Here are 99 books that Shadow and Evil in Fairy Tales fans have personally recommended if you like
Shadow and Evil in Fairy Tales.
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During a lonely stretch of primary school, I recall discussing my predicament with my mother. “You only need one friend,” she said by way of encouragement. Some part of me agreed. I’ve been fortunate to have had (and to have) several friends in my life, never more than a few at a time, more men than women, and each has prompted me to be and become more vital and spacious than I was prior to knowing them. The books I’m recommending—and the one I wrote—feature these types of catalyzing, life-changing relationships. Each involves some kind of adventure. Each evokes male friendship that is gravitational, not merely influential, but life-defining.
It centers on and celebrates becoming—molting from one skin to another. For Ishmael this is a transition from a tired and limiting worldview to something fresh and alive.
The “bosom buddies” at the heart of the novel, Ishmael and Queequeg, seem comprised of opposites, but Ishmael’s etherealizing is grounded by Queequeg’s pragmatic ingenuity in ways that quiet and expand the young pagan-Presbyterian’s buzzing, anxious mind. Theirs is a friendship of succor, probably sex, and survival—all of it shadowed by the delusional obsessions of their mad captain.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
I’m an Irish novelist and poet. Fiction writers are perhaps better described by their fascinations than by any expertise as such. I can’t claim to be an expert in anything, but I am easily fascinated. My educational background is in philosophy, but I’ve always had a tremendous interest in the natural world too, and my writing tends to reflect that. When it comes to fiction, I love books that throw new layers on old surfaces. With nonfiction, I love anything that can explain something. Nonfiction loves to adorn itself with fiction, while fiction tends to cling to nonfiction like flesh on a bone. So my list is mostly bones, and one big sea pearl.
Science fiction envisions the future. The best way to imagine future change is to look at how and when change occurred in the past.
The drivers seldom change: climate, war, and famine. None of those indicators are looking particularly good for humanity right now. Dudley Young’s masterful, poetic, and irreverent scholarly work about the origins of the sacred in human history is the most enjoyable and rewarding book I have read on human evolution and development. So many things began to make sense to me after reading it.
Young is a steamroller of a writer, sloshing through millions of years of paleontology and thousands of years of early human culture with the same vim and swagger as he does Yeats’ poetry (his field of expertise)—and all in wonderful prose.
Tracing the origins of mankind's identity through evolutionary biology and mythological literature, Dudley Young examines the primitive mind and the development of religion and sacredness as seen through our ancestors. Attempting to unearth the origins of violence and to answer the question "Are we born violent?", Young begins millions of years ago, with the transformation of the arboreal monkey into a chimpanzee. As man's brain grew and became more advanced, his most basic instincts - sex and violence - became unharnessed and unprogrammed at the same time that human civilisation emerged. The book concludes on a tragic theme, with the…
A house plant in my living room attacked another plant, wrapping itself around it and killing it. Then another plant tried to sink roots into a neighbor. I began to do a little research, then a lot of research, and learned that plants accomplish amazing feats. They can tell by the angle of the sun when spring is coming, and they can call parasitic wasps to rid themselves of caterpillars. Plants vastly outweigh and outnumber animals, so they run this planet. What if, on another planet, they could think like us… and that’s why I wrote a novel.
If you don’t know much about what plants can do, this is a great place to start.
Learn what a plant sees, smells, and feels. Yes, they can do all that. They know what color shirt you’re wearing. They can smell the warning from a neighbor plant being eaten by a bug. They know when you touch them. They know where they are, and they remember things. Plants are not passive, and they are acutely aware of the world around them.
How does a Venus flytrap know when to snap shut? Can it feel an insect's spindly legs? How do flowers know when it's spring? Can they actually remember the weather? And do they care if you play them Led Zeppelin or Bach? From Darwin's early fascination with stems and vines to "Little Shop of Horrors", we have always marvelled at plant diversity and form. Now, in "What a Plant Knows", the renowned biologist Daniel Chamovitz presents an intriguing and refreshing look at how plants experience the world. Highlighting the latest research in plant science, he takes us into the lives…
I’m an Irish novelist and poet. Fiction writers are perhaps better described by their fascinations than by any expertise as such. I can’t claim to be an expert in anything, but I am easily fascinated. My educational background is in philosophy, but I’ve always had a tremendous interest in the natural world too, and my writing tends to reflect that. When it comes to fiction, I love books that throw new layers on old surfaces. With nonfiction, I love anything that can explain something. Nonfiction loves to adorn itself with fiction, while fiction tends to cling to nonfiction like flesh on a bone. So my list is mostly bones, and one big sea pearl.
