Here are 100 books that Returning To the Teachings fans have personally recommended if you like
Returning To the Teachings.
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This list opens the door to the inner life of physicians: our hopes, fears, insecurities, and all of the internal and external pressures we face in our training and practice. As a doctor, I see myself in these books—not a superhero with “all of the answers,” but a human being in a profession suffering one of the largest crises of workforce burnout and moral injury. Seeing our physicians as real people will help us feel more empowered to bring our own true selves to the relationship. And really good healthcare is more likely to happen when souls connect.
Shem provides a satirical look at the often sadistic training of physicians.
This was a classic when I was coming up in my training. Trigger warning: While this book importantly highlights the hidden underbelly of medical training and culture, some of the stories are so egregious that they should be used in educational settings to discuss what NOT to do. But under every satire lies some truth and something to be learned.
By turns heartbreaking, hilarious, and utterly human, The House of God is a mesmerizing and provocative novel about what it really takes to become a doctor.
"The raunchy, troubling, and hilarious novel that turned into a cult phenomenon. Singularly compelling...brutally honest."-The New York Times
Struggling with grueling hours and sudden life-and-death responsibilities, Basch and his colleagues, under the leadership of their rule-breaking senior resident known only as the Fat Man, must learn not only how to be fine doctors but, eventually, good human beings.
A phenomenon ever since it was published, The House of God was the first unvarnished, unglorified,…
As a woman physician who struggled with depression, the words “Physician, heal thyself” have particular resonance for me. In my own quest for healing, I’ve explored alternative modalities like acupuncture and reiki, as well as conventional psychotherapy. I’m always interested in reading about other women who faced the ever-present sexism of medicine, as well as those who dealt with mental health challenges and traumatic events before and during their medical training. I want to know what the factors were that helped them and healed them. Therapy? Other healing modalities? Mentors, friends, lovers? Finding a loving life partner? We all have so much to learn from each other.
This thoughtful, well-written memoir of a medical doctor and historian reminded me of why we doctors practice medicine.
The story of her years at Laguna Honda, a long-term rehabilitation hospital for indigent patients, presented me with a kind of medical practice as different as possible from the intensive care I myself practiced: Slow Medicine, which promotes close observation and deep listening, just sitting together, allowing time to do at least some of the healing. Laguna Honda was a place of hospitality, community, and charity.
I take comfort in knowing that there is still a place for these values in today’s highly fragmented, technologized, and speeded-up “healthcare system.” I was particularly moved by Sweet’s reflectiveness and vibrant humanity as she allowed “God’s Hotel” to heal her even as it—and she—healed her patients.
Victoria Sweet's new book, SLOW MEDICINE, is on sale now!
For readers of Paul Kalanithi’s When Breath Becomes Air, a medical “page-turner” that traces one doctor’s “remarkable journey to the essence of medicine” (The San Francisco Chronicle).
San Francisco’s Laguna Honda Hospital is the last almshouse in the country, a descendant of the Hôtel-Dieu (God’s hotel) that cared for the sick in the Middle Ages. Ballet dancers and rock musicians, professors and thieves—“anyone who had fallen, or, often, leapt, onto hard times” and needed extended medical care—ended up here. So did Victoria Sweet, who came for two months and stayed…
I am a doctor who is lucky enough to have worked in many countries with many people. I wanted to do this ever since I read Albert Sweitzer’s biography when I was about thirteen. I enrolled in medicine as a single parent in my thirties, then built up experience in emergency departments, pediatrics, obstetrics, remote area locum work, and a year in a hospice before beginning my career overseas. Being a doctor was, at one and the same time, exhilarating and terrifying, heartbreaking and absolutely filled with joy. The more I was able to connect to my patients, the more I loved every moment of my work. I hope the books on this list will give that same gift to you.
I absolutely loved the simplicity and clarity of this approach.
It’s almost the opposite end of the spectrum to my first selection and a method that I found more and more common over the years of my career: checklists and flowcharts for the serious and frequent presentations in the Emergency Department, in the operating theatre, and at Triage. And Gawande was right: they did and do save lives.
More generally, I used this process all the time when I was training other staff in my posts with Doctors Without Borders. Preventing and avoiding problems with fail-safe systems is so much better than trying to solve them after they occur!
In his latest bestseller, Atul Gawande shows what the simple idea of the checklist reveals about the complexity of our lives and how we can deal with it.
