100 books like Rump

Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.

He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.

The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.

Imagination + beautiful writing. I love books that surprise me. Whether it’s with imaginative settings, intricate plots, beautiful writing, or humor. Surprise me, and I’m hooked. For me, no writer does this better than Frances Hardinge. Her books are incredibly unique. There is nobody who writes like her, who thinks up plots like her. Any one of her books is a trip on a totally new adventure. I started with Fly By Night and have read everything by her since.

Imagination + humor. The opening line of this books is one of my favorites – “Kidnapping children is not a good idea. All the same, sometimes it has to be done.” – Ibbotson was a genius at combining fantastical settings with humor. This book in particular spoke to my childhood fantasies of taking care of strange animals and visiting exotic locales. It’s a whole lot of fun, like all her books.

The City of Lucille has gotten rid of all its monsters.

That’s what Jam, a teenage trans girl, believed until the demonic-looking Pet emerged from one of her mother’s paintings. But despite their monstrous appearance, Pet isn’t the monster, but came forth to hunt a monster already living among the people of Lucille undetected. 

Pet contains vivid imagery, powerful themes, and a sensitive and brave protagonist. Be bold. Be vigilant. Monsters never entirely go away because we are the monsters.

A Wish in the Dark by Christina Soontornvat is a retelling of Victor Hugo’s Les Misérables set in a Thai-inspired fantasy world. I cannot say enough about the gorgeous setting details and atmosphere that support the characters in this novel. From the very first pages, I felt drawn into the world of Pong and Nok. This novel will feel familiar in theme and plot to those familiar with Victor Hugo’s classic, but it also stands alone as a new story that needs to be read and shared.

Eleven-year-old Mimi is the youngest child in a family full of high-achievers. Determined to prove herself, she enters a baking contest at a newly opened bakery in town, but when strange things begin happening to those around her (such as her food critic dad losing his sense of taste), Mimi must pair her culinary skills with her detective skills to get to the bottom of the magical mystery. 

If I had to pick one word to describe this book, it’d be: sweet. Plus, this adorable book is also a retelling of Shakespeare’s A Midsummer Night’s Dream. And if you know me, you know I adore retellings! 

More to the Story by Hena Khan is a retelling of Louisa May Alcott’s classic novel, Little Women. This version features four Muslim Pakistani-American sisters who live in Georgia. Their experiences and personalities both mirror and bring new light to the characters that I read and appreciated as a child. The novel delves into the personal challenges and joint effort of being a family in ways that are authentic and familiar. The details of setting and culture make the characters and story truly stand on their own. The importance of empathy, individuality, and support are all things that I loved about this book.

The first half of the book takes place in Minnesota, and the second half is in a fairy tale world peopled by Hans Christian Anderson characters.

It’s a jarring reading experience, probably similar to how Hazel (our main character) feels when her best friend Jack seemingly doesn’t want to be friends with her anymore. When Jack follows a strange ice woman into the forest and disappears, Hazel goes after him to bring him back.

As magical as this book is, Jack’s disappearance and Hazel’s pursuit have real-world consequences, and this blurring of fairy tale and friendship is one of the best I’ve ever read. It touches on divorce, parents with mental illness, and how friendships evolve as we grow up. It’s so good.

On the first day of school, no one can pronounce a little girl’s name. It gets stuck in the teacher’s throat. The other students cough trying to say it. The girl goes home determined never to go to school again.

Her mom teaches her to sing names. Some names have fire. Some must be sung from the heart or the belly. The next day at school, the teacher has no trouble with any of the other students’ names, but still can’t pronounce the girl’s. The girl sings her name. The teacher is confused, and says “Names aren’t songs.” 

The girl sings the teacher’s name. The teacher gets it. Soon some of the other students want her to sing their names. What started out as bullying – trying to make the girl feel bad about her unusual name becomes a bonding and learning opportunity. The basic viewpoint here is good for… show more.

I wasn’t sure how Cornwell could possibly make a Cinderella retelling fresh and unique, but she did. She roots Nicolette—who her evil stepsisters call Mechanica—deep enough in the classic fairytale that we get all the satisfying beats, but then Cornwell turns them on their head. I love steampunk stories, and Cornwell replaces the Disney-fied animal helpers with mechanical insects and a metal horse fueled by coal and outlawed faery magic. She also addresses some outdated ideas in earlier renditions for a modern twist set in a Victorian-ish time period. Though Nicolette is not the first mechanical Cinderella on the YA bookshelf, Mechanica is not a rip-off of Marissa Meyer’s Cinder. I enjoyed both of them.