100 books like Segu

A dark, twisted story of intrigue within the walls of an abbey in the fourteenth century.

Every character has some dark past that they are hiding, and everyone is part of the ever-deepening mystery, riddles piling upon riddles, as bodies pile upon bodies. The further into the abbey’s maze of secrets you become entangled, the more you’ll love it. The characters are deep and complicated, the world in which they live is richly imagined, and the final denouement will leave you breathless.

A book whose mysteries and philosophical dialogues will stay with you long after you close the final page. 

The magnificence of the first in the Amalgant series is the immersive reconstruction of Mongol social, political, and religious worlds, as well as the lives of its people. Hammond resistantly reads histories produced by hostile cultures, instead privileging the earliest and most comprehensive Mongol tellings of their own lives, The Secret History of the Mongols. This is no dry historical account of cultural norms, steppe relations, or material artifacts, but an intimate and humane telling of the personal tragedies and struggles that would change the world as the war-orphaned Temujin grows to be the man we know as Chenggiz Khan.

This riveting Young Adult novel sets the action on a stage in which “East” and “West” are not divided as typically imagined, but intertwined economically, politically, and culturally. Moses’ staff has been stolen from Topkapi Place and a team of Ottoman janissaries is sent on a mission through Italy and England to recover it. The team is made of free and formerly enslaved men and women hailing from rising empires and those lost. Their struggles offer a searing account of the Ottoman, West and North African, and European dependence on the trade of enslaved human beings. And while the theft of the staff of Moses may seem fanciful, its possession confers imperial power and thus is the perfect object to ask from who was it truly stolen and to whom should it be returned.

Set in Delhi on the eve of the first battle for Indian independence in 1857 that would be so brutally put down by the British, ending with Delhi in flames and India coming under direct British rule, our detective, the poet laureate Mirza Ghalib investigates a murder. The investigation reveals the myriad of personalities, pressures, and allegiances from every corner of Indian and British society that led to the uprising and all that has come after. This finely wrought novel begins and ends with death at a Mushaira—a poetry recitation, public, private, or intimate for just two, that typically drew from every level of society—sounding the loss of India as it was before colonization, and then partition, when religious and social boundaries were not as starkly defined and policed as they are now.

No one should claim to understand the crusades without having first read this book.

This work by a scholar of Islamic history is based entirely on Muslim sources, and as such provides a mirror image to the works which draw heavily on Latin, Greek, French and Italian sources. It is concise (119 pages), easy to read, and backed by a large document section as well as recommended reading for each chapter. For anyone who is not an Islamic scholar, the book is worth owning for the clear, succinct definitions of key Arabic terms such as iqta, qadi, and jihad itself. The guide to Arab names is invaluable. The book provides an overview of sources, describes the Muslim Middle East before the crusades and then describes Muslim reaction to the various Christian incursions into the Dar al-Islam as depicted in contemporary Arab and Turkish sources.

Hillenbrand does for counter-crusading Islam what Tyerman does for crusading Latin Christianity. This book is chock full of images of objects illustrating the rich variety of cultures embraced by medieval Islam. But beyond that, it is the single best book in English on Islam in the Age of the Crusades. Topics covered in detail, but always in a reader-friendly style, range from Muslim ethnic and religious stereotypes of Westerners to the evolution of jihad as a principle and a reality before and during the crusading era. No serious student of the crusades should overlook this important contribution to crusade studies.   

I am impressed with the author's substantial effort in examining the Holy Scriptures from the perspective of modern scientific knowledge. The author looks at various Quranic statements in the light of scientific discoveries and concludes that it can't be of human origin - that surely enhances that the Qur'an is a true Divine Book.

This book also has the noble purpose of promoting much-needed unity between the followers of Christianity and Islam and countering ignorant and false ideas about both religions. It was especially gratifying to learn of a Vatican document describing that Muslims profess the faith of Abraham and worship one God as Christians do – that gives me hope that we are all one.  

Michael Youssef is a Christian preacher. He has written several books but none that tell the story of what is going on in this country.

The everyday things that our government has right under our noses that we just don’t see. Because the end times are starting to show in the events around the world, we need to prepare; if we want to live in heaven, forever.

Talal Asad’s genealogical analysis of the concept of religion in Western thought is a classic.

Asad, a Saudi-born anthropologist, proposed that it was the unique product of Western modernity and secularism to perceive religious discourse in the public arena as a disguise for power, which created a bias towards it in public life. This bias was then internationalized through the transposition of an inherently ethnocentric concept of religion.

Among other insights, Asad stressed the need to approach religious traditions in reference to the experience of the believers and the texts or traditions they invoke in their everyday life. A seminal piece of work that can provide a point of reference for anyone working to decolonize religious studies.

I often admire writers, and it is very rare for me to be outright jealous of one. But I was with this astonishing book. It was intimately epic in the complete sense. We focus on a wonderful cast of characters who lived in a small village in southern Turkey in the early 20th century for many years.

You fall in love with them, and they make you laugh out loud. Then, you are heartbroken as their world is destroyed by ceaseless war. Brutal, romantic, hilarious, and completely tragic, this novel pulls you apart. I felt I knew them all well and was bereft when I finished the book. I missed these flawed, funny, sad people. I still do!