I’m biased here, because I translated this book from Portuguese, but it’s a slender little thing with a huge personality.
Ailton Krenak is an indigenous leader from Brazil, and this essay is his attempt to show where human civilization has gone wrong and what we might do to save it.
In a mix of sigh, outburst, yawn, and eulogy, Krenak suggests some simple paradigm shifts that could make all the difference, but the basic idea is clear: there’s no point in trying to change what we do without first changing how we see—and that’s maybe a stretch too far for us.
"Ailton Krenak's ideas inspire, washing over you with every truth-telling sentence. Read this book." - Tanya Talaga, bestselling author of Seven Fallen Feathers
Indigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.
From Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society's flawed concept of "humanity" - that human beings are superior to other forms of nature and are justified in exploiting it…
I’ve been studying and reading tarot for more than 50 years—starting when I was a teenager. I feel called to do this work—I think of it as holy work, because every reading is an inner journey for my client, I merely serve as a guide for them to discover the insights and wisdom that already exists hidden within them. Over the years I’ve studied with some of today’s top tarot teachers, I’ve studied Kabbalah with respected rabbis. I’ve studied psychological principles with leading therapists. And I’ve studied storytelling with world-famous performers. Tarot brings all these disciplines together in a way that makes every reading an encounter with the Divine that lives within each of us.
There is no personal growth or spiritual development without encountering and coming to terms with one’s shadow. It can be a frightening prospect, and it’s not a very comfortable process, but there is no getting around it. That’s why this book is important. When you confront your shadow, it helps to have a guide who has been there and done it. Steel has done the work and knows how to help you do it too. I am very grateful for this book—it helped me face inner conflicts and accept things about myself I always thought were unacceptable. It’s not an easy practice, but the results are profound.
Through Tarot work, journalling meditation, creative visualization, and dream work, you can free yourself from the shackles of the unbridled, unconscious power of your shadow self. This book is ideal for those who are in recovery from a serious addiction or illness, as well as any person seeking a deeper understanding of his or her true self.
Coaching is a wonderful technology that can help people be a force for change… and is often wrapped up in mystic and woo-woo and privilege that makes it inaccessible and/or unattractive to too many. I want being more coach-like—by which I mean staying curious a little longer, and rushing to action and advice-giving—to be an everyday way of being with one another. Driven by this, I’ve written the best-selling book on coaching this century (The Coaching Habit) and have created training that’s been used around the world by more than a quarter of a million people. I’m on a mission to unweird coaching.
Carl Jung has two quotes that I love. First, “the gold is in the dark.” And second, “I’d rather be whole than good.” Both recognize that we’re complicated, contradictory, and gloriously messy beings. Debbie Ford’s book was the first time I felt I could actually do something with the profound wisdom of Jung. One particular exercise pretty much “cured” me immediately of some long-standing resentment I had with a former boss. Even though the language is sometimes a bit too woo-woo Californian hippy for me, it’s a book with some deeply useful exercises to help you become more whole, kinder to yourself, and ultimately more wholly you.
In this enlightening guide, Debbie Ford explains that the dark side of our personality should not be hidden. By denying our dark side, we reject these aspects of our true natures rather than giving ourselves the freedom to live authentically. Here she shows that it is possible to acknowledge and accept our so-called weaknesses, proving that these qualities may be important, hidden strengths. For example, perhaps some 'selfishness' can save us from exhaustion and resentment.
Full of illuminating stories and practical exercises, Debbie Ford shows us how to reconcile our darker impulses and find the gifts they offer. Your life…
From the time I could hold a crayon, I was drawing. I often don’t know how I truly feel about something until I make art about it. Led by imagination and curiosity, I'm a seasoned traveler in liminal spaces and love guiding people between the mystical and the mundane. With 20-plus years of experience as an Artist and Creative Director, I've discovered that solutions to any problem can be found through triumphs in imagination and a willingness to view the situation from a different perspective. By peeking into my own shadow, darkness, and hidden places, I've gained a profound reverence for the human soul and deeper compassion for what it is to be alive.