The modern world has given us stupendous know-how. Yet avoidable failures continue to plague us in health care, government, the law, the financial industry—in almost every realm of organized activity. And the reason is simple: the volume and complexity of knowledge today has exceeded our ability as individuals to properly deliver it to people—consistently, correctly, safely. We train longer, specialize more, use ever-advancing technologies, and still we fail. Atul Gawande makes a…
This list opens the door to the inner life of physicians: our hopes, fears, insecurities, and all of the internal and external pressures we face in our training and practice. As a doctor, I see myself in these books—not a superhero with “all of the answers,” but a human being in a profession suffering one of the largest crises of workforce burnout and moral injury. Seeing our physicians as real people will help us feel more empowered to bring our own true selves to the relationship. And really good healthcare is more likely to happen when souls connect.
This is an honest, vulnerable book in which the author, an experienced physician at the top of his game, questions his own approach to patients.
Are we doctors as “scientific” as we think we are, or are we just dependent on rigid protocols and implicit, incorrect beliefs that cause harm? The book provides a road map for doctors and lay readers alike to rethink the doctor-patient relationship and all the decision-making that comes from it.
A groundbreaking, profound view of twenty-first-century medical practice, giving doctors and patients the vital information they need to make better judgments together.
On average, a physician will interrupt a patient describing her symptoms within eighteen seconds. In that short time, many doctors decide on the likely diagnosis and best treatment. Often, decisions made this way are correct, but at crucial moments they can also be wrong—with catastrophic consequences. In this revolutionary book, Jerome Groopman pinpoints the forces and thought processes behind the decisions doctors make, offering direct, intelligent questions patients can ask their doctors to help them get back on…
I love sport. I played my last game of cricket when I was 69 and, as I approach my eightieth year, I continue to play golf, confusing my partners by switching from right to left hand when chipping and putting. I like watching sport but prefer to spectate via television rather than being there. I confess I do not fully understand American sports: I cannot fathom why a hit over the fence in baseball can score 1, 2, 3, or 4 rather than the undisputed 6 of cricket; and, while I admire the strategies of American football, I wonder why a ‘touchdown’ does not actually involve touching down.
Indigenous populations too have had a raw deal: from settlers who took their land and from those who felt they knew what was best for them. Although among the lesser sinners, sports historians have disregarded their traditional sports and focussed on their participation in sports imposed on them by invading powers. In contrast, Australian Aborigines feature in Roy Hay’s book as sportspersons in their own right. Hay shows that they were human beings who performed a constructive role in Australia’s sporting history. He does this not as a woke, bleeding heart academic but as a historian determined to unearth the ‘true’ story of Aboriginal participation in Australian Rules Football. As an Australian citizen I wanted to read this story.
This book will revolutionise the history of Indigenous involvement in Australian football in the second half of the nineteenth century. It collects new evidence to show how Aboriginal people saw the cricket and football played by those who had taken their land and resources and forced their way into them in the missions and stations around the peripheries of Victoria, South Australia and Western Australia. They learned the game and brought their own skills to it, eventually winning local leagues and earning the respect of their contemporaries. They were prevented from reaching higher levels by the gatekeepers of the domestic…
From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.
Ghost Bird by Aboriginal Australian author Lisa Fuller is a YA horror/mystery with a compelling narrative that delves into the internal conflict of identity on multiple fronts—scientific rationality versus traditional beliefs, being an Aboriginal person in a colonised land, and the weight of being the 'responsible' sibling to your more reckless twin.
The book's atmosphere is eerie, and I found the mystery compelling. It had me guessing as to what was really going on (a kidnapping or something supernatural?) until right before the climax. The descriptions of the unfairness and difficulties of attending high school resonated strongly with me (even though I have never been an Aboriginal woman, the school experiences were so realistic that they spoke to me and my memory of school).
A thrilling, multi award-winning, teen ghost story, from a First Nations Australian author, drawing on the culture and beliefs of her close-knit community. Stacey and Laney are twins and mirror images of each other but as different as the sun and the moon. Stacey wants to go places, do things and be someone different while Laney just wants to skip school and sneak out of the house to meet her boyfriend Troy. When Laney doesn't come home one night, the town assumes she's just doing her normal run-off but Stacey's gut tells her different. Stacey knows her twin isn't dead…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Poetry like this is crucial to telling the other side of the story. It’s a counternarrative, and that’s why Oodgeroo’s work has shaped my thinking and experiences in life-affirming ways.
