100 books like Richard Scarry's Funniest Storybook Ever!

I’m the author of Raccoon Tune, Elena’s Story, and eight books about goofy sheep. My family didn’t get a TV until I was nine, so I used the library for entertainment. I liked all kinds of books. I’m still a voracious reader and I’m fascinated by the nuances of words. My kids loved silly books--especially where someone ignores the obvious--and so does my granddaughter. I also grew up playing with words. Once, on a car trip, I started rhyming about sheep driving a jeep, and even a preschooler knows you shouldn’t forget to steer. I think that seeing foolish characters in stories helps kids make sense of the world.

Simon is obsessed with picture books: reading them, writing them, buying them, smelling them. His own have been published in more than 20 languages. You Must Bring a Hat won the Sainsbury’s Children’s Book of the Year, and I Really Wany the Cake was shortlisted for the Waterstones Children’s Book Prize. He particularly enjoys funny, deadpan picture books. After gaining a 1st class degree in History, he put his skills to use as a barman at a local pub, grew tired of the owner calling him Andy, left to fail a teaching degree, then turned to writing. He lives in England, although occasionally leaves to buy milk.

I’m the author of Raccoon Tune, Elena’s Story, and eight books about goofy sheep. My family didn’t get a TV until I was nine, so I used the library for entertainment. I liked all kinds of books. I’m still a voracious reader and I’m fascinated by the nuances of words. My kids loved silly books--especially where someone ignores the obvious--and so does my granddaughter. I also grew up playing with words. Once, on a car trip, I started rhyming about sheep driving a jeep, and even a preschooler knows you shouldn’t forget to steer. I think that seeing foolish characters in stories helps kids make sense of the world.

I’m the author of Raccoon Tune, Elena’s Story, and eight books about goofy sheep. My family didn’t get a TV until I was nine, so I used the library for entertainment. I liked all kinds of books. I’m still a voracious reader and I’m fascinated by the nuances of words. My kids loved silly books--especially where someone ignores the obvious--and so does my granddaughter. I also grew up playing with words. Once, on a car trip, I started rhyming about sheep driving a jeep, and even a preschooler knows you shouldn’t forget to steer. I think that seeing foolish characters in stories helps kids make sense of the world.

Since an early age, I loved getting lost in a good story and knew I wanted to be a writer one day. As an adult, I tried writing in many genres but it was when I had my children that I knew I wanted to write children’s bedtime stories. I loved that special time at the end of a busy day when I could snuggle down with my children and get lost in a story with them. I now write children's bedtime stories for a podcast called Koko Sleep. The stories are written in a soothing way and are designed to help the listeners drift easily to sleep.

I am no expert on kindness—though more than twenty years at Sesame Workshop, working on a TV show that focuses on kindness, may give me a slight edge. And I am not unfailingly kind, though I try my hardest. But I am passionate about nurturing this quality in children. At the risk of sounding naive, I feel that it’s our last best hope of solving some of the world’s biggest problems.  

I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.

Books that make me feel uncomfortable are usually the ones that have stuck with me most over the years. There’s just something so alluring to me about an author who can effectively bring out that feeling in readers. When I started writing stories, I wanted to make my readers squirm – I wanted to layer the guts and gore with underlying psychological themes that made the violence and trauma that much more impactful. These books that I mentioned acted almost as study guides on how to blend shocking violence with themes of loneliness, depression, and rage. If you layer these correctly, you’re going to effectively be able to make your reader uncomfortable and your stories memorable.  

Since I was a girl, I’ve had an enduring sense that women must work harder, be cleverer, think more creatively than men, both at work and sometimes at home. So I love a woman who stands up for herself, who doesn’t suffer fools gladly. At one time, when the series Spooks was popular on TV, I wanted to be Ros, the operator who, when a dodgy guy followed her, hid around a corner. She flattened him with some nifty moves, stole his car keys and said: “Never follow me again.” Brilliant! I hope you enjoy all the feisty females on my book list. 

I am pathologically allergic to “message” books. As the former host of The Gittle List contest for self-published authors, I’ve read hundreds of children’s books. Many were “tell, not show” books. Stories with phrases like “we all should respect each other’s differences” rather than showing characters respecting each other’s differences. My recommended books are, at least in part, about diversity. Like my own book series, they demonstrate diversity through unusual friendships. Showing how characters work out their differences by learning about each other and finding ways to get along. A good story can change hearts and minds when characters carry the message–not beat readers over the head with it.