I feel like this book was the best college course I never got to take. Meeting The Shadow is a collection of essays from psychologists, therapists, scholars, and artists who have scoured the depths of the psyche. I love the work of Carl Jung, but I’ve found it quite difficult to parse through entire books of his. This book however, by drawing from such a diverse group of thinkers makes shadow work incredibly accessible, captivating, and illuminating. It is also formatted into specific sections like Emotional Suppression, Sexuality, The Dark Side of Spirituality, The Psychology of Evil, The Shadow of Politics, Dream Analysis, Shadow in Gender, and Owning Your Dark Side Through Art & Creativity. There’s something for everyone in here, every chapter a dark and alluring cave inviting you to explore its harrowing and majestic landscape. I can’t recommend this book enough for anyone being called to look within…or…
The author offers exploration of self and practical guidance dealing with the dark side of personality based on Jung's concept of "shadow," or the forbidden and unacceptable feelings and behaviors each of us experience.
Ever since I was a little kid, I've loved scary stories. But more than the thrill of being afraid, I was drawn to the notion of befriending the ghosts, of making the frightening familiar, of finding meaning and comfort in the horrific. Maybe that's why I'm now a queer old goth, and maybe it's why my favourite themes to both read and write are those of identity, belonging as an outsider, and the 'monstrous' elevated to the beautiful.
The first in a trilogy from vastly underrated author Susan Price. This is on the surface a charming kids’ book, but moved me more and has haunted me for longer than most 'adult' novels (and is also remarkably dark.) Set in a fairy-tale some-when, somewhere in a blizzard-scoured kingdom, the young witch Chingis seeks to rescue a czarevitchfrom the tower in which he's imprisoned. When I first read this book, I cried publicly on a train, it got to me so much. I'm envious of Price's skill at using simple language so exquisitely to conjure vivid, jewel-toned worlds and invoke both deep dread and soaring joy. It's a deceptively simple little tale of freedom, choice, destiny, privilege, responsibility, and love.
Much of my writing is influenced by Fairy Stories. Sometimes I retell the stories in my own words, sometimes I create my own, and sometimes, as in Rose Doran Dreams, I weave them into the narrative so that they shape the central character in a way that affects or explains her development. There is a darkness about Fairy Stories that fascinates me, that gives psychological depth to a character or a narrative as I write. I am dizzy with the notion that Fairy Stories don’t belong to the teller or the writer, the listener or the reader; they transcend time and place.
I was given this book thirty years ago by an Indian poet, who promised me I would love it. It is a feast of stories, told to the central character Devi throughout her life. Through her grandmother’s ancient stories, she learns about love, beauty, riches, and womanhood. Her father-in-law tells her stories that teach her about life, how to survive her lonely marriage, how to belong. Stories and dreams give her wealth and power, but they evaporate and still she is there, empty, alone, and desperate for the love that the old stories are about.
Two other women’s stories weave through the narrative. Her mother Seta, and her husband’s old retainer, Mayamma share exotic tales of ancient India, Gods, mysteries, magic, and rituals.
The Thousand Faces of Night is trancelike and beautiful.
A debut novel which interweaves the fabled myths and legends of India with a young woman's search for self, exploring such universal themes as freedom, independence and desire.
I was born in Communist Poland, and when we emigrated to the UK, I craved the tastes of my childhood. More than that, I missed the culture of foraging, preserving, fermenting, and the stories that accompanied these processes–there was something deeply ingrained in my soul that I have been called to explore within my own work. I have written four books on East European cuisine. Slavic Kitchen Alchemy is rather different from the others because of its focus on herbs, healing, and mythology. The books on this list have inspired me in my own writing, and I will keep returning to them again and again.
I feel that this is a book that every woman should read because it delves into the deeper lessons behind the folk tales ingrained in our psyches, which have been twisted with time to fit a patriarchal narrative.
Estés is a master storyteller herself; therefore, this book stays with you and keeps giving throughout the challenges you face in your life.
First published three years before the print edition of Women Who Run With the Wolves made publishing history, this original audio edition quickly became an underground bestseller. For its insights into the inner life of women, it established Dr. Clarissa Pinkola Estes as one of the most important voices of our time in the fields of Jungian psychology, myth, and women's mysteries.
Drawing from her work as a psychoanalyst and cantadora ("keeper of the old stories"), Dr. Estes uses myths and folktales to illustrate how societies systematically strip away the feminine spirit. Through an exploration into the nature of the…