Oodgeroo sees her work as an extension of the songkeeping and oral storytelling so intrinsic to Indigenous social life and survival. Her poems are not simply about a bygone past, as every line is relevant today (but hush, you mustn’t say so, Oodgeroo teases). That’s why I treasure her wit and writing – they give me life, a lifeline to a reality often denied us in Western thought.
It is written with so much beauty, elegance, and hope. Full of love for her people and full of grace, passion, and rage. Because there is so much to rage about (but that is another story)…
Oodgeroo’s writing has a unique place in Australian literature. When her poetry was first published in the 1960s, Kath Walker, as she was known then, provided a brave new voice for marginalised Aboriginal Australians. For the first time, an Aboriginal Australian was analysing and judging white Australians as well as her own people. She often made provocative and passionate pleas for justice:
We want hope, not racialism, Brotherhood, not ostracism, Black advance, not white ascendance: Make us equals, not dependants.
This collection of poetry and prose is a reminder of Oodgeroo’s contribution to Indigenous culture and the journey…
I've always been fascinated by experiences that exist on the border of the ordinary. Growing up, my grandmother would tell us, in serious tones, of the fairies and ghosts she had encountered—how closely the natural and the “supernatural” are linked. In my twenties, I would read a lot about shamanism and the kinds of extraordinary experiences they would actively seek. Later, noticing similarities between those experiences and the spontaneous experiences of ordinary people, my interest continued to grow. Near-death experiences, out-of-body experiences, but especially crisis apparitions—these experiences spoke strongly to me about how little we still know of the nature of the mind and how much there is yet to discover!
This pioneering masterpiece, first published in 1954, carefully documents, among other things, the compelling similarities between experiences of ESP between Westerners and the Aboriginal Australians. As a student of psychical research, I couldn't help but be fascinated by the similarities, right down to very particular and idiosyncratic details that lead me to believe that a fundamental human faculty is what was being studied and described here.
I particularly enjoy how the author hones in the kinds of cultural window dressing that may characterize a psychic experience and yet shows the fundamental experience itself as being indistinguishable despite the time and space between the cultures in question. Essential!
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
As someone who grew up in Australia without any gay literary characters to relate to, I’m incredibly passionate about queer stories set in our beautiful country. We now have a wealth of brilliant books by LGBTQ+ authors, and I hope that by sharing my recommendations, our stories find even more of the readers they’re meant to find. I’ve focused on books featuring gay male protagonists, as that’s how I identify, and they’re the type of queer stories I relate to the most. Some of the books are fiction, others are memoir, some are written for teens and others are for adults, but all of them share an incredible level of authenticity.
This is a heartwarming contemporary story about a gay Aboriginal teen exploring his sexuality and falling in love for the first time, set against the vivid backdrop of a fictional, rural Indigenous community. It’s evocative and heady and compelling. It’s one of those stories that makes you want to reach into the book and hug all the characters and tell them everything is going to be okay. Such an important story from a brilliant new voice in Australian YA.
SHORTLISTED: 2022 CBCA Book of the Year, Older Readers
'I don't paint so much anymore,' I say, looking to my feet.
'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.'
It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging…
I’m a fantasy author and mythologist who studies myth’s place in culture, history, and heritage conservation. To finish my doctorate, I moved from Seattle to Galway, Ireland and never left. Myth and folklore permeate the landscape around me as well as my day-to-day life. After grad school I returned to my first love, fiction, with all the knowledge and passion that came from the better part of a decade spent studying mythology. When I’m not writing, I spend my time exploring 5000-year-old tombs or practicing Fiore (14th century Italian sword fighting) with my husband. The Serpent and the Swan is the debut fairy tale in a much larger series.
Folklore and nature conservation is a subjects close to my heart. When I met my husband, an ecologist, many of our first conversations were on the importance of narrative to get people interested in conservation efforts. Folklore is the perfect tool.
This book does that job beautifully. As a piece of narrative nonfiction, it collects fairy tales, personal memoirs, and natural history in a lyrical journey through the forests of England. Maitland centers each chapter on an English woodland and the stories associated with it, be they fairy tales or history. More importantly, she discusses not only how myth shapes culture, but how landscape shapes myth. I reference it time and again not only as an academic, but as an author who creates worlds rich in landscape and folklore.
Fairytales are one of our earliest and most vital cultural forms, and forests one of our most ancient landscapes. Both evoke a similar sensation in us - we find them beautiful and magical, but also spooky, sometimes horrifying.
In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of the fairytales made famous by the Grimms and Hans Christian Andersen. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland…
