Here are 96 books that Rizzio fans have personally recommended if you like
Rizzio.
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I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.
Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I love a bit of historical crime, and this novel, the first in a series about Cat Lovett and James Marwood, has everything. It’s a brilliantly plotted mystery but it is also so much more. Set in 1666, it opens with the Great Fire of London, as the chaos of fire sweeping through the city is used to cover up murder.
I found the story and the characters compelling, so much so that I’ve gone on to read the rest of the series, each of which intertwines the personal lives of Cat and James with the political events of the day.
The first book in the No. 1 Times bestselling series
'This is terrific stuff' Daily Telegraph
'A breathtakingly ambitious picture of an era' Financial Times
'A masterclass in how to weave a well-researched history into a complex plot' The Times
A CITY IN FLAMES London, 1666. As the Great Fire consumes everything in its path, the body of a man is found in the ruins of St Paul's Cathedral - stabbed in the neck, thumbs tied behind his back.
A WOMAN ON THE RUN The son of a traitor, James Marwood is forced to hunt the killer through the city's…
Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.
I think it was the first biography I ever purchased. At age ten or eleven, I read in it, but now I’m reading it all the way through, and I’m pleased to say that even at that tender age, I gravitated to the best!
Fraser stops the narrative when she wants to discourse upon a particular issue or attribute and always considers her own take on events and characters worthy of elegant interjection.
She’s not afraid to discuss relevant but not strictly solemn issues, such as whether Mary was considered beautiful and the tragic queen’s love of dancing and cross-dressing.
“A book that will leave few readers unmoved.”–San Francisco Chronicle
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving…
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
I was never interested in History at school: it just seemed to be boring lists that didn’t involve relatable human beings. I can’t remember why I picked up this book in the library, but it opened history up to me as something completely different—and fascinating. These Queens and Kings and plague victims and soldiers were people like the people around me—and the story was as exciting as many of the plots in the non-fact-based fiction I read.
The haunting story of the beautiful—and tragic—Mary, Queen of Scots, as only legendary novelist Jean Plaidy could write it
Mary Stuart became Queen of Scotland at the tender age of six days old. Her French-born mother, the Queen Regent, knew immediately that the infant queen would be a vulnerable pawn in the power struggle between Scotland’s clans and nobles. So Mary was sent away from the land of her birth and raised in the sophisticated and glittering court of France. Unusually tall and slim, a writer of music and poetry, Mary was celebrated throughout Europe for her beauty and intellect.…
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
This is a great introduction to Mary’s story for young readers. I love the clever way it centres the whole story of Mary’s life on her true, action-packed escape from Loch Leven Castle, helped by a young boy called Will Douglas. It’s beautifully illustrated and written. This is how to get ‘em interested in history at an early age!
The true story of the daring escape of Mary, Queen of Scots from the island castle in Lochleven is well-known throughout Scotland and the world.
Multi-award-winning author Theresa Breslin, who has carefully researched Mary's life, has adapted this famous adventure into a picture book for children.
Through stunning illustrations and a gripping story, both packed with historical detail, children will feel the tension of Mary's imprisonment and the excitement of her escape plans, gaining insight into this fascinating period of Scottish history.
A full and engaging historical tale for children from a fabulous Scottish storyteller.
I started out on this journey with an entirely different book in mind based on a Chinese tale about beauty, masking, and deception. Somewhere along the way, I transposed the idea to 15th-century Venice where Neo-Platonic beliefs were parallel to those in the fairy tale. The country that preceded Montenegro became part of the story and I fell in love with both those places. Finally, I read everything I could find in nonfiction on the 15th century, and developed two characters, a Slav brigand, Rade, and a Venetian maiden, Caterina. To my great surprise, the book began to write itself.
In the character of Francis Crawford of Lymond, Dorothy Dunnett created one of the most memorable heroes in historical fiction. I lived for the next book in the series. Lymond was mercurial, malicious, loving, insouciant, flawed, and fearless – and yet believable and very human. Dunnett brought 16th-century Scotland and the borderlands to life, even to the songs and the literature. It was a world entirely real to the reader and one in which, despite unexpected tragedy, elsewhere in the story, there could be a sense of humor.
