100 books like Really Enough

This book is a true, firsthand account of Dianne Lake, a teenage member of the Manson family cult that horrifically murdered people in the 1960s while attempting to start a race war.

I found the book hard to put down for its insights into the mind of a young girl abandoned by her parents who found acceptance by a charming yet psychotic man and his band of adoring, troubled sycophants. This book also put the turbulent 60s into perspective.

Growing up in the sixties, I was disturbed and frightened by the discord in society, perhaps not unlike society today. People have romanticized the hippie movement since then, but Dianne’s story put this troubled time into perspective, showing the drug use and casual sex that went hand in hand with the abandonment of personal responsibility to society, friends, and even family.

Louis Comfort Tiffany was famous in the late nineteenth century for magnificent stained-glass designs. In 2006, a collection of letters was found from one of Tiffany’s employees, Clara Wolcott, describing her experiences as head of the Tiffany Studios Women's Glass Cutting Department.

These letters gave insight into Clara’s life and her relationships and also revealed how many of Tiffany’s designs were actually created by her. Echo Heron took those letters and wrapped them into a beautiful story about a talented artist who loved her art so much that she was willing to sacrifice fame and fortune and much of her personal life.

I not only appreciated the beautiful, detailed descriptions of the artwork but also her descriptions of the passion and effort that Clara put into them. I don’t like books about historical figures where the author gives them modern attitudes and dialog, but the hero of this book is… show more.

In 1980, Shant Kenderian’s father was dying in Iraq, so he decided to fly there from the U.S. for one last visit. While there, the Iran-Iraq war broke out, and Saddam Hussein conscripted this U.S. citizen into the army like many unprepared Iraqis who were just bodies to throw in the way of Iranian troops. When Operation Desert Storm started, rather than retreating, Shant decided to make his way to the front lines to surrender to his fellow Americans.

I love this true story of desperation and courage from an ordinary person thrust into an extraordinary situation, struggling against authoritarian forces to make his way back to America and freedom while dodging bombs and bullets from all sides. I found this true story to be as exciting as any spy novel.

As antisemitism is currently coming into fashion again around the world, I recommend this frightening true story of a young girl hiding from the Germans, Russians, and Ukrainians who were all looking to rob Jews or send them to their deaths during World War II.

It is sometimes hard to believe that people can be so cruel, but what I take away from this book is first, that these events will continue throughout history and second, that good people of strong will can survive any tragedy if they have hope, a strong will, and luck (or God) on their side.

Oral history as a literary form is relatively new in China. When asked why he wrote the book, Mr. Feng replied that it was because of his guilt as a survivor and as a witness. The Cultural Revolution has devastated and scarred generation after generation in China, yet most people are silent about their personal experiences. Feng conducted numerous interviews with ordinary people who had lived through that period and wrote these intimate stories in the collection. Every voice is different and deeply personal; together, they portray one of the most disturbing and tumultuous times in Chinese history. 

Numerous studies have confirmed that China’s Great Famine was man-made, its architect Mao Zedong. Yet, many of those affected do not blame Mao for what happened to them.

Still, in today’s China, many, including those affected by the catastrophe, worship Mao. The presence of such a ludicrous act is attributed to the communist regime’s mythicizing Mao and meantime censoring any media exposing Mao’s immense cruelties.

This book by Chen helps uncover and make explicit the testimonies of those involved in the human catastrophe. The book also exposes testimonies concerning political violence before and after the famine, which is very beneficial for one to ponder over why political violence and man-made tragedies recur in contemporary China and whether China by itself is capable of ensuring similar tragedies never again occur.

Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.

I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain. 

He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).

Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.

My future husband and I read excerpts of this book as undergraduates—great preparation for our post-graduation trek into China. We were determined to track down his great-aunt in Chengdu—no mean feat in the late 80s, given the absence of cellphones and internet.

A cover blurb notes this book is in the “tradition of Orwell and Solzhenitsyn” but I’d point instead to Heller (Catch-22) for context on China’s Cultural Revolution. “Chairman Mao is a Rotten Egg,” for example, reveals strategies that made sense when we met my then-fiancé’s great aunt. She shared how her husband was thrown in jail given his training as a doctor, and how she responded to the Red Guards who had come for him: “Good! Take him away,” she feigned bravery, “he’s a pain.” They brought him back two days later.

How do you tell stories about the people who don’t show up in history’s official records?

That’s the question Vaness Hua explores in Forbidden City, which was inspired by a couple of lines Hua read about Chairman Mao Zedong’s love of ballroom dancing. Party officials would bring young women to the Forbidden Palace to dance with Mao and his party faithful. 

Any more detail about the lives of these young women is lost to history, but recreated with astonishing insight and beauty by Hua in Forbidden City. The main character, Mei Xiang, has to navigate the dangerous world of politics during the beginnings of the brutal and violent Cultural Revolution in China.

I love the questions this book raises about all the unknown women and girls whose stories of survival have been lost to time.