’s reading on his voyage to “the Indies,” and encouraged him to see indigenous populations as monstrous. It is terrible, and terribly important. Bale’s excellent introduction and translation are the best of many versions.

Beowulf is fascinating because it was written in Angle-land, probably Suffolk, probably in the 900s AD, when the Angles (Southern Scandinavians) held sway, with the Danes in Northumbria and Mercia, before the Anglo Saxons began to create the first truly English dynasty in Alfred the Great. It tells of a hero from Geats (in modern Sweden, possibly in the 600s AD) who rids the king of the Danes of the monster Grendel. Of all the translations Seamus Heany is the most vigorous and beautiful, and I often return to it as a reference.

You don’t have to know Beowulf to enjoy this modern-day re-imagining – set in a gated community at the foot of a mined-out mountain with subterranean caves and lakes a plenty – but the novel serves up delicious layers for readers familiar with the Old English epic. Headley weaves a story that is horrific and beautiful in equal measure as she explores the gulf between the experiences of two very different mothers – Dana, an ex-soldier barely surviving in the wilderness with her son Gren; and Willa Herot, suburban royalty living a luxurious if socially pressurised existence, protected her wealthy husband’s power. With writing that oscillates between lyrical poetics and prose that is sparse, blunt, and direct, The Mere Wife is a darkly fabulous novel that I look forward to reading over and over again.

There aren’t many discussions in my field that don’t at least nod to, if not begin with, Cohen’s contribution, "Monster Culture". Cohen lays out a way to think about monsters as embodiments of culture that has been invaluable to their study, a way to “mine” monsters for the cultural “gold” from which they are made. While the field has expanded since Cohen, it should be the starting point for anyone seriously interested in monstrosity. There are also stand-out chapters on a variety of topics, from Frankenstein and Jurassic Park to Beowulf and the perception of medieval Muslim monstrosity. 

When I first read this book, not only was I struck by its central theme that ‘myths’ have meaning but also by the fact that it is our problem that we cannot today recognize myths for what they once were. All oral traditions evolve through time, sometimes over thousands of years and across hundreds of generations of retelling, but if their core is sufficiently memorable, then it can remain recognizable. It is up to us to unpack the stories we hear today, to learn how they changed through time, and try to see whether there is an empirical core in their hearts. This book is a must for anyone interested in learning more about the meaning of ‘myth’ rather than romanticizing it.