In this first book in the legendary Lymond Chronicles, Francis Crawford of Lymond, traitor, murderer, nobleman, returns to Scotland to redeem his reputation and save his home.
It is 1547 and Scotland has been humiliated by an English invasion and is threatened by machinations elsewhere beyond its borders, but it is still free. Paradoxically, her freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents, posessed of a scholar's erudition and a tongue as wicked as a rapier. In The Game of Kings, this…
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I picked up this book from the shelf of a holiday cottage and was hooked immediately. I love books which interweave personal human stories with big events.
The ordinary loves and lives of the people of Pompeii are unfolding as the mountain above them begins to behave strangely. Of course, we, the readers, know the disaster that is about to occur, which only adds to the suspense. Unputdownable.
'A stunning novel . . . the subtlety and power of its construction holds our attention to the end' The Times
During a sweltering week in late August, as Rome's richest citizens relax in their villas around Pompeii and Herculaneum, there are ominous warnings that something is going wrong. Wells and springs are failing, a man has disappeared, and now the greatest aqueduct in the world - the mighty Aqua Augusta - has suddenly ceased to flow . . .
Through the eyes of four characters - a young engineer, an adolescent girl, a corrupt…
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I read this book when it came out last year and also heard the author speak about it at the Edinburgh Book Festival. It’s a story set long after the Highland Clearances, a time when people were driven out of the glens of the Scottish highlands to be replaced by sheep. It drew me right into the human consequences which continue to unfold long after the dramatic events are over.
I particularly enjoyed the compelling main character, Jamesina Ross, who is long since damaged and disappointed yet still has the instantly recognisable dry humour and strength of an older woman who has lived and loved.
'A wonderful and moving story, beautifully told . . . an episode of history brought vividly to life' Clare Chambers, author of Small Pleasures
Jamesina Ross is long finished with men. But one night a stranger seeking lodgings knocks on the door of her tenement flat. He doesn't recognise her, but she remembers him at once. Not that she plans to mention it. She has no intention of trusting anyone enough to let herself be vulnerable again.
A lifetime ago Jamesina Ross was bent on becoming a writer. She had a facility with words. She made up songs about the…
My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.
Another Police Procedural series introduction. I love James Oswald’s writing and his characters are fascinating. There are some of the usual tropes in here but there is enough that is new and different to keep it fresh. I loved the fact that this had a horror element to it – I don’t read horror but enjoyed it in this case as a bit of seasoning. I think Edinburgh seems to be a great place to set a crime novel, and Oswald seems to know it well and it becomes a character in its own right I think.
Natural Causes is the first novel in the Detective Inspector McLean series, from Sunday Times best-selling author James Oswald.
A young girl's mutilated body is discovered in a sealed room. Her remains are carefully arranged, in what seems to have been a cruel and macabre ritual, which appears to have taken place over 60 years ago.
For newly appointed Edinburgh Detective Inspector Tony McLean this baffling cold case ought to be a low priority - but he is haunted by the young victim and her grisly death.
Meanwhile, the city is horrified by a series of bloody killings. Deaths for…
I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
This was the first book I read when I started my English degree at Aberdeen University and I remember reading it on the train home one weekend and being completely gripped by it. The novel is about two brothers, George and Robert, one of whom is murdered. The structure of the novel is interesting in that, although it is a work of fiction, it presents itself as a found and true document, with the first part being narrated by the ‘editor’ and the second part told from the point of view of Robert. Robert is the quintessential unreliable narrator and his fate can be interpreted in a number of different ways from demonic possession to schizophrenia. It’s a dark and gothic novel that leaves you feeling unsettled long after you have finished it and unsure about what is real and what isn’t.
Written in 1824, James Hogg's masterpiece is a brilliant portrayal of the power of evil. Set in early eighteenth-century Scotland, the novel recounts the corruption of a boy of strict Calvinist upbringing by a mysterious stranger under whose influence he commits a series of murders. The reader, while recognising the stranger as the Devil, is prevented by the subtlety of the novel's structure from finally deciding whether, for all his vividness and wit, he is more than a figment of the imagination. This is the only complete edition of Hogg's Confessions, since it was first published. All subsequent editions, until…
